7 Days in May | Battle Royale and The Last Man on Earth

Battle Royale (2000)



As a fan of the Hunger Games books, I got irritated when the movies came out and snotty people were all, "I liked it better when it was called Battle Royale." Yes, yes, you're very hip. But it did put the movie on my radar, so I'm grateful for that. It's a good film.

I still don't think it's smart to compare Battle Royale and Hunger Games though. The similarities are striking, but superficial. They're both about dystopian futures where kids are forced to battle to the death for public entertainment, but each is trying to do something different. For Battle Royale, it's a brutal and memorable analogy for middle and high school. Instead of being so embarrassed that you could just die... well, you could just die.

But that's as deep as it goes. I like the characters in Battle Royale just fine, but they're all simple archetypes; characters we've seen a billion times in a billion different teen movies. Only this time they're trying to murder each other. I dig Battle Royale, but I was way more invested in Katniss and her choices.

The Last Man on Earth (1964)



Probably my favorite adaptation of Richard Matheson's I Am Legend, though I should give The Omega Man another try. I still have problems with The Last Man on Earth, though. Vincent Price is great, as usual, but the other actors aren't convincing and the ending - while a fascinating idea - doesn't pay anything off. The movie seems to be a survival tale, but decides at the last minute that it's really a social commentary of some kind. Except that I'm not clear on what comment it's trying to make; certainly nothing that was set up earlier in the story. It's a pretty cool twist; I just wish it was a more powerful one.

Airplane! (1980)



We talked about Police Squad on a recent episode of Dragonfly Ripple and that got me wanting to share Airplane! with David. Finally pulled the trigger on that and it was a big hit. A lot of the jokes are dated cultural references, but for the most part it's timeless, goofy humor that still holds up.

Caddyshack (1980)



Airplane! got me thinking about other '80s comedies that David hasn't seen yet. And since he's a big fan of the original Ghostbusters, I figured some classic Bill Murray (directed by Harold Ramis, no less) was the way to go. And it was joyous. Caddyshack easily has my favorite roles for Bill Murray, Chevy Chase, and Ted Knight, and possibly for Rodney Dangerfield, too (though I need to give Back to School another look). That gopher puppet is adorable and the Kenny Loggins theme is second only to "Holiday Road." There are a couple of weird, pointless sidebar scenes to endure, but for the most part it's just one memorable gag after another.

Zorro (1957-61)



Still loving this show. This week some new villains were introduced with a multi-episode plot about stolen treasure that's being used to finance the Eagle's takeover of California. And while Zorro competently overcomes every individual threat, there's the growing sense that he's getting in over his head when it comes to the Eagle's larger organization. The stakes are raising nicely as we head towards the season finale.

The Young Indiana Jones Chronicles (1992-93)



In the last couple of episodes with the younger of the two Young Indianas, the Jones family visits India and China. I quite liked the China episode in which the gang makes an excursion far into the countryside without Indy's dad and Indy comes down with typhoid. Even knowing that he has to make it, I was still impressed with the performances, especially by Ruth de Sosa as Indy's mom. She was convincingly terrified that her son was about to die. And though I grew impatient with her hesitation to try Chinese medicine, I understood every decision she made.

The India episode wasn't as touching, but it did make me realize how effective the educational component of the show is. I mentioned last week that I thought the Jones' discussion of philosophy was over-simplified. The show did the same thing in this episode while talking about world religions. But seeing it repeat that tactic made me realize that it's intentional. Like with the geographical and historical elements, the show gives just enough information to tease my curiosity. I've had to pause every single episode at some point to hop on my phone and research one of the characters. In this case, it was Jiddu Krishnamurthi and the fascinating Theosophy organization that made him famous.

Underground (2016-present)



Nearing the end of the first season and the show's getting rather heart-breaking. Some of my favorite characters aren't going to make it.

And others are making some hard decisions that I'm not on board with. I don't know what it says about me that I'd rather see a woman kill a man than have sex with him to buy his silence (especially when her husband is someone else I like), but I would. I don't like that kind of secret in a marriage that I've grown to admire, so I'm hoping that gets resolved quickly and doesn't sit and fester in order to propel more drama. It was something similar that killed my interest in Downton Abbey.

