Showing posts with label red riding hood. Show all posts
Showing posts with label red riding hood. Show all posts
Sunday, October 11, 2020
15 Favorite Horror Movies: The Company of Wolves (1984)
This must have been on the shelves in the video store I worked in as a teenager, because I remember seeing it dozens of times in the '80s. I was so in love with the gothic aesthetic and the fairy tale and the werewolves and just the sheer weirdness of the plot. And maybe a little bit with Sarah Patterson, the actor who plays Red Riding Hood.
It was directed by avant-garde filmmaker Neil Jordan (his second film) and it feels deeply personal. Jordan worked with novelist Angela Carter to adapt her short story by the same name. The structure is cool and strange with Patterson playing a modern girl named Rosaleen who's sleeping and dreaming about her and her family in medieval times. In the dream, her older sister (whom she doesn't get along with in the real world) is killed by wolves, sending the forest village into a panic. David Warner plays her dad, Swedish actor Tusse Silberg plays her mother, and Angela Lansbury is her grandmother who of course lives deep in the woods by herself.
Inspired by the local interest in wolves, Grandmother tells Rosaleen lots of stories about wolves (which always turn out to be werewolves) and these are enacted on screen as well. So there are all of these stories within a dream, turning The Company of Wolves into sort of an anthology film. There's a werewolf transformation in every one and they're all different from each other and original. I don't think I've seen anything like them before or since.
The locations and sets in the film are wonderfully atmospheric and captivating, both the modern day manor and the medieval forest village. And Jordan does a great job depicting the wolves as both frighteningly deadly and alluringly social creatures, usually at the same time. Some films seem like they were made specifically with you in mind. This is one of mine.
Friday, November 08, 2019
Fairy Tale Friday | Fables, Part 7: The Last Castle
Fables: The Last Castle was a one-shot special in 2003 that offered more insight to the Fables' homelands; specifically the closing days of the Adversary's invasion, the final stand of the defenders, and the last group of refugees to escape. The series had been slowly teasing out information about the mysterious Adversary and his campaign against the homelands, so the revelations of The Last Castle were a big deal and an appropriate subject for a fancy, stand-alone story like this.
It also answered a question that was on the minds of a lot of fans: With Bigby Wolf such an important part of the Fables series, whatever happened to his legendary prey, Red Riding Hood?
The framing of the backstory takes place because Little Boy Blue is depressed, as he always gets this time of year. Snow White finally asks him about it and he tells her that it's the anniversary of the escape of the final survivors from the homelands. Every year, those survivors gather for a private ceremony and Blue has special reason to mourn the experience.
He shares his story with Snow White and the bulk of the book describes an epic battle full of legendary characters like Robin Hood and his men, the Grimm Brothers' Bearskin, and of course Red Riding Hood, who barely makes it into the defenders' keep alive. All of it is beautifully drawn by P Craig Russell, himself a legend of fantasy comics for his Elric and Jungle Book adaptations, Fairy Tales of Oscar Wilde, and various volumes of Neil Gaiman's Sandman.
It's a dark, emotional story and I would have liked it more if it didn't handle Red in a way I don't care for. That's super subjective though and Fables is such an unpredictable series that there's always room for it to come back to her in a way that I like better.
Saturday, June 08, 2019
The Fairy Tale Project | Little Red Riding Hood (1997)
Who's in it?: Christina Ricci (The Addams Family, Casper, Sleepy Hollow, Speed Racer)
What's it about?: A short, artsy adaptation of "Little Red Riding Hood."
How is it?: I love the artfulness of it, but I've heard other viewers describe it as pretentious. It's more or less a silent film, narrated with a voiceover instead of having title cards. And it's filmed in black-and-white. But the most controversial choice is probably having ballet danseur Timour Bourtasenkov play the wolf. In the fairy tale, the wolf is a hyper-masculine figure to the point that some interpreters see his devouring Red as an allegory for rape. In contrast, Bourtasenkov's movements are sensual and seductive. He's wooing Red; not forcing her.
