14 Really Good Movies from 2017

24. King Arthur: Legend of the Sword

I like King Arthur stories, but I'm not a stickler about the way they're told (super evident in that my favorite Arthur movie is that one with Clive Owen and Keira Knightley). And since Guy Ritchie movies always have a high floor of enjoyability for me, I had a great time with this. It's not a great King Arthur story, but it's a really fun Guy Ritchie medieval action flick. If "Guy Ritchie medieval action flick" sounds cool to you, I recommend it.

I gotta say, though, that I'm glad plans for a whole Arthurian "universe" springing from this have apparently been cancelled. Nobody needed that and none of the characters here are worth multiple movies about.

23. The Fate of the Furious



As much as I'm a fiend for this series, F8 (as it should have been called) didn't even crack my 20 Most Anticipated Movies of the year. That was due to the hackneyed suggestion in the trailer that Dom goes rogue and betrays his team. Since there was 0% chance that his defection was real, I rebelled at the whole concept. And I wasn't crazy about the promise of Jason Statham's Han-killing character joining the family, either. I went into F8 with arms crossed and needing to be won over.

And it was rough-going for a lot of the movie. Charlize Theron is wasted as a super-serious and self-important hacker who growls the worst dialogue I've heard in a few years. "Did you ever think you'd betray your family the way you did today?" And even though I'm all for previous movies' tossing cars between skyscrapers and parachuting them out of airplanes, I found the complications around the New York car chase ridiculous and unbelievable, but not as fun as skyscraper jumping and automotive skydiving. And Statham's transition to the good guys' side was as clunky as I feared it would be.

But about the time that Helen Mirren showed up, I decided to just jump on board. She's awesome, her relationship to the other characters is awesome, the final chase across the ice lake is awesome (confusingly shot at times, but still awesome), and Jason Statham is the most awesome of all. Enough so that I forgive the movie for making him a good guy, even if I don't completely forgive him for murdering one of my favorite characters. There's a devastating missed opportunity when he doesn't dive out of the airplane with a baby in pursuit of Theron, but oh well. This isn't one of the best Fast/Furious movies, but it's good enough and I ended up having a really great time.

22. Justice League



I was skeptical, but hopeful. I hated 50% of Man of Steel and probably 90% of Batman v Superman, but Wonder Woman was such a drastic course correction that I was encouraged that Warner Bros had finally learned its lesson. Not that Wonder Woman was a flawless reroute. And I didn't expect Justice League to be either. Seeds were planted in BvS that were clearly intended to grow into dark trees, so these sequels were going to have to ignore or retcon those in order to lighten the mood. I'll probably have more to say about that when I get to talking about Wonder Woman.

Justice League did a nice job of it though. Steppenwolf is a boring villain, but his plan at least made sense, as did the heroes' response to it. And I was surprised to like all the heroes. I'm an easy mark for Wonder Woman and Aquaman, but Flash was a pleasant, funny surprise and I really liked his and Cyborg's character arcs. I went into this ready to hate emo Cyborg, but he grew out of that. In fact, all the heroes had to make compromises so that community became a major theme of the film. They even figured out how to make an inspirational Superman. It's not a great movie, but the series is finally headed in a direction that I'm interested in and that's a pretty big accomplishment.

21. How to Be a Latin Lover



How to Be a Latin Lover is about a selfish gold-digger (Eugenio Derbez) who gets dumped for a younger man (Michael Cera). While he's looking for his next wife, he moves in with his sister (Salma Hayek) and her young son (Raphael Alejandrois) and learns the value of family. The movie doesn't move far from the usual formula for this type of story, but it's very funny and the three leads are all super charming.

The rest of the cast is great, too. Rob Lowe plays a fellow gold-digger, Linda Lavin is his insanely wealthy wife, Kristen Bell is a frozen yogurt manager who gives Derbez a job, Raquel Welch is his intended next victim, and Rob Corddry is her extremely protective chauffeur. If you have any fondness (or even just patience) for this kind of story, Latin Lover is a charming one.

20. The LEGO Batman Movie



I expected too much. I loved how funny and touching The LEGO Movie was and thought that this would be more of that, just with a ton of Batman references. The trailer promised a story about Batman's realizing that he needs other people, which I thought would allow for some interesting comparisons with Justice League.

And while it is very funny and I'll enjoy revisiting it and picking up references that I missed the first time around, it doesn't have the emotional punch that I hoped for. The emphasis on family is nice, but Will Arnett's Batman is still pretty inscrutable, so the lesson he learns feels very surface.

