Showing posts with label atlantis. Show all posts
Showing posts with label atlantis. Show all posts

Monday, February 13, 2012

EXCLUSIVE(ish?): Ben Caldwell's Atlantean war machines



It's probably obvious by now that I'm a big fan of Ben Caldwell's work. From his All-Action Classics comics (especially Dracula!) to his Wonder Woman story for Wednesday Comics to his recent re-release of The Dare Detectives, I can't get enough of his energetic, imaginative, animated style. So I got very excited when he emailed me this concept art for a new story he's working on in addition to his other gigs.

As Ben explained it, it's "about a superhero from Atlantis. This is how the Atlanteans depict two of their ancient war machines. Like everything else I do, it would involve violence-prone girls and lost civilizations and secret societies with super-weapons. Thought you might enjoy them." He knows me well.

Anyway, I thought you might enjoy them too, so I asked if I could share them and Ben said, "Sure!" Like I said, Ben's working on this around other projects, so there's no planned completion date or anything, but it's yet another awesome comic to look forward to.

Monday, April 18, 2011

Atlantis: The Lost Empire (2001)



The movie's ten years old, but in case you haven't seen it and think you might some day: SPOILERS BELOW.

Atlantis: The Lost Empire is an almost perfect film.Typically when I'm watching an adventure movie I spend a lot of time thinking about how I'd improve it. Even if it's one I really like. Especially if it's one I really like. "Oh, that's so good, but if he did this..." Or, "That was awesome except for the ending. What if this happened instead." Since those thoughts often turn into actual stories, I find that flawed movies are even more inspirational to me than perfect ones.

Take Atlantis, for instance. When I watch it, I enjoy it so much on almost every level: the steampunk setting, Mike Mignola's production designs, the quest for Atlantis, the eclectic team of diverse characters who are searching for it, the fantastic voice cast, the humor in the script and animation, the plot twists and how they're resolved, the giant robots... There's little that I want to change. If anything, the film kills my interest in writing a story even vaguely similar to it, because it's already been done and done so well.

If there's anything I'd want to change, it's Atlantis' being powered by a sentient crystal that protects itself in times of danger by merging with a member of the royal family. Mostly that's because sentient crystals go into the red section of my New Age Tolerance gauge. I understand that the idea of Atlantis is pretty New Agey to begin with, but it doesn't have to be and the film was doing so well when it was just focused on the conflict between questing for knowledge and searching for good, old-fashioned, non-mystical, material gain.

But while the crystal bothers me, it's wrapped into the plot so well that you really can't pull it out without unraveling a bunch of other stuff. It's a great object for the movie's villains to desire because - unlike gold and jewels - it represents Atlantis itself. The city can't survive without it. That means that the good guys and bad guys can all fight over it and that the victorious good guys can still go home with unbelievable wealth bestowed on them by a grateful city. Which is something I really like: the good guys being rewarded for their trouble. I don't want to pull at the loose thread of the crystal and risk unraveling the whole sweater. It's a really excellent sweater.

There is one other thing that I'd change if I could do it without ruining everything else: Helga's death. Or, no...what it really is is her playing sidekick to Rourke. Her death is just the natural consequence of that. When we meet Helga - all husky voice and legs in the shadows - she's in charge. And she stays in charge up to the point that Rourke appears. Even though she works for Whitmore, she's more than his right-hand, she's his field agent; his eyes, ears, mouth, hands, feet, and weapon outside the sanctuary of his large, spooky house. Once Rourke shows up, she's nothing more than a goon. Such a waste of potential.

I take back what I said about not being inspired by Atlantis: The Lost Empire. I want some stories about a tough femme fatale who works for an eccentric, rich dude who wants to go on collecting knowledge and artifacts, but is too old to leave his creepy, old mansion to go on his own adventures anymore. That's the sequel to Atlantis that I'll never get unless I end up writing it for myself.

(Speaking of sequels, by the way, have any of you seen Atlantis: Milo's Return? Is it as heart-breakingly mundane as it looks?)

Monday, September 06, 2010

Pass the Comics: Tales of Atlantis



Diversions of the Groovy Kind has three out of five installments up so far depicting the founding of Marvel's version of Atlantis as told by Howard Chaykin, Steve Gerber, and Joe Sinnott. [Parts One and Two. Part Three.]

Saturday, June 26, 2010

Art Show: Thief Reaver Slayer King!

Wapsi Viking



By Paul Taylor.