And Red reciprocates. Ricci is the perfect actor for this and seduces the wolf right back beneath a veneer of innocence. This isn't a Red who's learning to be wary. She's already quite confident and resourceful.
There's precedence for this interpretation in the oral tradition of the story. In The Annotated Brothers Grimm, Maria Tatar talks about a 19th century French version of the tale in which Red performs a striptease for the wolf and then escapes by going outside to relieve herself. In another version, the wolf puts parts of Grandmother in the pantry and invites Red to help herself, which she does. All of these things happen in this film. Red is especially deliberate and intentional about taking a bite of the Grandmother stew. She has the wolf exactly where she wants him.
Stories are funny creatures and oral stories have especially strange histories. It's easy to pin down Charles Perrault's point because he spells it out for you in his morals. And once you know what mattered to the Grimms, it's not that hard to figure out what they wanted their audiences to learn either. But nameless storytellers across a wide range of history are tougher to define. Was Red originally a trickster character who was modified by Perrault and the Grimms to become more innocent? Or was she initially innocent, but changed by some storytellers who wanted a more kickass version? Fortunately, there's a book by Catherine Orenstein called Little Red Riding Hood Uncloaked that can potentially answer that. The subtitle is "Sex, Morality, And The Evolution Of A Fairy Tale." I haven't read it, but I'm going to.
Rating: Four out of five Red Riding Riccis.
Thursday, June 06, 2019
The Fairy Tale Project | Freeway (1996)
Who's in it?: Reese Witherspoon (Friends, Legally Blonde, Monsters vs. Aliens), Kiefer Sutherland (The Lost Boys, Young Guns, The Three Musketeers, 24), Dan Hedaya (Cheers, The Addams Family, Alien Resurrection), Brooke Shields (The Blue Lagoon, Brenda Starr, Suddenly Susan), Brittany Murphy (Sin City), and Bokeem Woodbine (Underground, Spider-Man: Homecoming).
What's it about?: A modern version of "Red Riding Hood" in which a teenage girl has to deal with a metaphorical wolf on her way to her grandmother's house.
How is it?: Much darker than I expected, but that's probably on me. "Red Riding Hood" is a dark story to begin with.
Witherspoon plays an illiterate teenager named Vanessa Lutz who refuses to go back into the foster care system when her mom is arrested (again) for prostitution and drug possession. Vanessa steals a car and heads to the Interstate to find her grandmother, whom she's never met, in hopes of being able to stay with her. But when her car breaks down, she's given a lift by a seemingly kindly child psychologist (Sutherland) who turns out to be a serial killer. And then it gets weird.
There was a point in the film where it felt like everything was wrapping up, but it seemed early, so I checked the time. The film was only half over. To talk about this, I need to spoil a couple of things, but I won't talk about anything from the final act. If you think you might want to watch it though and remain completely clean going in, stop reading now. Otherwise, I have more to say about the plot and some of the themes of the film. I ended up liking the movie.
SPOILERS BELOW
About halfway through the film (not even quite that), Vanessa gets away from Bob Wolverton (Sutherland) and shoots him a bunch of times. I mean, a bunch of times. She'd prefer to turn him in, but he's convinced her that it would be her word against his and that people would believe him. Class discrimination is a big theme of the film with Vanessa as a poster child for the disadvantaged. She's uneducated and has her own criminal background, but she's smart, brave, and oh so very capable of taking care of herself. At any rate, she believes that killing Bob is the only way to prevent him from hurting more girls.
Unfortunately, Bob lives. He's severely disfigured, but that and his upper-middle class status - with his attractive, supportive wife (Shields) as his spokesperson - enables him to claim victimhood from Vanessa. The sheriff (Hedaya) arrests her, there's a trial, she goes to jail... and the movie keeps going. (Woodbine has a small role as Vanessa's boyfriend; I just wanted to mention him in the Who's In It? because I really like that guy.)