Don't get me wrong, I laughed a lot and had a great time. But I expected this would be at least a Top 15 movie, if not a Top 10.

19. Atomic Blonde



Atomic Blonde is a great spy story with a super cool agent. I like that it's set in the Cold War and I love the heavy use of '80s New Wave music. I even like how the song choices fit with what's going on onscreen ('Til Tuesday's "Voices Carry," for instance, when two characters are trying not to be overheard), but I understand how that might be annoyingly on-the-nose for some.

The plot is complicated, with a lot of double- and triple-crossing to keep track of, but while I was often kept guessing, I was never confused. And it all tracked for me in the end. Looking back after all the reveals have been made, I have some questions about why certain characters did what they did, but I'm not calling that a flaw until I've been able to see it again with the knowledge of what everyone's up to.

The selling point is the action sequences. There are a few big fights and they're all staged differently and even have different tones from each other. One is a brutal, very prolonged fight in a stairwell, for example, while another in a posh hotel is slow motion and operatic.

18. Valerian and the City of a Thousand Planets



I was a little nervous about Valerian. The trailers looked fantastic and I like the two leads quite a bit, but I'm never sure what I'm going to get from Luc Besson. That's especially true when he's only producing, but he also directed Lucy and I hated that movie. I was getting a similar vibe about Valerian that I did about Jupiter Ascending, another attempt at a bold space opera by unpredictable (in the sense that I can't predict whether I'm going to like any given film of theirs) filmmakers. I enjoy Jupiter Ascending, but it wasn't as cool or cohesive as I'd hoped it would be. And I was concerned that I'd feel the same way about Valerian.

I didn't love it, but I like it quite a bit and it works a lot better than Jupiter Ascending. People seem to be divided on Dane DeHaan and Cara Delevingne as the leads, but I love both those guys. DeHaan was an effective Harry Osborne in Amazing Spider-Man 2 and another of his movies made my Top 10 this year. I hear the complaints that he's channeling '90s Keanu Reeves and I'm not going to say that it's not true. What I do push back on is that this is a bad thing for a big, fun adventure movie. I'm not as familiar with Delevingne's work, but she brings a lot of personality to Laureline and totally works for me as the soul of the film.

I agree with the criticism that there isn't a lot of romantic heat between the two leads. That's the film's biggest weakness. There's a big chunk of backstory missing in which Valerian has supposedly turned from a Bond-level womanizer to being ready to settle down in a committed relationship with his current work partner. The movie tells me that this is true and eventually convinces me that Valerian at least believes it to be true, but I never see it or feel it myself. And since I don't quite believe it, I wonder why Laureline does. That's the only thing that keeps me from full-heartedly loving the film, though. The rest is awesome.

It's gorgeous and every scene change brings new ideas and things I've never seen before. It may be the only time that I've ever watched a movie in 2D (always my preference) and thought that I should go back and watch it again in 3D. I wanted to immerse myself in the world even more.

The movie is also funny and exciting and I love how it's about overcoming fear and selfishness with love and compassion. As I watch it more, I expect that my problems with the central romance will become less important. I may not care whether Valerian and Laureline smooch, but I'm fully on board with their work relationship. They make a great team and I want more of them.

17. Murder on the Orient Express



A gorgeous, well-acted film. I would love it more if I wasn't so familiar with the plot that there aren't any big surprises, but that couldn't be helped. And it's not like I'd want them to have changed the solution to the mystery anyway.

Branagh does add some things to the story. Mostly in terms of Poirot's motivations, but also some other details and even an Easter Egg or two for Agatha Christie fans. I was never bored or felt like I'd seen it all before and I'm thrilled that there's already a sequel planned. I could go for a Miss Marple cameo in that to spin off into her own series of movies. An Agatha Christie cinematic universe is something that I wholeheartedly support.

16. John Wick: Chapter 2



The first John Wick was in my Top 20 of its year, so I was eager for another one. The sequel didn't disappoint. More great action and more of that bizarre society of assassins that was such a highlight the first time around.

I love the "Chapter 2" concept as well. Chapter 1 was a complete story, but Chapter 2 uses and expands on the events of the previous movie to launch into a new direction. It opens up the world and lays groundwork for future chapters, which is exactly what I want in a sequel.