Totally willing to keep going for now, though. I'm still very invested in the surviving runaways and there's some folks who need some comeuppance that I really want to see.

The Wind in the Willows by Kenneth Grahame



I'm a slow reader, so I won't always have books to talk about each week, but as luck would have it, I finished three of them last week.

The Wind in the Willows is beautifully pastoral.  Its opening chapters read like a series of short stories about the same, recurring characters. Since I was mostly familiar with Disney's very loose adaptation, I was surprised and pleased to find so much of the book's focus on Mole and Rat. They're pleasant characters who live in a pleasant place and Grahame's wonderful descriptions make me want to live there, too.

I love his prose and especially the observations he makes about human (or animal, I guess) nature. I was completely hooked as soon as I read Mole's thoughts about vacations: "...he somehow could only feel how jolly it was to be the only idle dog among all these busy citizens. After all, the best part of a holiday is perhaps not so much to be resting yourself, as to see all the other fellows busy working." Grahame gets me.

There are stories about hospitality and homesickness and curiosity and traveling and worship and they're all lovely. As they progress, Badger and Toad enter the tales and the stories start to become more connected, so there's a strong narrative pushing through by the end. That's the part that Disney latched onto, and it is entertaining, but it's not the best part to me. The earlier, quieter chapters are the ones that are going to stick with me for a long, long time.

Grandville: Mon Amour by Bryan Talbot



An excellent sequel to Talbot's Grandville. Like it's predecessor, it successfully combines mystery and political intrigue with some horror and lots of talking animals. I really enjoyed reading this so soon after finishing The Wind in the Willows, just because of how radically different they are using so many of the same building blocks.

Edgar Rice Burroughs' Tarzan Omnibus by Various Creators



I knew that Dark Horse had an ongoing Tarzan series in the '90s, but I'd never read it and incorrectly assumed that it was like most ongoing comics series: more or less telling a continuing story of the adventures of a primary character. This omnibus collects the entire run, but it reads like an anthology of individual mini-series. Every few issues brings not only a change in creative teams, but in overall tone and genre. There's no house style connecting them.

Which can be a strength and it mostly works for the collection. I enjoyed some stories more than others, of course. My favorites were the ones with Tarzan in New York encountering a variety of historical figures and literary monsters. And I especially enjoyed the art of Thomas Yeates in the closing story, even if I wasn't as crazy about that story in which Tarzan travels to the future to fight creatures from Edgar Rice Burrough's The Moon Maid.

Jam of the Week: "You Don't Know" by Scarlett & Black



I recently head this playing in a Taco Bell and it brought back all kinds of memories. It was used in the 1987 Jon Cryer movie Hiding Out and was my second favorite song on that soundtrack (after the kd lang/Roy Orbison team-up on "Crying"). I don't know if you can even call Scarlett & Black a one-hit wonder, because this song wasn't much of a hit, but it holds up for me and I love how Robin Hild belts out the title lyrics towards the end.

Movies I Missed in 2015: Part 3

21. Victoria



I don't know much about the story and even less about the creators, but the whole movie is shot in one, continuous take and I hear it's an amazing experience.

22. The Final Girls



Not to be confused with Final Girl, which also came out this year. Okay, to be totally confused with it, so here's the difference. That one has Abigail Breslin and is sort of Hanna meets The Most Dangerous Game. It looks like an awesome thriller more than a horror movie.

This one is a straight-up horror/comedy in the tradition of Scream and The Cabin in the Woods. Taissa Farmiga and her friends get pulled into a slasher flick and have to survive, using their knowledge of the film and the genre in general. Looks pretty funny and I still want to watch it as a double-feature with Breslin's movie.

23. Our Brand is Crisis



Totally love Sandra Bullock. Often love Billy Bob Thornton. Our Brand is Crisis was really poorly reviewed, but the trailer looked funny to me.

24. The Peanuts Movie



I've heard nothing but good things. I love the Peanuts when they're done right and by all accounts this is them done right.

25. Spotlight



I wasn't interested at first, because I thought that the focus was going to be on the scandal and I'm done processing that story. I didn't think there was a new angle that would make me think about it in a different way. My understanding now though is that Spotlight is about journalism in general and is the best movie in that genre since (and possibly including) All the President's Men. That plus the cast makes me very eager to see it.