Octodiver



Artist Unknown. [Admiral Calvin]

Jean Grey in Atlantis



By Cliff Chiang.

After the break: Conan, Athena Voltaire, Bond, Black Canary and Green Arrow, some witches, Hulk, and Buzz Lightyear finds out what's beyond infinity.

Tuesday, May 11, 2010

Movie News: A Daring Escape from the Depths of the Sun!

Pirates 4 gets smaller budget



Pirates of the Caribbean 4 is feeling the effects of the economy and - along with other Disney films - is having to severely cut back on expenses, including location shooting and effects sequences. As /Film notes, this may not be a bad thing. I'm one of the few people I know who actually like At World's End, but I agree that it's a messy film and if scaling back On Stranger Tides means a tighter story, then good for Disney. [Los Angeles Times]

Sessy Mens in Atlantis



I'm adding She Blogged by Night to my reader. I discovered it thanks to this awesome review of Atlantis: The Lost Continent, but "She" won me over by appropriately being confused over Jamaica Inn. She's hilarious, uses lots of screen captures in her posts, and - most importantly - has great taste.

Meet your new Sub-Mariner (if Jin has anything to say about it)



Daniel Dae Kim would love to play Namor if a Marvel ever decides to do a Sub-Mariner movie:
Living in Hawaii, I’m always in the water – and I think Sub-Mariner looks Asian. So I feel like if there’s anyone I could play, it would be him. I’ve met with Marvel about a few other things, but if and when it becomes appropriate – sure, if they’d have me.
That man gets cooler every time he speaks. [UGO]

Max Neptune and the Menacing Squid



I love that we've reached the point where even amateur films can have special effects that look this good. [Undead Backbrain]

Mission: Incredible!



Brad Bird (The Iron Giant, The Incredibles) is all set to direct Mission: Impossible 4 based on an idea by JJ Abrams and Tom Cruise (who are also producing the film). I really hope Bird gets some story input too. If he does, there's no reason that this shouldn't easily be the best in the series. (About the image accompanying this post: I've got no idea if the M:I team from the last movie will be featured in the next one. I just needed to see Maggie Q again. [Empire]

Monday, July 13, 2009

The Trouble with Aquaman: 1959-1962



A while ago on the blog (I’m not thinking of a specific post, but just hit the “aquaman” tag and you’ll see what I mean) I spent some time thinking about Aquaman and what his problem might be. Why is he the subject of such universal ridicule? Is it deserved? What can be done to fix it?

I came up with answers to the first and last of those questions. Or working answers, anyway. I blame the ‘70s cartoon Super Friends for his widespread status of laughing stock. I’m not entirely sure that Super Friends wasn’t just mimicking what had already been going on in the Justice League of America comic for years, but I’m willing to bet that a lot more people watched the TV show than read the book. And in it, Aquaman usually had some lame role to play in catching the bad guy due to his very water-specific powers and the dumb weakness that he couldn’t be out of water for more than an hour. At least, that’s how I remember it. As a member of a globe-trotting, occasionally space-faring super-hero team, he sucked.

The answer to my third question above – what can be done to fix Aquaman – is found in the answer to the first. Take him out of the super-team and put him back in the water where he can have undersea adventures. It’s a great, underused setting for adventure and as an aquatic fantasy hero Aquaman may still have a lot of life in him.



My second question though – does Aquaman deserve his rep – could only be answered by going back and experiencing his adventures first-hand. I’m still a long way from finishing that project, but I’ve now read the first volume of Showcase Presents Aquaman, which features almost every Aquaman appearance from his re-introduction in the Silver Age (in 1959) until the end of 1962.

In that time he went from being a back-up feature in Adventure Comics (which typically headlined a Superboy story), to becoming a regular back-up feature in Batman’s Detective Comics, to eventually getting his own ongoing series at the beginning of 1962. Even with his own series though, he still had a regular gig as a back-up feature in the Superman-Batman team-up book World’s Finest.

Along the way he guest-starred in an issue of Superman’s Girlfriend Lois Lane (in which Aquaman saves Lois’ life by turning her into a mermaid) and Superman’s Pal Jimmy Olsen (in which Jimmy is given Aquaman’s powers temporarily so that Aquaman can run off with Superman to help “the natives of some distant watery world” – they sure didn’t over-think those plot devices in the ‘60s, did they?). Perhaps as a test to see if he could handle his own solo comic, Aquaman was also given a few issues of Showcase to feature in some longer stories.



