By GW Thomas
Sympathetic robot characters were not the norm in the 1930s. Robots were either the tools of mad scientists or out-of-control monsters. Isaac Asimov's fame as an SF writer rests partly on his tales of likeable robots. He created the famous "Three Laws of Robotics," logically deduced rules that robots would have to follow to be used safely in society. Asimov wrote entire novels around possible issues with the Three Laws and how robots would be accepted or not by humans.
But this was in the 1940s. Asimov's first story, "Robbie," was written in 1939 and did not see print until September 1940. Authors who predated Asimov include Neil R Jones with his stories of the Zoromes and John Wyndham (under his real name of John Beynon Harris) with "The Lost Machine," but most influential was Eando Binder (Earl and Otto Binder, a brother team). They created Adam Link, a robot who is judged by humanity, but not found wanting. The stories of Adam Link appeared in Amazing Stories between January 1939 and April 1942. The first of ten stories was entitled "I, Robot," because the narrator of the piece is the robot itself. This was revolutionary. Nobody had ever told the story from the robot's point-of-view before. When the stories were collected in book form the title I, Robot (1965) was selected. This was also the name of Asimov's first robot collection (1950), with the Binders' permission.
The original Binder stories are more like episodes in a novel. (In fact, when it came time to collect them, the story titles were dropped and only chapter titles were given.) The first story, "I, Robot" ends with Adam Link in prison, waiting for his destruction. The second part, "The Trial of Adam Link," has Adam being represented in court by Dr. Link's nephew, Thomas. This story ends with the case lost and Adam's facing death again. The next story has reporter Jack Hall finding the people Adam saved from a fire (and a small child from a speeding car), who speak out and free him. It is these two stories that will form the television adaptations of the future. "Adam Link in Business" has the robot searching for some form of meaning and employment. Jack Hall is interested in Kay Temple, but she falls for the metal man. Adam is forced to leave so that Kay can fall in love with a human. The story leaves off as Link goes on a new journey. What will happen to him next? These cliffhanger endings worked well to force editors and readers to ask for the next portion of the tale. In consecutive episodes, Adam fell under the control of an evil scientist, created a metal mate named Eve, then became a detective to save her from the Black Fist Gang's frame-up, and he became an athletic champion to win over public opinion and the right to have American citizenship. He even fought for humanity against alien invaders. Not bad for a robot.
Asimov casts a big shadow, but SF fans still have a fondness for Binder's Adam Link. The stories were adapted into comics and television. First in 1955-56 with EC's Weird Science-Fantasy #27-29 (March/April 1955 through May/June 1956). Adapted by Al Feldstein and drawn by Joe Orlando, the last three issues of this title adapted "I, Robot," "The Trial of Adam Link," and "Adam Link in Business." Feldstein's adaptation simplified the stories a little, but otherwise were faithful. Joe Orlando's art was low-key by EC standards, drawing Adam with a pointed conical head.
"I, Robot," the original story, received two television adaptations, first by the original Outer Limits (November 7, 1964) and again in the new version of Outer Limits (July 23, 1995). The best thing about these two, very similar versions is that Leonard Nimoy was featured in both. In 1964 he played the journalist Jack Hall (renamed Judson Ellis) who acts as a kind of foil to the lawyer, Thurman Cutler (played by Howard Da Silva) who represents Adam Link and loses. In the 1964 episode, the lawyer is not the relative. That is the beautiful Marianna Hall as the professor's niece, Nina Link. In 1995, Nimoy got to play Cutler himself (and wins the case) with his son Adam Nimoy directing the episode. Cynthia Preston is the prof's daughter, Mina Link, now playing foil in place of the reporter.
The first television version may have sparked an interest in another comic version. More likely it was an adaptation of "Adam Link's Vengeance" in a fanzine, Fantasy Illustrated #2, adapted by Otto Binder and drawn by D Bruce Berry and Bill Spicer. This piece won the Alley Award for Best Fan Comic Strip of the Year. Binder was interested in adapting more of the Adam Link stories, but who would publish them? The unusual choice was James Warren's Creepy. Known for down-beat horror, the magazine in its early days was edited by Archie Goodwin and attracted the likes of Frank Frazetta, Gray Morrow, Reed Crandall and Steve Ditko. The new adaptation by Otto Binder would be drawn by Joe Orlando, the original artist of 1955!
As you'd expect, Binder's adaptation is accurate and he gets to tell five more episodes about Adam Link. Orlando's second time around as artist is interesting because rather than replicate what he did ten years earlier, he uses the black and white medium well with gray shades and a more realistic look. He drew Adam differently too, abandoning the conical head for a more human one. In the end, the Creepy adaptations were well done, but ended too soon when the Warren company fell on hard times. In the end they published "I, Robot" (Creepy #2, April 1965), "Trial of Adam Link" (Creepy #4, August 1965) "Adam Link in Business" (Creepy #6, December 1965) "Adam Link's Mate" (Creepy #8, April 1966) "Adam Link's Vengeance" (Creepy #9, June 1966) "Robot Detective" (Creepy #12, December 1966) "Adam Link, Gangbuster" (Creepy #13, February 1967), and "Adam Link, Champion Athlete" (Creepy #15 August 1967).
Except for the 1995 Outer Limits episode, Adam Link's career ended here. And it's not surprising. He had a lot more competition by 1967. Robots were appearing in all kinds of media from books like Philip K Dick's Do Androids Dream of Electric Sheep? to television with Lost in Space and Astro to films like Forbidden Planet to comics like The Metal Men. Likeable robots are here to stay and Earl and Otto Binder did their share to make them a permanent part of the science fiction fabric.
GW Thomas has appeared in over 400 different books, magazines and ezines including The Writer, Writer's Digest, Black October Magazine and Contact. His website is gwthomas.org. He is editor of Dark Worlds magazine.
Showing posts with label robots. Show all posts
Showing posts with label robots. Show all posts
Wednesday, April 15, 2015
Wednesday, January 18, 2012
17 Movies I Liked Okay in 2011
37. The Eagle