26. Trumbo



Another great cast and what looks like a really fun performance by Bryan Cranston.

27. The Hunger Games: Mockingjay, Part 2



I missed Mockingjay, Part 1 last year due to life and never found time to re-watch everything before this one came out. And... I enjoyed the first two movies, but neither of them grabbed hold of me in a powerful way. Probably because I read the books. This is why I usually wait to read the books until after I've seen the movie. I tend to enjoy both versions more when I do it that way.

Anyway, I do plan to finish the movies, but not until this last one hits home video.

34 Movies I Missed Seeing from 2014

It's time again to run through and rank all the movies from last year that I saw. I'll be doing that over the next couple of weeks, but first: here's the traditional post of movies that I wanted to see from last year, but haven't yet. That's partly to explain why some movies didn't make it into the rankings, but it's also to build a watch list for myself.

This year, work was crazy during the fall and leading up to the holidays, so I didn't get out to the theater as much as I usually do. The Missed List typically has around 20-30 movies on it, but this time there are 34 that I need to catch up on in 2015. I still saw more than I missed though, so I'm happy about that. We'll start on those in the next day or two.

For now, here's the Missed List, more or less in the order that the movies were released:

1. The Wind Rises



Hayao Miyazaki's last film. I'm a fan of Miyazaki and have seen all his feature films since Castle in the Sky, but I'm not a superfan and The Wind Rises is different enough from his fantastical stuff that I didn't rush to see it. Going to correct that soon though.

2. The Grand Budapest Hotel



I experience mixed results from Wes Anderson, but I very much enjoyed Moonrise Kingdom and what I hear about Grand Budapest Hotel makes me think it's even more in my wheelhouse from its cast and setting to its themes and the way it's shot. I love hotels and stories set in them, but there's also that whole Upstairs Downstairs/Downton Abbey angle of telling stories of both the servants and the served.

3. Joe



I would love to like Nicolas Cage in a movie again and if I can't get National Treasure 3, this seems like the way to do it.

4. Locke



A couple of years ago, I wouldn't have been the least bit interested in a movie that's set entirely in a car with a dude on the phone. But I do dig Tom Hardy and I'm curious about the mystery of where he's driving to.

5. Chef



This is mostly about the cast and Favreau as a director, but I also love some nicely shot food porn.

My Top 10 movies of 2013

10. Admission



It's not difficult for a romantic comedy to crack my Top 10 as long as it's good. I love a good romantic comedy, but there are so few good ones that when one does comes along I cherish it. I've said before that I'm a big fan of Paul Rudd; I also enjoy Tina Fey in most things. Admission is a fine example of their doing what they do best while paying attention to one of my favorite themes: letting other people into your life. It probably wouldn't make my list of Top 10 romantic comedies of all time (there's an idea for a post), but it was the best of the genre this year and that's why it sneaks into 2013's Top 10 for me.

10 Honorable Mention Films from 2012

20. The Five-Year Engagement



I lost patience toward the middle when it took some really stupid decision-making to prolong the engagement to five years, but even when it stretched credibility, the movie never stopped being funny or having Jason Segel in it. It wins points for both of those things.

19. John Carter



Nowhere near the mess that lots of people claim it was; just not as spectacular as it should have been for the talent involved. It's a fun, scifi escape with a couple of legitimately great moments; we just all hoped for so much more.

18. The Amazing Spider-Man



"Expectations" are a recurring theme on my honorable mentions list this year. I didn't have high ones for The Amazing Spider-Man and like most people, I questioned the fundamental existence of the project. It was made for purely cynical, We Have to Do This or Lose the License reasons.

But though it contains some highly unnecessary rehashing of the Sam Raimi material, it also found some new things to do with its tone and the central relationships. It's worthwhile for Peter and Gwen alone.

17. ParaNorman



I love the theme in ParaNorman about being your own person and not letting other people define you. Also: the animation is amazing. I wasn't totally in love with the character designs though, and since that's what I was looking at for most of the film, that's what keeps it out of my Top 10.

