Monday, June 14, 2010

Art Show: Sky Wolf's a lousy tracker

Sea Dragon



By NC Wyeth. [Golden Age Comic Book Stories]

Mermaid



By Kep (though I can't tell if that's the photographer, PhotoShopper, or just the person who uploaded to Allday. [Swing with Shad]

After the break: a forest girl, mammoths, Red Sonja, a belly dancer, Sky Wolf vs the Heap, the Invisible Woman, and Rocket Girl.

Sunday, June 13, 2010

The Outlaw (1943)




After the 1986 Stagecoach, I had a hankering for another Doc Holliday movie that wasn’t a Wyatt Earp/Tombstone one (just because I’m overly familiar with that story and wanted something different). Howard Hughes’ The Outlaw barely qualifies, but I didn’t know that when I started it.

Walter Huston is Doc Holliday in name only. He’s got the easygoing outsider demeanor that the character needs, but not the tuberculosis or any other historical details that identify Doc. Instead of being pals with Wyatt Earp, his law-keeping buddy is Pat Garrett (Thomas Mitchell, who played Doc Boone in the ’39 Stagecoach; small world). Garrett of course became famous in history for killing Billy the Kid.

Billy is the third major character in The Outlaw. Jack Buetel was a brilliant choice to play him. He was 26 when the movie was shot, but looks about 17. And he’s great at balancing Billy’s laid-back charm with a darker temper.

After the break: friendship, darkness, and Jane Russell.

Art Show: Path to Goblin Village

Norway



By Bill Presing.

The Best Robot Pirate Airship Birthday Ever



By Jeremy Vanhoozer.

Our Newest Deep Sea Attack Ships



Artist Unknown, but the design is being put to good use by Admiral Calvin.

After the break: Namor, jungle girls, Kong, Zatanna, Death, Red Sonja, Xena, and some goblins.

Writing is Hard: Especially the Rights and Marketing Parts

Piracy



JA Konrath has written another helpful article telling authors to calm down and let people steal their books. Not that I'm at all experienced with the ins and outs of digital rights protection, but purely as someone who's been watching the publishing industry with interest for a couple of years now, I agree with him. He makes too much sense not to.

He lists four good reasons not to worry - mostly born from knowing how much of his work is being pirated and then looking at his rising sales figures - and then elaborates on them in great detail. He's not the first author from whom I've heard this advice either.

My only caveat to adopting Konrath's point of view is that I also endorse Tom Spurgeon's that - while popular - file sharing is wrong and that just because people are going to do it doesn't mean that I have the right to tell another creator how she should feel about it. I should also point out that Konrath's article seems to be much more about helpful advice that will make writers more productive and possibly prevent some heart attacks than it is a damning judgment of anyone's particular attitude.

Marketing with comp copies

BookEnds Literary Agency has a useful post on what writers can do with galleys (advance review copies, etc) that they receive from the publisher. While I'm not quite there yet in my career, there have been a couple of times when rather than being paid in cash, I've been paid in copies of my book. Usually, I just put those out at conventions to sell, but now I'm realizing that there may be a better use for them.

Web sites for writers

BookEnds also has a post on creating an online presence. This isn't the first article on that topic that I've seen, but I always stop for them when they hit my Reader. This one, for instance, has some helpful advice about using Facebook.

Elsewhere on the Internets: Cownt Tales Review

Here's what else I've been up to online lately:

What Looks Good for August



Last week's Gorillas Riding Dinosaurs was a look at cool adventure comics coming out in August. There's a lot of great stuff, but what I'm most looking forward to is Fantagraphics' English translation of The Extraordinary Adventures of Adele Blanc-Sec. Though one of the commenters has read it and lowers my expectations somewhat, I'm still very curious to read the source material behind the upcoming film. (Also in the comments, Kurt Busiek talks about his experience with the toys that inspired Moonstone's clunky-robot series Zeroids).

After the break: some quick reviews, the Teen Titans vs Ebenezer Scrooge Scrounge, and is Cownt Tales a Comic Worth Reading?

Saturday, June 12, 2010

Oh, look! New Blogger templates!

I'm going to try this one out for a while. I love the map and it better fits the color scheme of my banner.