All of which is a great introduction to the character as he was re-conceived for the ‘60s. I’d love to get my hands on some of his adventures in the ‘40s and ‘50s, but they’re not so easily available. According to Wikipedia though, the Golden Age Aquaman was pretty different from the one I read about. He was the son of an undersea explorer who discovered Atlantis, including its long-lost library. Studying the Atlanteans’ records, Aquaman’s father was able to teach his son how to breathe underwater and communicate with sealife. Most of that Aquaman’s career was spent fighting Nazis.

In the ‘60s, Aquaman was re-imagined as the half-breed son of a human lighthouse keeper and an Atlantean outcast. His ability to talk to fish became the power to command them telepathically. Although Atlantis in the ‘60s was a populated place, Aquaman didn’t spend much time there. Since his mom had been exiled for trying to sneak off and explore the surface world, Aquaman never tried to go there until Showcase #30 when Atlantis requested his help in rescuing them from some sea monsters.

Until that point, the only contact he had with Atlantis was when he rescued another outcast – a young boy who had to leave the underwater city because of a severe phobia of fish. Aquaman cured him of his fear, but rather than return to Atlantis the orphan chose to stay and live with Aquaman, becoming his sidekick Aqualad.



It’s kind of interesting that in the very next tale after Aqualad’s introduction the boy finds and furnishes a cave for him and Aquaman to live in. Up till then Aquaman hadn’t really had a home. He’d just crashed wherever. Now he had a ward and an Aquacave. Which I’m sure was designed to sound familiar.

The biggest revelation to me about these stories was that Aquaman began his career very much as a superhero, complete with sidekick and cave-hideout. The only difference between him and Batman was the aquatic theme. Even Aquaman’s cases are largely surface-based, whether he’s fighting modern-day pirates or evil-doers on islands or in coastal towns. It’s telling that his and Aqualad’s primary method of getting around isn’t even swimming; it’s riding around the ocean surface on the backs of porpoises.

Not much is made of his strength or ability to swim quickly or even to breathe underwater. Those aspects are there and they get mentioned occasionally, but the vast majority of the focus is on his ability to command sea-life. It’s his gimmick. In these stories he never uses his own abilities if he can order a sea creature to do it for him. It’s a device that the writers obviously had a lot of fun writing, if not thoroughly researching.



We have to remember that these were kids’ comics, so the abilities of Aquaman’s finned friends have little to do with reality. Swordfish can impale wood with their noses and sawfish can cut it. Signal fish are Aquaman’s chief form of communication with anyone and eels make the dandiest ropes. Octopi can catch torpedoes in their tentacles, whale schools make great emergency landing strips for airplanes, and needlefish are awesome little seamstresses.

Because he relies on them so much, for all practical purposes Aquaman is powerless without his sea creatures. For that reason – and for the arbitrary weakness he and Aqualad have that doesn’t allow them out of the water for more than an hour – the early Silver Age Aquaman is pretty lame. The stories are fun and inventive, but as a character he’s very limited. It’s no wonder that writers had a hard time with him in the Justice League. Even in the first issues of his own ongoing series, the writer struggled enough to find a new take that he (I’m assuming; the identity of the writer is unknown) introduced a water sprite character named Quisp as sort of a mischievous, but helpful guest-star. Sort of the Aqua-team’s version of Bat-Mite. But unlike Aquaman and Aqualad, Quisp actually has real powers that allow him to manipulate water. If Aquaman had had that, maybe he wouldn’t have been so limited in the JLA.



I’m not done with the Showcase Presents Aquaman books yet, but I’m going to take a break from them and read some early Justice League of America next to remind myself how Aquaman was put to use there. He was appearing there during the time period covered by this volume, so chronologically it works out about right.

Tuesday, July 07, 2009

Adventuregallery: The Other Mike May

Evening Balcony





Both by Matthieu Forichon.

Mystery of the Deadly Diamonds



By Michael W. Kaluta (via Golden Age Comic Book Stories).

Your 20,000 Leagues Under the Sea Picture of the Day



By W. J. Aylward (via Golden Age Comic Book Stories).

Giant Squid



By N. C. Wyeth (via Golden Age Comic Book Stories).

Operation: Sea Peril!



By Howard Purcell.

The Storms of Windhaven



By Jack Gaughan.

Half-Elf



By Mike May. No, not me. I wish.

Angel



By Mike Maihack. Other angels at DrawerGeeks.