15. Logan



I feel kind of bad for putting Logan this low on my list, because I want to applaud it for trying something so different with the superhero genre. But I have mixed feelings about the movie and  having seen it a couple of times now I'm still not fully in love with it.

It's got fantastic performances all around, especially by Hugh Jackman, Patrick Stewart, and newcomer Dafne Keen. I love Logan and Xavier's relationship and Keen's Laura is as kickass as she is heartbreaking.

But I don't feel as emotionally connected to any of it as I want to. The first time I watched it, I wondered if the distance was because it's set in the future and has that "What If...?" aspect to it. I hoped that whatever barrier I erected because the story "doesn't count" was something that I would eventually get past in repeat viewings. And I did like it more the second time. The alternate future thing didn't bother me at all. But something's still missing.

I think my problem is that everyone keeps trying to make Logan feel fatherly towards Laura. I love the story of his having given up on most of the world and learning to connect with this little girl, but there's an extra layer of pathos that the film keeps trying to spread on by insisting that Logan and Laura are biologically family. The thing is that when they meet, Logan is not her father in any way that actually makes that word meaningful. She was given his DNA without his permission.

This isn't to excuse his initial attitude about her. He's a jerk and his overcoming that is the best thing about the movie. But I also don't believe that he owes her anything specifically because of their genetic connection. His responsibility to her is general and I get frustrated when I feel like the film is trying to force it to be more.

Back on the positive side though: I paid closer attention to the Shane quotes and themes the second time. I've been itching to watch Shane for a while anyway, but now I'm interested in seeing if a better acquaintance with it will affect future viewings of Logan. The line, "There aren't any more guns in the valley" is especially powerful.

14. Get Out



Not the horror movie that I expected, but a powerful, provocative thriller that perfectly balances its tension, humor, and message. I'm not sure that characters' actions early in the film make complete sense once everything is revealed, but it's so strong at everything else that I don't really care. And what an ending.

13. Blade Runner 2049



Denis Villeneuve's sequel doesn't equal Ridley Scott's original in terms of art direction and the score, but does it ever excel in terms of story. I love the multiple layers of symbolism and characterization and the way that mystery leads to mystery. There's clearly room for a sequel at the end, but I also felt like I got a complete story and an excellent. thought-provoking one at that. Dan, Ron, and I talked at length about it on N3rd World, so listen to that for more thoughts. It's a wonderful, complex movie that's worth discussing.

12. Pirates of the Caribbean: Dead Men Tell No Tales



Opinions on this movie have been largely negative, so I want to preface my thoughts with a reminder that I'm a hardcore fan of pirates in general and this series in particular. I didn't care much for On Stranger Tides, but I sincerely love the initial trilogy, including At World's End.

Having said that, I also love Dead Men Tell No Tales. It's silly and it doesn't explain everything, but those are both things that I love about the series. It fixes a problem I had with Stranger Tides, which was trying to make the story about Jack Sparrow. The initial trilogy was all about Elizabeth and Will, with Sparrow thrown in for flavor. Dead Men returns to their story through their son and it totally works for me. Powerfully, in fact. I don't know if there was sea mist in our theater or something, but I definitely felt moisture on my face by the end.

The new character Carina's being pretty awesome was an added bonus. She's no Elizabeth Swann, but I like her and would love to see where her story goes. Which sums up my feelings for the whole series at this point. After Stranger Tides, I hoped that a fifth movie could put the series back on track and that's what's happened as far as I'm concerned. The future of the series is up in the air, but my finger bones are crossed for it.

11. Thor: Ragnarok



I was so encouraged that Taika Waititi was directing this movie. Thor's my favorite Marvel movie superhero and Waititi's Hunt for the Wilderpeople was a Top 3 movie for me last year. I knew he'd bring a lot of humor, but also heart to the film.

And it is funny. Almost to a fault, because it doesn't feel like it belongs in the same series as Thor and Dark World. It leans into the comedy more heavily than I wanted and I think that's what's keeping it out of my Top 10. But I do like the jokes and the movie also brings in a supremely threatening villain and a massive shake-up to the series' status quo. Both of those things are pretty great.

7 Days in May | Arthur and Austen

King Arthur (2004)



This post is about stuff that we watched the week before our Britain trip. Didn't watch any movies while we were traveling.

One of the things I wanted to see in England was Hadrian's Wall, so what better way to celebrate and learn about it than the totally historically accurate King Arthur?