16. The Hunger Games



I'm disappointed that this isn't in my Top 10 for the year, either. I totally thought it would be, but during the second viewing I found myself getting bored. I kept myself entertained by focusing on Jennifer Lawrence's wonderful performance, which communicated very well the horror of Katniss' situation. Without her internal monologue though, it was hard to get what I wanted from her moral struggle over how to act in the arena.

Still looking forward to Catching Fire, but I'm more detachedly curious about it than wildly enthusiastic like I was for this one.

15. Underworld: Awakening



In a year that brought a disappointing entry in the Resident Evil movies, I'm thrilled that we got a worthy film in my other favorite horror/scifi adventure series starring a woman. Awakening pretty much punts and launches a Bold New Direction for Underworld, but it's a good direction with some likable, new characters and I enjoyed it very much.

14. 21 Jump Street



I want to say that this is so much better than a movie based on an all-but-forgotten TV show has the right to be, but even though that's true, it's not really fair to suggest that that's all 21 Jump Street has going for it. It's just a very funny movie, period. That it gets a small part of that humor from pointing out and making fun of its sordid roots is just frosting for the cake. I'd probably rate it higher if not for the skeevy romance between Jonah Hill's character and a high school student.

13. Madagascar 3: Europe's Most Wanted



Listen: After the horrible piece of derivative crap that Madagascar 2 was, I'm as surprised as anyone to find Madagascar 3 on this list. In fact, I didn't want to see it at all when it was announced. It wasn't until it got a 79% fresh rating on Rotten Tomatoes that I had to see what the heck was going on with this thing. To my surprise, it was hilarious and - more importantly - original. It also pretty much wrapped up the saga with a nice bow on top, so I don't expect to be interested in a Madagascar 4, but never say never.

12. Haywire



No, Gina Carano is not a great actress. And the plot of Haywire is nothing new. But the movie makes up for both of those things with heart and authenticity. I wrote a full review of it, so I'll point you there for more thoughts, but it really was one of my favorite movie experiences of the year.

11. Moonrise Kingdom



This was my first Wes Anderson film since Rushmore, which I never quite forgave for stealing Bill Murray away from movies like Groundhog Day and The Man Who Knew Too Little. Seeing Moonrise Kingdom makes me want to find out what I've been missing. It's a small movie, but a lovely one, and makes great use of its setting and awesome cast.

Better living through The Hunger Games

I finally finished Mockingjay last week, wrapping up the Hunger Games trilogy. If you haven’t read the series yet, it’s as good as they say.

I have a couple of observations. First, it’s sad that some of the conversation around the series has gone off into Team Gale and Team Peeta territory. I’m tempted to also call it ridiculous, but honestly, I understand the temptation. Katniss spends a lot of time trying to untangle her feelings about these two guys and there’s no harm in hoping she’ll pick one over the other. In fact, I identified with Peeta early on and rooted for him.

But the books are about so much more than romance and it’s a crime to choose Team Favorite-Boy when the series is so obviously asking you to be on Team Katniss. Which lad she picks isn’t about who can make her eternally happy – an emotional state that’s never held up as a legitimate option in the first place – but about how Katniss sees herself. Gale knows her better than anyone else and she trusts him completely, but he’s so angry (justifiably so) at the state of the world. Choosing him represents taking comfort in the way she already sees the world.

Her other option is Peeta, a boy she doesn’t know except that he was once very kind to her. Peeta’s response to the world isn’t to rail against it, but to find peace within himself. Choosing him represents a huge leap into a scary and unfamiliar, but ultimately healthier world view. Yet another reason I wanted her to choose him. The better reason actually. I won’t give away what choice she makes (or even if she chooses either of them), but I will say that what she does felt entirely right for her when I read it. The series is nothing if not honest to its characters.



The books do have some issues though. Mockingjay has some exciting set pieces, but it also drags in several places. My biggest problem with the series though applies to all three books, even the consistently thrilling Hunger Games and Catching Fire. The trouble is that Katniss is kind of stupid.