Writer/director Matthew Bright made it really tough to root for Vanessa unconditionally. She's had a really tough life and I empathize with her a lot, but she ends up hurting some people that I wish she hadn't (not Bob; he deserves everything). I feel like that's Bright's point though and I enjoyed the conundrum that he and Witherspoon put me in. Vanessa is a great character, even if she isn't a total hero.
Rating: Three out of five badass Reese Witherspoons.
Monday, June 03, 2019
The Fairy Tale Project | The Company of Wolves (1984)
Who's in it?: Angela Lansbury (Gaslight, Bedknobs and Broomsticks, Murder, She Wrote) David Warner (Time Bandits, the George C Scott Christmas Carol, Star Treks V and VI), and Stephen Rea (The Crying Game, The Musketeer, Underworld Awakening)
What's it about?: A sleeping girl (Sarah Patterson) dreams of another life in which she experiences an expanded version of the events of Little Red Riding Hood.
How is it?: This must have been on the shelves in the video store I worked in as a teenager, because I remember seeing it dozens of times in the '80s. I was so in love with the gothic aesthetic and the fairy tale and the werewolves and just the sheer weirdness of the plot. And maybe a little bit with Patterson herself.
It was directed by avant-garde filmmaker Neil Jordan (his second film) and it feels deeply personal. Jordan worked with novelist Angela Carter to adapt her short story by the same name. The structure is cool and strange with Patterson playing a modern girl named Rosaleen who's sleeping and dreaming about her and her family in medieval times. In the dream, her older sister (whom she doesn't get along with in real life) is killed by wolves, sending the forest village into a panic. David Warner plays her dad, Swedish actor Tusse Silberg plays her mother, and Angela Lansbury is her grandmother who of course lives deep in the woods by herself.
Inspired by the local interest in wolves, Grandmother tells Rosaleen lots of stories about wolves (which always turn out to be werewolves) and these are enacted on screen as well. So there are all of these stories within a dream, turning The Company of Wolves into sort of an anthology film. There's a werewolf transformation in every one and they're all different from each other and original. I don't think I've seen anything like them before or since.
The locations and sets in the film are wonderfully atmospheric and captivating, both the modern day manor and the medieval forest village. And Jordan does a great job depicting the wolves as both frighteningly deadly and alluringly social creatures, usually at the same time. Some films seem like they were made specifically with you in mind. This is one of mine.
Rating: Five out of five wedding wolves.
Sunday, June 02, 2019
The Fairy Tale Project | "Little Red Riding Hood" by The Brothers Grimm
Illustration by "KC" (uncredited artist from a 1923 anthology)
The Brothers Grimm add a rescue story to the end of Charles Perrault's horror version, but otherwise their point is more or less the same: "Don't talk to strangers." When Red Riding Hood's mother sends her to Grandmother's house, she instructs, "Look straight ahead like a good little girl and don't stray from the path." Excessive curiosity it apparently a problem for the child, because Mom also says that when Red get to Grandmother's, she shouldn't "go poking around in all the corners of the house."
Of course, Red's overly curious mind also makes her dangerously trusting and it's the squashing of these traits that the story is all about. In fact, the Grimms include an epilogue in which Red makes another trip to Grandmother's and is again accosted by a wolf, but reacts with confidence and sufficiency, leading to a much different result.
There's a lot more that can to be gathered from the story. It's simple enough that scholars have assigned endless meanings to it. Some of them are ridiculous, like how the wolf eats Grandmother and Red whole because he's got pregnancy envy. Others I quite like, for instance how the cakes and wine that Red carries to Grandmother might represent Christian Communion.
I don't want to read too deeply into that one, but even if Communion isn't the intended meaning of the meal, the Grimms clearly state that the food is intended to heal Grandmother in some way, with the most natural reading being physical. When the wolf gets to Grandmother's house, Grandmother can't come to the door, because she's too sick to get out of bed. For all her naivety, Red is an heroic figure out to rescue Grandmother.