I kid because I love. Not many people like this version of the King Arthur story, but it's probably my favorite. It's a cool idea to set it during the Roman occupation of Britain with Arthur being a Roman officer and his knights are indentured soldiers from the conquered region of Sarmatia. They protect Roman interests in Britannia by manning Hadrian's Wall against the Celtic Woads. Merlin is a Woad and so is Guinevere.

Calling it "the untold true story" is ridiculous, but the movie is clever and fun and the cast is awesome. Clive Owen plays Arthur, Ioan Gruffudd is Lancelot, and two of my personal favorites - Keira Knightley and Mads Mikkelsen - play Guinevere and Tristan. Guinevere kicks so much ass and Tristan is basically every fantasy RPG character I've ever created. There are tons of other great actors in it, too; more than I want to list.

On top of all that are some great set pieces and a thoughtful, touching exploration of loyalty and duty.

Northanger Abbey (2007)



We didn't get as many Britain Trip movies watched as we wanted to, but since one of our stops was Bath, we wanted to sneak in at least a Jane Austen. Austen spent time in Bath (though she didn't actually like the town much) and used it as a location in a couple of her novels. Northanger Abbey is one of those and since it's a commentary on gothic romances - a genre our whole family enjoys - it felt like a good way to introduce David to Austen's stories.

There aren't many adaptations of it, but the 2007 BBC version is pretty great with or without competition. It stars Felicity Jones (Rogue One) as the main character and does a great job showing how her world view is affected by the books she reads. If you've read the novel, you know that Austen wasn't a huge fan of gothic romance (I forgive her) and that Northanger Abbey isn't so much a parody of them as it is simply making fun. But to get there, the movie lets us into the main character's imagination and uses cool, gothic imagery to do it. It's the closest Austen gets to genre work, so it's a great introduction to her (even though the movie wasn't actually filmed in Bath).

She Wore a Yellow Ribbon (1949)



Technically, I watched this out of order since it's the second of Ford's Cavalry Trilogy, but I accidentally watched it last ('cause I forgot that Rio Grande was one of them and not just one of the billion other John Wayne movies named after rivers). Really though, I think it fits best as the final in the series.

The other two are in black-and-white, but Yellow Ribbon is in color, so it looks more modern. And John Wayne isn't playing the same character he does in the other two, but an older officer who's getting ready to retire. Ben Johnson, on the other hand, does play the same character he does in Rio Grande, but in Rio Grande he's a raw recruit and he's obviously more seasoned here. So if we're trying to put together some sort of chronology to this weird, extremely loose trilogy, Yellow Ribbon ought to come last.

It's a good film, but my least favorite of the three. The plot meanders and circles back on itself and I'm never super invested in the romantic triangle of Joanne Dru, John Agar, and Harry Carey Jr. I probably would've been more interested if Dru's character had been played by Shirley Temple from Fort Apache, but that's just because I love Shirley Temple. Dru does a fine job; it's just that Carey's character never really has a chance, so there's not really any tension around that part of the story. Mostly it's just Dru and Agar pretending not to like each other and Carey suffering the fallout from their shenanigans. Not that I feel bad for Carey, because he's pretty unlikable.

I also didn't feel the weight of bad orders like I did in the other two films. Wayne's superior officer does direct Wayne into questionable activity, but it's not like anything that Henry Fonda or J Carrol Naish make him do in Fort Apache and Rio Grande. But that also makes it the most pleasant of the three films. That's not a compliment (the grittiness of the other two are what I like most about them), but it's a true statement and John Wayne is typically charming (and in an atypical way for him) and Ben Johnson even more so.

The Gunfighter (1950)



Every Gregory Peck Western I watch makes him more and more my favorite Western star. In this one, he plays a gunslinger who visits a town for reasons I won't spoil. He has enemies hot on his trail, so the town marshal - who also happens to be an old friend of Peck's - is trying to get him to leave, but Peck insists on staying until his business is concluded.

Peck is awesome in it and it's another great movie that tears down the fantasy of gunfighting as a glamorous life. Unforgiven got a lot of praise for doing that as if it was some sort of new innovation, but the more Westerns I watch - like the original Magnificent Seven and even Young Guns II, for crying out loud - the more I realize how ununique Unforgiven was in that regard.

The Day the Earth Stood Still (1951)



A classic and a favorite that I wanted David to see. It's too pretentious to be my all-time favorite '50s space invader movie (I like more cheese in them), but it's really well done and I love the design of the ship and of course Gort. It's an essential part of the science fiction canon.