The more I think about it, the lower on the list I think I should have put this. I love an historical action film and the Roman Empire had some great visual style, but I'm remembering that the story here didn't make any sense. That's the problem with making this list at the end of the year; I forget stuff like that. Still, my recollection isn't that I disliked it, so the visuals and action must have been pretty good? Maybe I just blocked out the worst parts. I dunno; you tell me. I'm certainly not watching it again to find out.
36. Tinker Tailor Soldier Spy

An intriguing drama with some great actors, but very, very slooowww.
35. Sucker Punch

Awesome visuals and set-pieces; confusing message about female empowerment. Hell, just confusing in general.
34. Beastly

Beauty and the Beast for the Twilight crowd. And me, apparently. Not exactly original, but I'm a huge sucker for that particular fairy tale and Beastly hit the right beats to make it work for me. Vanessa Hudgens doesn't give me a ton of reasons to believe Alex Pettyfer would fall that hard for her, but he's great in it and sells the attraction anyway.
33. Drive Angry

Great grindhouse schlock. Didn't exactly make me love Nicholas Cage all over again, but it's my favorite thing he's done in years.
32. Conan the Barbarian

I've seen the Schwarzenegger Conan movies countless times, but I don't hold the first one in as high regard as most fans do. In fact, I like Conan the Destroyer a lot better. Which is to say that my standard for this movie was pretty low and it met my expectations just fine. It's not a great movie and it's not everything a Conan movie should be, but compared to the rest of the sword-and-sorcery movie genre that exists in reality and not an ideal world, it's toward the top of that pile.
31. Our Idiot Brother

I loves me some Paul Rudd, but this is not his best movie. It's funny in parts, but the message is overly simple: that uptight women need to chillax like the bros.
30. The Adjustment Bureau

A good thriller marred by a rushed ending. Still, I love Matt Damon and I totally bought the romance between him and Emily Blunt.
29. Moneyball

I also love Brad Pitt and Jonah Hill (and Philip Seymour Hoffman, but he's wasted in this movie). The game-changing formula that this movie is based on is fascinating; I just never got a great feel for what the movie is trying to say about it. Is it a good thing? A bad thing? A little of both? If it's a little of both, why does it matter enough to make a movie about it? The film works a little better as a drama about Brad Pitt's character, but even then I'm left unsure what it's trying to say and I've spent some time thinking about it.
28. The Green Hornet

I probably would have hated this movie had I been a Green Hornet fan, but I'm not and I don't mind its light-hearted approach. I allow myself one Seth Rogen movie a year so's not to get burned out and I enjoyed this one. Kind of wish I'd held out for 50-50, but oh well. This was fun, if dumb.
27. Fast Five

Speaking of dumb fun, Fast Five could have squandered the opportunity of putting Vin Diesel and The Rock in the same movie together. The cynical me actually expected it. But it didn't. Not only did it make the most of their screen time together, it built a storytelling engine that will easily (and interestingly) power this series for the next few movies. On the other hand, them dragging that safe down the street at the end was helladumb.
26. The Mechanic