If the cakes and wine do represent Communion, then it just adds a spiritual element to Grandmother's physical condition. She's also sick in her soul and Communion is supposed to help with that. Lending some support to this idea is the Grimms' changing the location of Grandmother's house. In Perrault, she lives in a village on the other side of the woods, so that Red has to go through the forest to get there. In the Grimms' version, Grandmother lives smack in the middle of the forest. She's part of the Wild, which suggests that she may be lost herself, in a spiritual sense.
There's so much to unpack with this story. I'm looking forward to watching some adaptations and see how they handle it.
Saturday, June 01, 2019
The Fairy Tale Project | "Little Red Riding Hood" by Charles Perrault
Illustration by Warwick Goble
Charles Perrault's version of "Little Red Riding Hood" is a straight up horror story. His stated moral for it is all about Stranger Danger. There's no last-minute save by a woodsman (even though some are mentioned earlier in the story as being in the area). The final words of the tale are:
"The better to eat you with."
Upon saying these words, the wicked wolf threw himself on Little Red Riding Hood and gobbled her up.His moral is equally terrifying. It includes a warning that "not all wolves are exactly the same. Some are perfectly charming [...] following young ladies right into their homes" and ends with, "Watch out if you haven't learned that tame wolves are the most dangerous of all."
Chilling.
Thursday, October 31, 2013
31 Werewolves | Red
HAPPY HALLOWEEN!
And here we are at the end, back where we began with Little Red Riding Hood. Only in ABC's Once Upon a Time she's not so little. And - SEASON ONE SPOILER - she's also the Big Bad Wolf. I have mixed feelings about Once Upon a Time, but making Red a werewolf was a genius move and she's easily my favorite character on the show. I've only seen about halfway into Season Two, but so far she's one of the more surprising characters (and not just because she occasionally gets hairy) and there's plenty to like and root for about her.
Thanks for reading along this month and a special thanks to those of you who shared your own thoughts with me here and on Twitter. If you enjoyed 31 Werewolves, be sure to dive into my pal Pax's werewolf month from a couple of Halloweens ago. We covered some of the same stuff, but from different angles and there's plenty there that I didn't mention.
And speaking of things I didn't mention, I'd love it if you shared some of your favorite werewolves with me that I didn't have room for. Doing this has made me want to finally check out some werewolf stuff that I've been meaning to get to for a while and I'd love to add to that list with your suggestions.
Tuesday, October 01, 2013
31 Werewolves | The Big Bad Wolf
Art by Gustave Doré
It's October! And like so many other blogs this month, I'm celebrating the Countdown to Halloween.
If you're not familiar with Countdown to Halloween, it's a marathon in which bloggers celebrate the spookiness of the holiday for the whole month of October. Literally anyone with a blog can join; just click the link above for details.
This is my fifth year participating. In 2009, I highlighted my 31 favorite monsters (Scary Clowns continues to be one of my most popular posts to this day, for some reason). In 2010, I talked about my 31 favorite things about the holiday itself. Then, in 2011, I drilled down into my all-time favorite monster for 31 Days of Frankenstein. As soon as I did that, I knew I had the next two years mapped out, so last year, I spent 31 Days with Dracula and this year I'm completing the unholy trinity.
The thing about the trinity though is that it's based on the most popular Universal monsters: Frankenstein, Dracula, and the Wolf Man. Since Frankenstein's Monster and Dracula are based on public domain characters, it's easy to spend a month exploring different versions of them, but that's not true with Lon Chaney Jr.'s Larry the Wolf Man. So starting this year, I've got to go more general and look at werewolves as a whole. The exciting thing about that for me is that it opens up all sorts of possibilities for future Countdowns: 31 Ghosts, 31 Witches, etc.