7 Days in May | Pee Wee's Big Cloverfield

So here's what I watched last week:

Pee Wee's Big Holiday (2016)

Nothing will ever top Pee Wee's Big Adventure, but Big Holiday is super funny and sweet. Makes me want to re-watch Big Top Pee Wee to see where that one went wrong. I don't remember much about Big Top other than being disappointed, but there's no such problem with Holiday. Although I also doubt I'll watch it over and over again the way I do Adventure.

10 Cloverfield Lane (2016)

Not the Cloverfield sequel I'd wanted, but an excellent thriller-with-a-twist nonetheless. Mary Elizabeth Winstead is a great, relatable hero and John Goodman does an excellent job keeping her and viewers on our toes. John Gallagher Jr is also compelling as the third major character and I had a good time trying to decide whether he or Goodman (or neither of them) was a villain.

The Peanuts Movie (2015)

Probably the last word on these characters, at least as far as I'm concerned. As sweet and funny as any of the classic shows, with a great balance of classic bits and new material. And what's so great about the new stuff is that it moves the kids' story forward and lets them learn something great about themselves. Just lovely and charming.

Top Secret! (1984)

Some of the jokes no longer hold up, but most of them still do and are just as funny after dozens of viewings. The music is also fun, as is the cast with Val Kilmer and Michael Gough (long before Batman Forever), Jim Carter in the complete opposite of his Downton Abbey role, and a cameo by Peter Cushing.



King Arthur (2004)

For the longest time, I've wanted to work my way through British history as portrayed in the movies. I finally started that with King Arthur, so obviously accuracy isn't a factor in this project. It's just that I generally like this movie and it 's one of the few I know of that cover the Roman occupation, the Celts, and the Saxon invasion.

Even though I like King Arthur, the premise does feel cynical. It's basically Braveheart with brand recognition. But even though it's derivative and only nominally an Arthurian film, it's gorgeously shot and has an amazing cast. I never feel like I'm watching a King Arthur movie, but I don't care. As a fictionalized account of Rome's last days in Britain, it's fun and compelling.

The Vikings (1958)

Pretty standard mid-'50s "historical" adventure, but it covers the Saxon period before the Norman invasion, which is rare. It has three things worth mentioning:

1. It's not sure what it wants to do with Kirk Douglas. He's clearly the villain for the entire movie, but I think the film wants to redeem him a little at the end. He never really changes though; he just hesitates at a crucial moment. The movie seems to want me to feel something other than simple victory when he dies, but it does nothing to help me do that.

2. The location of the Viking village is gorgeous. I could look at that place all day. I wish more of the movie was set there.

3. Tony Curtis is absolutely dreamy in a beard.



The Cabinet of Dr. Caligari (1920)

Like last week, I'm continuing to work my way through a bunch of silent films. Some of them are new to me, but a lot of them are re-watches like Dr. Caligari. I've grown less satisfied with the twist ending on this one the more I see it, but I never get enough of looking at the movie. Just beautiful.

Dr. Jekyll and Mr. Hyde (1920)

Not my favorite adaptation of the story, but a good one. I wrote plenty about it already.

One Week (1920)

This short is one of my favorite Buster Keaton films of any length. It's got a great concept to build gags around (putting up a prefab house) and makes full use of the opportunities. Sybil Seely is super cute and a great partner for Keaton, bringing her own athleticism and comedy to the team.

The Saphead (1920)

Buster Keaton's first feature-length film is good, but not typical of his stuff. It's a pretty standard romantic comedy most of the way. It makes great use of Keaton's deadpan, sad sack persona to endear me to his clueless, insanely wealthy character. I root for him and Beulah Booker's character to overcome the obstacles to their being together, which are mostly thrown in the way by other people.

As straightforward as most of the movie is, the climax finally gives Keaton the chance to go nuts with his awesome physical comedy, so it's even good on that level. There's just not enough of it to be completely satisfying.

Convict 13 (1920)

One of the things I both admire and am frustrated by in Keaton shorts is the way he leads into the premise. Convict 13 is built around Keaton's being mistakenly imprisoned, with all the gags that take place in that setting. But there's a long explanation for how he got there, featuring golf jokes. The golf jokes are funny and pay off at the end, so I don't dislike them; it's just that - especially on re-watches - I'm impatient to get to the prison stuff that I consider the meat of the film. I've probably been over-influenced by Looney Tunes cartoons that cut to the chase right away.