I only have vague memories of the Charles Bronson original version, but what I do remember was handled more to my liking in this one. I know that's cryptic, but I'm mostly talking about the last five minutes of both movies. Anyway, a better-than-average Jason Statham vehicle, improved by the presence of Ben Foster.
25. Source Code

Nice scifi story. It didn't stick with me like a great movie should (maybe 'cause I figured out what was going on too early?), but it kept my attention and I rooted for Jake Gyllenhaal to figure out a way to save and end up with Michelle Monaghan's dead character.
24. Bridesmaids

Very funny and I like the meta-message it sent about gender equality in Hollywood films. I didn't buy into the romance like I was supposed to (mostly because I didn't like Kristin Wiig's character much), but it was still a funny movie with actresses I love and some nice heart.
23. Arthur

My friends who've seen the original tell me that I'm not supposed to like this, but - like with Green Hornet - I have the luxury of getting to judge it purely on its ability to make me laugh. Which it did. And the relationship between Russell Brand and Helen Mirren was awesome and touching.
22. Friends With Benefits

An almost perfect romantic comedy foiled only by a resolution as cheesy as those in the other romantic comedies it mocks. Between this and Bad Teacher though, I'm right on board the Justin Timberlake Is Awesome train now. I was already there with Mila Kunis, whom I've loved since That '70s Show.
21. Real Steel

Unambitious, but it does what it does - tell a sentimental story about a man's redemption, both to himself and to his son - really well.
The more I think about it, the lower on the list I think I should have put this. I love an historical action film and the Roman Empire had some great visual style, but I'm remembering that the story here didn't make any sense. That's the problem with making this list at the end of the year; I forget stuff like that. Still, my recollection isn't that I disliked it, so the visuals and action must have been pretty good? Maybe I just blocked out the worst parts. I dunno; you tell me. I'm certainly not watching it again to find out.
36. Tinker Tailor Soldier Spy
An intriguing drama with some great actors, but very, very slooowww.
35. Sucker Punch
Awesome visuals and set-pieces; confusing message about female empowerment. Hell, just confusing in general.
34. Beastly
Beauty and the Beast for the Twilight crowd. And me, apparently. Not exactly original, but I'm a huge sucker for that particular fairy tale and Beastly hit the right beats to make it work for me. Vanessa Hudgens doesn't give me a ton of reasons to believe Alex Pettyfer would fall that hard for her, but he's great in it and sells the attraction anyway.
33. Drive Angry
Great grindhouse schlock. Didn't exactly make me love Nicholas Cage all over again, but it's my favorite thing he's done in years.
32. Conan the Barbarian
I've seen the Schwarzenegger Conan movies countless times, but I don't hold the first one in as high regard as most fans do. In fact, I like Conan the Destroyer a lot better. Which is to say that my standard for this movie was pretty low and it met my expectations just fine. It's not a great movie and it's not everything a Conan movie should be, but compared to the rest of the sword-and-sorcery movie genre that exists in reality and not an ideal world, it's toward the top of that pile.
31. Our Idiot Brother
I loves me some Paul Rudd, but this is not his best movie. It's funny in parts, but the message is overly simple: that uptight women need to chillax like the bros.
30. The Adjustment Bureau
A good thriller marred by a rushed ending. Still, I love Matt Damon and I totally bought the romance between him and Emily Blunt.
29. Moneyball
I also love Brad Pitt and Jonah Hill (and Philip Seymour Hoffman, but he's wasted in this movie). The game-changing formula that this movie is based on is fascinating; I just never got a great feel for what the movie is trying to say about it. Is it a good thing? A bad thing? A little of both? If it's a little of both, why does it matter enough to make a movie about it? The film works a little better as a drama about Brad Pitt's character, but even then I'm left unsure what it's trying to say and I've spent some time thinking about it.
28. The Green Hornet
I probably would have hated this movie had I been a Green Hornet fan, but I'm not and I don't mind its light-hearted approach. I allow myself one Seth Rogen movie a year so's not to get burned out and I enjoyed this one. Kind of wish I'd held out for 50-50, but oh well. This was fun, if dumb.
27. Fast Five
Speaking of dumb fun, Fast Five could have squandered the opportunity of putting Vin Diesel and The Rock in the same movie together. The cynical me actually expected it. But it didn't. Not only did it make the most of their screen time together, it built a storytelling engine that will easily (and interestingly) power this series for the next few movies. On the other hand, them dragging that safe down the street at the end was helladumb.
26. The Mechanic
I only have vague memories of the Charles Bronson original version, but what I do remember was handled more to my liking in this one. I know that's cryptic, but I'm mostly talking about the last five minutes of both movies. Anyway, a better-than-average Jason Statham vehicle, improved by the presence of Ben Foster.
25. Source Code
Nice scifi story. It didn't stick with me like a great movie should (maybe 'cause I figured out what was going on too early?), but it kept my attention and I rooted for Jake Gyllenhaal to figure out a way to save and end up with Michelle Monaghan's dead character.
24. Bridesmaids
Very funny and I like the meta-message it sent about gender equality in Hollywood films. I didn't buy into the romance like I was supposed to (mostly because I didn't like Kristin Wiig's character much), but it was still a funny movie with actresses I love and some nice heart.
23. Arthur
My friends who've seen the original tell me that I'm not supposed to like this, but - like with Green Hornet - I have the luxury of getting to judge it purely on its ability to make me laugh. Which it did. And the relationship between Russell Brand and Helen Mirren was awesome and touching.
22. Friends With Benefits
An almost perfect romantic comedy foiled only by a resolution as cheesy as those in the other romantic comedies it mocks. Between this and Bad Teacher though, I'm right on board the Justin Timberlake Is Awesome train now. I was already there with Mila Kunis, whom I've loved since That '70s Show.
21. Real Steel
Unambitious, but it does what it does - tell a sentimental story about a man's redemption, both to himself and to his son - really well.
Thursday, August 11, 2011
Brains in Jars Attached to Robot Bodies Hate Cephalopods
By my friend and partner-in-awesomeness Jason Copland, who's birthday is today. Happy Birthday, pal!
Monday, January 17, 2011
Art Show: Where do all the Croco-People go?
Love at First Sight