By which I mean that it takes her a long time to figure out things that were pretty obvious to me, especially when it comes to trusting people who are trying to help her. And though it’s a problem because I’m yelling at the book, Suzanne Collins turns it into strength in a couple of ways. First, it’s entirely within Katniss’ character not to trust people. It's not really stupidity at all, but a strong survival instinct. She has no real reason to trust anyone except for Gale and her sister. I had to keep reminding myself of that, but my forgetting it doesn’t make it less true or less important an aspect of who she is and how she thinks.

Second, Collins kept fooling me too. She kept building my confidence (“Oh, that person’s totally on Katniss’ side. Why can’t she see that?”) and then breaking it down by throwing in something completely unexpected (“That person’s trying to kill Katniss? Where did that come from?”). Though I felt like I was mentally ahead of Katniss about 90% of the time, I was probably only right about what was going on about 50%. It’s that uncertainty that makes the series so captivating. I love not knowing what’s about to happen.



I’m a slow reader, so while I was working my way through Catching Fire (before I gave up and bought it on Audible to listen to in the car), a friend of mine read the entire series through about three or four times. I didn’t question her about it, but I wondered to myself what the attraction was. As I was reading, the series felt so much like it was about what was going to happen. Can Katniss change her world? Can she ever find peace? If so, how? With Gale? With Peeta? With neither? Once I reached the end, I expected to be done. Why would I want to re-read it when I already have my answers and can no longer enjoy being surprised?

But it was about two-thirds of the way through Mockingjay that I started feeling the desire to re-read the whole series again. Not for the mysteries, but just for the comfort of being in Katniss’ head in this fantastical, but completely real world that Collins created. It’s not a comforting world, but there are moments of comfort within it that – in contrast to the rest of what’s going on – brought me tangible serenity. It’s not that I’m learning by Katniss’ example (“If she can find a moment of comfort in her world, then I should be able to find some in mine.”); it’s that Collins is able to make me feel Katniss’ despair about the world, and then make me feel peace within that despair. That’s masterful. It creates a feeling and an experience that readers can take with them into their own lives. And who wouldn’t want to re-experience that a few times?

There’s a lot going on in the Hunger Games trilogy: commentary about war, about reality TV, about our attitudes towards those less fortunate than we are. Those are all important things for readers to think about and struggle with. But what the series is about to me is finding peace in the midst of suffering. Discovering joy within hopelessness. That’s something that everyone can use.

Too Much Information, Part One

Jaquandor answered these questions at Byzantium's Shores last week and it's been a while since I've done one of these too. They're good questions, though I've edited them for length and...well, timeliness, I guess. The original questions included the inspiration for asking them and - as Jaquandor points out - that dated the thing in a way it didn't need to.

So here's more than you wanted to know about me.

1. Have you ever been bothered by a TV show or movie series changing actors who play a character you love?



Not recently. When I was a kid, I remember losing whatever interest I had in Days of Our Lives when they swapped out Bo Bradys. Bo was pretty cool and I couldn’t buy the new actor. I guess they changed him back eventually, but my Days curiosity was always shaky at best, so I never came back.

The one that still bothers me is another old one: all the Felix Leiters in the James Bond movies. Some people think that replacing Felix actors every movie is funny or somehow endearing, but it’s not. Felix is a cool character in the novels and it bugs me that none of the movie fans know who I’m talking about because they can’t put a face to him. I was thrilled when Jeffrey Wright showed up again for Quantum of Solace, but it's too bad the character apparently isn’t in Skyfall at all.

2. What are some things people should know before spending time with you?



My eyes will begin to glaze over the moment you start talking about sports and I’ll have completely checked out by the time that conversation reaches the 30-second mark.

3. What is something you often do without realizing that you're doing it?



According to my wife, I have a Look. It’s the one that says you’re making absolutely no sense and I’m going to stop listening to you in 3…2…1…

This is related to Question No. 2. I’m an introvert and interacting with people one-on-one is hard work for me. Sometimes - though I try hard to hide it - I just don’t have the energy. I do a much better job at hiding it when I’m with people I don’t know that well though. Which leads me to…

4. Who has the capacity to make you angrier than anyone else in your life, and what in particular does he or she do to make you so angry?