The Mark of Zorro (1920)

A splendid version of the Zorro story. Douglas Fairbanks isn't as handsome as some of his swashbuckling successors, but he makes up for that with sheer athletic ability and a ton of charm. His stunts in the climax are nothing short of early parkour.

He's also the model for what Christopher Reeve did with Superman/Clark Kent. He makes it believable that no one connects Don Diego with Zorro, because he plays them as two totally separate characters: sheepishly slouching as Diego, while full of life as the hero. I also love the touch of Diego's constantly amusing himself with shadow figures and little handkerchief tricks, then nerdishly trying to share them with the uninterested people around him. Great performance in a great movie.

Neighbors (1920)

Another of Keaton's best. Simple plot (star-crossed lovers in a New York tenement), super funny, and with some amazing stunts.

The Scarecrow (1920)

Like Convict 13, the story takes a while to get going. Before getting to the main plot about Keaton's rivalry with his roommate over a young woman, The Scarecrow indulges in lots of gags about the multi-functional gadgets of Keaton and his pal's one-room house. Then there's a bit about Keaton's being chased by a dog he thinks has rabies (actually it's just eaten a cream pie). But eventually feelings for Sybil Seely's character (so glad to see her return from One Week) reveal themselves and Keaton goes on the run from his roommate and Seely's father. Every bit of it is funny stuff, so I don't mind the meandering plot. It's just not as focused as my most favorite Keaton films.

On to some stuff I've been reading/listening to:



Harry Potter and the Sorcerer's Stone by JK Rowling

I discovered Harry Potter through the movies and by the time I did, I decided to discover that world through cinema first and then come back later and pick up the books. I finally read the first one on vacation a few years ago, but never found time to do the rest. Now that the audiobooks are available on Audible, I'm planning to listen to the whole series this year.

Philosopher's/Sorcerer's Stone is as magical as I remember from the first time reading it. Rowling has a wonderful imagination and a great sense of humor. It's a joy to attend Hogwart's alongside her characters. Some of the mystery-solving relies more heavily on coincidences than I'd like, but that's easy to forgive in a book about and for pre-teens. Especially since the characters' motivations and relationships are already so sophisticated. I'm eager to get on to brand new territory with Chamber of Secrets.

Long John Silver comics by Xavier Dorison and Mathieu Lauffray

This is a series of four comics albums and they're great. The first volume, Lady Vivian Hastings, is gorgeous. And it's an excellent sequel to Treasure Island. Lauffray's artwork is incredibly detailed and immersive. Dorison's plot introduces a fascinating character, Lady Hastings, who is as different from Jim Hawkins as can be. Delightfully wicked, cunning, and courageous, she's a worthy foil for Silver and the perfect person to bring him into a new treasure-seeking venture. And Silver himself is as charmingly crafty as ever. (I went into more detail about this one a couple of years ago.)

A lot of stories set at sea bore me with the same old tales of storms and doldrums and complaining crews, but Neptune, the second installment, avoids that by filling the time with politics and scheming. It's the same tactic that Stevenson used in Treasure Island, but to very different results. Stevenson's adventure story has its moments of darkness, but this is a scarier version with rougher stakes.

In part three, The Emerald Maze, the pirate adventure becomes more psychological thriller and Heart of Darkness. The crew of treasure-seekers heads upriver into the jungle in search of a lost, gold-filled city, and doubts arise in some of them about the wisdom of the venture.

Finally, the whole thing wraps up in Guyanacapac. I always worry about how well these things are going to end, but Dorison and Laufray do a nice job with a conclusion that's both epic and emotionally satisfying. They have pirates fighting Aztecs with shades of Lovecraft looming over it all. They also offer a great read on the character of Long John Silver and what drives him. Great series of books. Highly recommended.

My 20 Most Anticipated Movies of 2016

Just for fun, we'll do this backwards and count down towards Number 1. Only four of my 10 Most Anticipated 2015 Movies made it onto my Top 10 for the year, so let's see if I can predict greatness any better. This year, I'm including 20 films, just because there are a couple in the bottom 10 that I really wanted to mention.

20. X-Men: Apocalypse



Except for a brief thrill at seeing Bald James McAvoy, the trailer doesn't do it for me. Some of it is the smug way that Rose Byrne suggests that Apocalypse is the inspiration for world religions, but mostly it's the feeling that I've seen all this before. Still, I tend to enjoy these movies and I'm hoping that Oscar Isaac's immense charm shows through the layers of effects used on his character. I'm also excited to see how some of the new cast do, especially Tye Sheridan and Sophie Turner, but also Kodi Smit-McPhee.