TV News: Camelot and Rubicon

Camelot



Starz is working on a King Arthur series starring Jamie Campbell Bower (RocknRolla, New Moon, Harry Potter and the Deathly Hallows) as Arthur, Tamsin Egerton (St. Trinians, and who incidentally played the young version of Morgan le Fay in The Mists of Avalon) as Guinevere, Joseph Fiennes (Shakespeare in Love, FlashForward) as Merlin, and Eva Green (Casino Royale) as Morgan le Fay. No word on Lancelot yet. [/Film]

Rubicon



I was trying to be excited by The Event because it's a conspiracy thriller starring Jason Ritter. I'm still going to give it a shot because of Jason Ritter, but the trailer for it made me a lot less excited about the story. And the above trailer for AMC's conspiracy thriller Rubicon looks so great that I'm even less interested in The Event now.

I haven't dug into AMC's Mad Men or Breaking Bad yet, but they're so well-talked-about that I have high expectations for the network's shot at a genre that I'm more into. [The Ausiello Files]

Pass the Comics: Well, You're a Big Jerk...

Where Prowls the Beast!



Golden Age Comic Book Stories ran a huge batch of Angelo Torres comics, including this Lost World-type one (about halfway down the page).

The Scarlet Letter
 


It gets even better, so hop over to Kate Beaton's site to finish the strip and read a couple of other literary* comics as well.

*Assuming that "literature" includes Hagar the Horrible.

Two Flash Gordon publishers



After I posted about Dynamite's adding Flash Gordon and Mandrake the Magician to their publishing roster, Ardden Entertainment left a comment announcing that they still also have the Flash Gordon license and are planning a new volume for the Fall. Here's the press release:
Ardden Entertainment LLC is excited to announce the launch of FLASH GORDON: INVASION OF THE RED SWORD for an Autumn 2011 release.

Coming off the heels of Ardden’s critically-acclaimed FLASH GORDON: THE MERCY WARS mini-series (called “good, old-fashioned fun, freshly polished” by Publishers Weekly), Ardden plans on continuing an expansion of the characters and situations created in the first story arc, which was directly inspired by Alex Raymond’s groundbreaking comic strips.

FLASH GORDON: INVASION OF THE RED SWORD chronicles the invasion of Mongo by a splinter group of the CIA, as first introduced in FLASH GORDON: THE MERCY WARS #1. The group’s name, “The Red Sword,” was first created by Alex Raymond.

“When preparing to write the first four six-issue arcs we have planned for FLASH GORDON,” says FLASH GORDON writer and Ardden Co-Publisher Brendan Deneen, “I re-read every single one of Alex Raymond’s original comic strips. There was a treasure trove of material in there, including an arc where Flash, Dale and Zarkov end up back on Earth. While there, they battle a mysterious group called ‘the Red Sword.’ I thought that was the perfect name for the invading force in our second arc.”

“Like everyone else,” Deneen added, “I’ve heard about Dynamite’s plans to launch their own FLASH GORDON series. I look forward to some healthy competition. I hope they’re ready, too.”
This sounds like the Phantom scenario all over again, so I'm curious to see this story develop.

Friday, June 11, 2010

Splice (2010)



My feelings about Splice changed a couple of times as I watched the movie, pretty much in conjunction with the act changes.

In Act One, a couple of scientists named Clive (Adrien Brody) and Elsa (Sarah Polley) have created a new life form from the DNA of various animals. It’s able to produce chemicals that could revolutionize disease research, but unfortunately, they’re a bit too successful and the pharmaceutical company that’s funding them wants to move forward with synthesizing drugs rather than continuing to see what else the life form can produce. Fearing that they’re about to lose their only chance to continue their research, Elsa and Clive (mostly Elsa, but Clive’s complicit in his inability to say “no” to her) carry on in secret. They create another life form; this one containing human DNA in addition to the animal components. The experiment quickly grows beyond their ability to control it though.

As all of this is going on, I’m identifying mostly with Clive. Elsa’s taken control of the experiment and is the alpha personality in the romance between the two scientists, so Clive feels more out of control than she does. He’s the voice of reason and his constant message to her is that they need to stop this before it goes too far. Elsa ignores him however and forges on.

After the break: The modern Modern Prometheus and how it all falls apart.

Movie News: I'm Too Sexy for My Lines

I've been a bad blogger for the last couple of days, so I'm sorry about that. I'm under deadline for a story in which Western Bigfoot has to solve some grisly murders, so that's been distracting (in a good way).

Pirates of the Caribbean 4 ship and casting news



/Film has a couple of pictures of something that sure looks like it was made for Pirates of the Caribbean 4, as well as casting news about Jack Sparrow's sidekick for the film.

After the break: TCM goes Under the Sea, Cinematic Titanic goes to Tiki Island, and Christopher Nolan goes to MI6. Also, Thor and Muppets updates.

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