My wife. I’m not going to get into particulars, because they aren’t important. Everyone has buttons that – when pushed – will get them going and I’m no different. Diane and I have a fantastic relationship and work hard not to push each other’s buttons, but when you’ve been married for a while (fifteen years for us, so far), you’re inevitably going to slip up every once in a while. I’d much rather focus on and celebrate how much we’ve been able to become a smoothly functioning team, but the question is about who has the capacity to tick you off and that’s always going to be the person you’re closest to.

5. If a fairy waved a magic wand and gave you the house of your dreams, where would it be and what features would it have?



A castle on the Scottish coast, but with central heat and air conditioning, and a modern kitchen and bathrooms. Also, a fireplace large enough to walk into.

6. What’s a belief that you hold with which many people disagree?



I’ve never had a conversation with anyone with whom I’ve seen totally eye-to-eye about God. I believe that the universe didn’t just happen – that it had to come from somewhere – but I don’t believe that the Genesis account should be read literally as an answer to that question. I also believe that the central message of Christianity is that people are supposed to love and take care of each other, but when I look at Christianity at large, I feel very alone in that interpretation.

7. If you were talking in your sleep tonight, what do you think you would say?



“I’ll nail yer suckers to the mast, ye scurvy squid!” (Totally stole that image from Stephen Keane. I'm sorry.)

8. Have you ever attended a midnight premiere showing of a movie?



I used to do this all the time, but as it became standard practice for theaters to run midnight showings, it became less of an event and I lost interest. By “event,” I mean an event for me personally. Obviously it’s still an event for a lot of people, but it became less fun for me and I’m rarely so excited about a new movie that I’ve got to see it the second it comes out. The last one may have been Pirates of the Caribbean 3, but I don’t rightly recall.

I could see myself doing it for The Hunger Games, though. I’m pretty stoked about that one.

9. How would you react if you saw, “Caution exotic animals; stay in your vehicle,” displayed on a road sign?



I’d roll up those windows and keep an eye out, but I’m not a panicky person. If I actually saw a tiger or something, I’d probably stop to gawk, depending on the animal’s mood.

10. If a company opened a theme park aimed at adults, what would you name one of the rides?



Alien vs. Predator: The Hunt. You would, of course, be the prey.

11. Imagine you just moved onto Sesame Street. Which puppet would you want as your new roommate?



I have a low tolerance for drama and shenanigans, so I’ll go with Kermit. He’s funny, but grounded.

12. Have you ever had a weird crush on a famous person that didn't make sense to you?



Matt Damon, because I’m straight. I understand all my crushes on famous women.

13. If you get ten minutes to interview any celebrity of your choice, who would you like it to be?



Bono. I’m currently reading his Conversation with Michka Assayas, so that may answer most of the actual questions I’ve got, but he was a hugely influential force on my life in my twenties, so I’d also just like to meet him.

14. You've just won the complete DVD collection of all the movies starring one actor or actress. Which actor/actress would you pick?



I used to try to collect all the movies by actors I liked. I accumulated a ton of stuff by Harrison Ford, Kenneth Branagh, and Sandra Bullock, but eventually learned that – like with all artists – I didn’t care for every single thing they did. But since I’m winning this and not buying it, the Johnny Depp collection probably has the most movies in it that I’d re-watch again and again.

15. What is something you've said through social media and then regretted it?



Most of this post.

16. What musician would you be most interested in learning behind-the-scenes facts about?



Someone new that I don’t know much about. Like Brite Futures. I’m curious about their influences and their name change from Natalie Portman’s Shaved Head.

17. If you stumbled across someone's personal written journal that was accidentally left in a public place, would you read any of the content?



Just enough to see if I could tell who it was in order to return it to them. I’m not naturally curious about other people’s personal stuff.

18. What is the title of a self-help book that you'd never want to see on a store bookshelf?



Develop Jedi Self-Confidence: Unleash the Force within You. Oh, crap.

19. Which Halloween costume do you think will be overdone this year?



Abraham Lincoln: Vampire Hunter

20. Should a marriage license have a renewal date or expiration date, like a driver’s license?



I understand the reason for the question, but no. Actually, I’m not convinced we should have marriage licenses at all. I’m not a Libertarian, but marriage is a relationship that I’m not convinced that government (or a church, for that matter) should have any say about. Like most of life, we’ve overcomplicated something that’s very simple in concept (though extremely tough to execute in practice).