19. Warcraft



Never played the game and I don't love the character designs, but I likes me a big fantasy movie and appreciate that the orcs have real personalities. My expectation are low, but I'm hoping to be surprised.

18. The Nice Guys



The red-band trailer promises more of the old ultra-violence than I'm ready for, but I love both these guys and it looks like an entertaining relationship.

17. The Jungle Book



I'm cynical about all of Disney's live-action remakes of old hits, but then I remember the late-90s/early-00s and all of those sad animated sequels from The Return of Jafar to Cinderella III. It could be worse. Besides, Disney's at least picking some excellent directors to head these up and I'm encouraged by Jon Favreau's involvement.

On the other hand, I can't help feeling like we've already been down this trail.

16. Teenage Mutant Ninja Turtles: Out of the Shadows



I totally skipped the first Michael Bay TMNT movie and had no interest in the sequel until I saw the trailer. This thing is going all-in on stupid references to toys and the first cartoon series. I mean, Rocksteady, Bebop, and the van that shoots manhole covers? Hoping for a Krang reference, at least as set up for the third one. Might be a lot of fun.

15. Knights of the Round Table: King Arthur



I mentioned that I still love Guy Ritchie, right? As dumb an idea as a Round Table Cinematic Universe sounds, I'm ready for Ritchie's take on Camelot.

14. Kubo and the Two Strings



I always like Laika movies. I never go completely ga-ga for them, but they're consistently entertaining and this looks like a good one.

13. Ghostbusters



I really enjoyed the first Ghostbusters movie, but the sequel and cartoon killed any idea of it as a sacred object. I'm for a film-maker like Paul Feig - who has a spotless record as far as I'm concerned - taking this and doing whatever the heck he wants with it.

12. Jack Reacher: Never Go Back



Jack Reacher was a pleasant return to old school action movies with a likable, lone, mysterious hero solving a mystery and saving some people without the entire world having to be at stake. I like my epic superhero movies as much as the next person, but I'm also very into more of this.

11. Bourne 5



We're finding out the title this weekend during some sporting event, but they can call it Bourne Again for all I care. Damon's back and I'm excited.

10. Fantastic Beasts and Where to Find Them



This is one where "anticipated" doesn't exactly equal "excited about." I'm skeptical about this endeavor, but also extremely curious and nervously hopeful.

9. Underworld 5



I love these movies. Huge fan of Beckinsale and the White Wolf role-playing games these are not based on, no sir, we promise you they are not.

8. The Legend of Tarzan



I'm still waiting for a movie that's at all faithful to the first novel, but this'll do in the meantime. Not a great fan of those pants, but everything else looks pretty good. And I need some live-action Tarzan in my life right now.

7. Captain America: Civil War



The Civil War comics made me hate Tony Stark. Robert Downey Jr made me love him. Matter and anti-matter are about to collide. Maybe that's why I'm not more excited about this than I am. Still, it's the next, big, epic Marvel movie and I'm a fan of the series.

6. Doctor Strange



I mentioned in my movie rankings for 2015 that I like the epic Marvel movies better than the "smaller" ones that explore other genres. But then I go and decide that I'm more interested in Doctor Strange than Cap 3. That's a lot because of Cumberbatch, but I think it's also because I've always wanted to like Doctor Strange comics more than I have. There's a lot of potential for some cool, spooky, magic realism in that concept, but most of the comics I've read have tended toward trippy fantasy. I was probably reading the wrong ones, but I'm hoping that - like with Iron Man - the Marvel movies are able to give me the version of the character that I've been craving.

5. Jane Got a Gun



As I'm writing this, I'm planning to see Jane Got a Gun tonight. I'm a fan of Natalie Portman and an even bigger fan of Westerns. This is part of some other plans to watch more Westerns in general. More on that later.

4. Moana



A young woman and a demi-god played by the Rock search for a fabled South Seas island. Hollywood is getting my letters!

3. Hail, Caesar!



I'm always interested in the Coen Brothers, but the films that I most adore from them are the ones like Raising Arizona and O Brother, Where Art Thou? where humor is a major focus. It's been a while since we had one of those and I can't wait for this one.