Two Worlds to Win!



By Jim Steranko.

Monday, May 18, 2009

Adventureblog Gallery: A Knight of Fright is TOO a Delight

Your Marvel Classics Comics Cover of the Day



We've let the Musketeers into the club; how do you guys feel about knights? I used to be really into guys like Ivanhoe and King Arthur as a kid (and of course I've written the foreword to that Lancelot book), but I don't find the medieval setting as exciting as I used to.

Maybe I'm just not reading/watching the right stuff. Ivanhoe was one of my favorite books as a kid and I still enjoy the story.

Childhood Nightmare



By Joe Spadaford.

Your 20,000 Leagues Under the Sea Picture of the Day



By Alphonse de Neuville.

Manape the Mighty



By HW Wesso.

"A Turok comic of sorts..."



By Ben Templesmith.

Thursday, March 05, 2009

We can't waste more time on your ridiculous "Atlantis"

Google Ocean



Thanks, Otis!

Moby Dick



Golden Age Comic Book Stories has tons of great whale-huntin art by Mead Schaeffer.

Pirate improv

Siskoid was in a pirate improv and he can prove it.

Your 20,000 Leagues Under the Sea Picture of the Week



By Édouard Riou.

Zeek!



More from Otis Frampton. He and his wife Leigh are working on an animated short film called Zeek!. I don't know what it's about yet, but from Otis' production journal I can tell that it'll have submarines, jungle islands, waterfalls, giant bug monsters, and at least part of it takes place in outer space. In other words: awesome.

Voyage of the Dawn Treader movie



Illustration by Matthew Clark.

The Dawn Treader movie sails along without Disney. It's got a writer and a release date already. I'm glad to see that it's going to be a Christmas film again. I think a huge part of Prince Caspian's problem was that they wanted it to be a summer blockbuster and it just wasn't designed to be that kind of movie.

"The Fake"



The fourth story in this long post at Golden Age Comic Book Stories is about a sailor who claims to have found Atlantis. The story's not that good actually, but the art is fantastic especially when the sailor goes into Atlantis to look around.

The Aquaman Problem



Dorian explains why there's nothing wrong with Aquaman's core concept and theorizes that the character's lameness is directly related to the amount that writers deviate from that core.

As much as I don't disagree with Dorian, I'd be really interested in reading a story like the one that J Kempf suggests:
"What if Aquaman wasn't a hero?" Oh, sure, he has done lots of heroic things, but what if he did them for terrible reasons? That's when I started to think that maybe Aquaman, as well as the rest of the Atlanteans, were further removed from humanity than we thought, and, if so, what it would be that they really want?
On the other hand...

This gal seems to like Aquaman just the way he is.

Friday, February 27, 2009

Fixing Aquaman (and other ocean treats)

Bad day to be a pirate.



I don't know who it's by, but I found it at Never Sea Land.

Pirate Queen



By Oliver Vatine. Sent to me by Jess.

Your 20,000 Leagues Under the Sea Pic of the Week



By Alphonse de Neuville.

Crozonia



CBR's got some information about Jim Su's undersea adventure comic Crozonia. Based on the preview pages I don't have incredibly high expectations for this, but it could be fun. I like the character and ship designs.

Aquabusts





From DC Direct.

Fixing Aquaman I: Atlantean Elf

Caleb Mozzocco explains why it is James Kochalka's responsibility as a father to write and draw an Aquaman comic for DC. I concur. That would be one way to make Aquaman cool again. At least for as long as Kochalka was working on the character.

Fixing Aquaman II: Aqualad Mans Up

Ben Morse argues that letting Tempest (formerly Aqualad) inherit the Mantle of the Aqua could do the trick. But he doesn't even really convince himself. (Thanks to Kevin for that link.)

Fixing Aquaman III: Batman: The Brave and the Bold



Aquaman's personality in the DCU may be too established for this to work there, but Batman: The Brave and the Bold has certainly figured out how to make him cool again, proving that it's at least possible.

The bragging, swaggering Aquaman of the BBnB universe is so much fun. He's even winning over die-hard fans of the old DCU version like Rob at the Aquaman Shrine who initially tries to reconcile the two versions before admitting he may be reaching and declares, "All I know is, as this devout Aquaman fan watches this version of the character, it makes me smile." Me too, Rob. Absolutely me too.

The real proof that he's fixed though is when Topless Robot calls him a "fucking badass." High praise indeed.

Hope you're taking notes, DCU.

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