By Mattias Adolfsson. This is just a detail. Click the link to see the whole thing.
Aquaman

By Dave Barking.
Namor vs. Shagreen

The artist is keeping anonymous, but he or she blogs at Marvel Flipside.
Rusty Recon on Gear Island

By Jeremy Vanhoozer.
By Mattias Adolfsson. This is just a detail. Click the link to see the whole thing.
Aquaman
By Dave Barking.
Namor vs. Shagreen
The artist is keeping anonymous, but he or she blogs at Marvel Flipside.
Rusty Recon on Gear Island
By Jeremy Vanhoozer.
Monday, January 10, 2011
Art Show: Grrrreat!
HMS Hornblower

By Mattias Adolfsson.
Floating

By Sulamith Wulfing. [Golden Age Comic Book Stories]
Atomic Commandos in Action!

Possibly by Ogden Whitney. [Admiral Cal]
By Mattias Adolfsson.
Floating
By Sulamith Wulfing. [Golden Age Comic Book Stories]
Atomic Commandos in Action!
Possibly by Ogden Whitney. [Admiral Cal]
Thursday, December 09, 2010
Art Show: Strange Visitor from Another Planet
Superman

By Evan Shaner. I occasionally have a hard time remembering what I like about Superman, but this picture brings it all back. I love the determination on his face mixed with the little smile. He's about to save a life or lives, but he's having fun doing it. Not because he's careless about the responsibility, but because he truly enjoys his job. This is so much more meaningful to me than images that show him off in the distance, detached from humanity. [ComicTwart]
Northstar

By Ted Naifeh.
Alpha Flight's Night Out

By Ryan Alexander-Tanner. I love Sasquatch's expression as he's not sure what to do with a depressed Puck. Meanwhile, Mac earns his name. [Drawbridge]
Sasquatch

By Gavin Spence. I've been looking through some old files recently and found this by my pal Gav who's also one of the artists on Cownt Tales.
Joy-Rider Spider

By Caanan Grall.
Discover the Thrill of Space and Time

By Justin White. [Love in the Time of Chasmosaurs: Click the link to find out also what happens to T-Rexes who play with finger traps.]
Western Robot