2. Star Trek Beyond



Justin Lin rescued the Fast and the Furious series and I have complete faith that he can do the same for Star Trek. Not that Star Trek really needs rescuing. It just needs to recover from Into Darkness which was a horrible misstep, but not a complete disaster. Even that had its moments and the new series has some great DNA that worked super well in 2009. It just needs someone like Lin (a confessed Trek fan who just so happens knows how to make exciting movies) to help it take its next step.

1. Rogue One



I'm not as pumped about this as I was about Force Awakens, but I'm still pretty excited. I don't care as much about the filling in of continuity holes as I do about a diverse cast of rogues trying to avoid Imperials while pulling off a heist. Sounds totally fun and a I'm hoping it proves that there are many kinds of great stories that can be told in the Star Wars universe.

2015

31 Witches | Morgan le Fay

"God be praised for these fine words. Be on your way now and rest assured I'll take the first opportunity that comes my way to do you ill." -- Morgan, Lancelot-Grail

Painting by Frederick Sandys.

31 Witches | "But she has got a wart!"

"They dressed me up like this!" -- The Witch, Monty Python and the Holy Grail (1975)

TV News: Camelot and Rubicon

Camelot



Starz is working on a King Arthur series starring Jamie Campbell Bower (RocknRolla, New Moon, Harry Potter and the Deathly Hallows) as Arthur, Tamsin Egerton (St. Trinians, and who incidentally played the young version of Morgan le Fay in The Mists of Avalon) as Guinevere, Joseph Fiennes (Shakespeare in Love, FlashForward) as Merlin, and Eva Green (Casino Royale) as Morgan le Fay. No word on Lancelot yet. [/Film]

Rubicon



I was trying to be excited by The Event because it's a conspiracy thriller starring Jason Ritter. I'm still going to give it a shot because of Jason Ritter, but the trailer for it made me a lot less excited about the story. And the above trailer for AMC's conspiracy thriller Rubicon looks so great that I'm even less interested in The Event now.

I haven't dug into AMC's Mad Men or Breaking Bad yet, but they're so well-talked-about that I have high expectations for the network's shot at a genre that I'm more into. [The Ausiello Files]

Some magical occurences

I got caught up with the stuff that made it onto the Newsarama blog while I was gone. Here's some stuff that didn't, but is probably too old now for me to post there.

Dreamland Chronicles monthly



I love Scott Sava's CGI fantasy comic Dreamland Chronicles and apparently, so does IDW. They're making it into an ongoing series. Each issue will have a CGI cover by Sava as well as a traditionally illustrated cover by another comics artist. The first issue has the Mike Wieringo cover above.

Wonder Woman vs. Mary Marvel

Like seemingly the rest of comics fandom, I was frustrated and disappointed by DC's Countdown to Final Crisis series. Especially the unconvincing bit about formerly pure and innocent Mary Marvel's becoming a black-hearted villain. I actually stuck with the series just to see how that storyline was going to play out because I sort of thought of myself as a Mary Marvel fan. I don't any more. It'll be good to see her smacked down.

Wonder Woman's just the one I want to see do it, but it looks like it'll likely be Supergirl instead. Whatever happens in Final Crisis, it promises to be really interesting. According to Grant Morrison:

Supergirl and Mary Marvel are in it. They have a big climatic battle to decide how femininity should be portrayed in superhero comics!

Wonder Woman already has problems of her own by that point. Superman, Batman and Wonder Woman get targeted by the New Gods pretty quickly. Those are the first big targets that the Gods have to bring down but you'll see Wonder Woman's confrontation with Mary in #3.

I don't think I like Wonder Woman's being left out of the "battle to decide how femininity should be portrayed in superhero comics," but Morrison's even attempting such a fight is interesting enough a concept that I have to see how it goes.

End of the Century



I'm not in love with that cover, but Chris Roberson's novel sounds interesting. It involves three different stories — a medieval fantasy, a Victorian mystery, and a modern-day jewel heist— that alternate throughout the book and then begin to come together as the characters uncover the secrets that connect King Arthur, Jack the Ripper, and a priceless gem.

Hobbit casting no-brainer

More exciting than the news that Guillermo del Toro will be directing The Hobbit is confirmation that Ian McKellen will reprise his role as Gandalf. What I'm really curious about though is who's playing Bilbo. I'd love to see them do something that's visually consistent with the flashback scenes from Fellowship of the Ring, but I can't imagine them doing a whole movie with Ian Holm made up to look younger.

Neverwhere: The Play



Did you know there's a theatrical version of Neil Gaiman's Neverwhere? Here's pictures to prove it. (Via.)