Unlike 31 Days of Frankenstein and Dracula (where I wanted to provide as complete an historical overview as I could of those characters), for 31 Werewolves I'm limiting myself to just 31 specific versions. These aren't the 31 most important or even my 31 favorites, though many important and favorite ones will appear. For some of them, I let their prominence in pop culture override historical importance and my own taste. I also wanted to hit a variety of media, so I left out some great movie werewolves in order to fit in some literary, comics, and even musical versions. Feel free to yell at me if I leave out something I shouldn't have. I'm gonna hit them in chronological order, so you'll know when I've moved past something I should've mentioned. If I get enough complaints about a particular thing, I may circle back and add it as an extra.
To kick things off, I had to start with "Little Red Riding Hood." It's not the oldest werewolf story (those appear in ancient Greece), but it's the most popular, longest-enduring one. The well-known version that appears in children's books features a talking wolf instead of an actual werewolf, but the earliest versions often had a werewolf or an ogre as their villains and it's likely that the werewolf eventually became an anthropomorphic animal.
The story is all about the danger of the Wild and that's essentially what werewolves are about too, so it's a natural fit. I imagine I'll have more to say about wildness and control as the month progresses, so I don't want to shoot that arrow too soon, but it's what fascinates me most about these creatures.
I've included a werewolf version of the story from France below. If you want to read other versions though, including those by Charles Perrault (the first to write down and publish the story) and the Grimm Bros., D. L. Ashliman's folktexts has you hooked up.
There was a woman who had made some bread. She said to her daughter, "Go and carry a hot loaf and a bottle of milk to your grandmother."
So the little girl set forth. Where two paths crossed she met the bzou [werewolf], who said to her, "Where are you going?"
"I am carrying a hot loaf and a bottle of milk to my grandmother."
"Which path are you taking?" said the bzou. "The one of needles or the one of pins?"
"The one of needles," said the little girl.
"Good! I am taking the one of pins."
The little girl entertained herself by gathering needles.
The bzou arrived at the grandmother's house and killed her. He put some of her flesh in the pantry and a bottle of her blood on the shelf.
The little girl arrived and knocked at the door. "Push on the door," said the bzou. "It is blocked with a pail of water."
"Good day, grandmother. I have brought you a hot loaf and a bottle of milk."
"Put it in the pantry, my child. Take some of the meat that is there, and the bottle of wine that is on the shelf."
While she was eating, a little cat that was there said, "For shame! The slut is eating her grandmother's flesh and drinking her grandmother's blood."
"Get undressed, my child," said the bzou, "and come to bed with me."
"Where should I put my apron?"
"Throw it into the fire. You won't need it anymore."
And for all her clothes - her bodice, her dress, her petticoat, and her shoes and stockings - she asked where she should put them, and the wolf replied, "Throw them into the fire, my child. You won't need them anymore."
When she had gone to bed the little girl said, "Oh, grandmother, how hairy you are!"
"The better to keep myself warm, my child."
"Oh, grandmother, what long nails you have!"
"The better to scratch myself with, my child!"
"Oh, grandmother, what big shoulders you have!"
"The better to carry firewood with, my child!"
"Oh, grandmother, what big ears you have!"
"The better to hear with, my child!"
"Oh, grandmother, what a big nose you have!"
"To better take my tobacco with, my child!"
"Oh, grandmother, what a big mouth you have!"
"The better to eat you with, my child!"
"Oh, grandmother, I have to do it outside!"
"Do it in the bed, my child!"
"Oh no, grandmother, I really have to do it outside."
"All right, but don't take too long."
The bzou tied a woolen thread to her foot and let her go. As soon as the little girl was outside she tied the end of the thread to a plum tree in the yard.
The bzou grew impatient and said, "Are you doing a load? Are you doing a load?"
Not hearing anyone reply, he jumped out of bed and hurried after the little girl, who had escaped. He followed her, but he arrived at her home just as she went inside.
Thursday, August 01, 2013
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