Artist Unknown. [Brother Cal has found several great robot paintings.]
By Evan Shaner. I occasionally have a hard time remembering what I like about Superman, but this picture brings it all back. I love the determination on his face mixed with the little smile. He's about to save a life or lives, but he's having fun doing it. Not because he's careless about the responsibility, but because he truly enjoys his job. This is so much more meaningful to me than images that show him off in the distance, detached from humanity. [ComicTwart]
Northstar
By Ted Naifeh.
Alpha Flight's Night Out
By Ryan Alexander-Tanner. I love Sasquatch's expression as he's not sure what to do with a depressed Puck. Meanwhile, Mac earns his name. [Drawbridge]
Sasquatch
By Gavin Spence. I've been looking through some old files recently and found this by my pal Gav who's also one of the artists on Cownt Tales.
Joy-Rider Spider
By Caanan Grall.
Discover the Thrill of Space and Time
By Justin White. [Love in the Time of Chasmosaurs: Click the link to find out also what happens to T-Rexes who play with finger traps.]
Western Robot
Artist Unknown. [Brother Cal has found several great robot paintings.]
Tuesday, December 07, 2010
Destructor
Let's ease back into this, shall we?
Just one link today and that's to Sean T Collins and Matt Wiegle's Destructor, a new webcomic about a (presumably) killer robot. The first story, "Destructor Comes to Croc-Town," has our hardware hero encountering some reptilian rapscallions to violent results. Collins and Wiegle are just getting started, but as you can tell from the sample above, it looks great and has a terrifically fun feel to it. I'm looking forward to a lot more of this.
Thursday, December 02, 2010
Art Show: Stinking Paws
Re-Imagined Raiders

By Ed Binkley. [Illustrateurs]
Planet of the Apes

By Zee Risek. [Art Jumble]
The Hunt

By Jeremy Vanhoozer.
O'Ryann's Odyssey

By Jim Steranko. [Golden Age Comic Book Stories]
The Valkyrie from the Void

By Steve Epting.
Vanguard

By Dave Stevens. [Golden Age Comic Book Stories]
By Ed Binkley. [Illustrateurs]
Planet of the Apes
By Zee Risek. [Art Jumble]
The Hunt
By Jeremy Vanhoozer.
O'Ryann's Odyssey
By Jim Steranko. [Golden Age Comic Book Stories]
The Valkyrie from the Void
By Steve Epting.
Vanguard
By Dave Stevens. [Golden Age Comic Book Stories]
Wednesday, November 17, 2010
Pass the Comics: Junglebots Attack!
Princess Pantha tries to capture The Great M'Gana

Everyone's kind of a jerk in this story. Princess Pantha's a big game hunter trying to capture a giant gorilla for the circus and her boyfriend's a chauvinistic butthole. The most likable character is the villain, a scientist who also wants to capture the ape, but for study, not exhibition. The less said about the portrayal of the native, the better. [The Comic Book Catacombs]
Zago, Jungle Prince vs. The Iron Army

And, yes, by "Iron Army," they mean robots. Very cool. [The Comic Book Catacombs]
Everyone's kind of a jerk in this story. Princess Pantha's a big game hunter trying to capture a giant gorilla for the circus and her boyfriend's a chauvinistic butthole. The most likable character is the villain, a scientist who also wants to capture the ape, but for study, not exhibition. The less said about the portrayal of the native, the better. [The Comic Book Catacombs]
Zago, Jungle Prince vs. The Iron Army
And, yes, by "Iron Army," they mean robots. Very cool. [The Comic Book Catacombs]
Friday, October 01, 2010
Art Show: Trapped in the caverns of an exploding planet!
The Sunless World

By Gray Morrow. [Golden Age Comic Book Stories]
Groovy Legion

Artist Unknown. [Pink of the Ink]
By Gray Morrow. [Golden Age Comic Book Stories]
Groovy Legion
Artist Unknown. [Pink of the Ink]
Thursday, September 16, 2010
Art Show: Avenged by Agents Extraordinary
Mr. Freeze

By Mark Grambau. [Brother Cal]
Rogue

By Terry Moore. [Giant-Size Marvel]
Avengers '52

By Jay Piscopo. [Kirby-Vision]
Inspired by this awesomeness:
Bidi Bidi Bidi

By Mathieu Reynès.
Kill All Monsters!

By Jason Copland. So close to an announcement...
Retro-Robot

By George O'Connor.
That's not a burning bush

By Rosh.
By Mark Grambau. [Brother Cal]
Rogue
By Terry Moore. [Giant-Size Marvel]
Avengers '52
By Jay Piscopo. [Kirby-Vision]
Inspired by this awesomeness:
Bidi Bidi Bidi
By Mathieu Reynès.
Kill All Monsters!
By Jason Copland. So close to an announcement...
Retro-Robot
By George O'Connor.
That's not a burning bush
By Rosh.
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