Monday, January 19, 2009

"M" is for Mike's Movie Meme

Will Pfeifer has all the cool memes. This one is to make a list of 26 of your favorite movies, one for each letter of the alphabet.

I'm changing it slightly to be a list of 26 movies that I love, because "favorite" implies that I like - for example - Devil in a Blue Dress better than Die Hard and that's not an argument I'm ready to have with myself tonight. Much less have it 25 more times over countless other movies. Most of the time, the movie I listed is just the first one I thought of (with the caveat that I truly love all 26 of these films).

Also, if I thought of a couple of movies at the same time, I sometimes went with the less obvious pick just to keep the list interesting.



Addams Family Values (1993)
Below (2002)
Cabinet of Dr. Caligari, The (1920)
Devil in a Blue Dress (1995)
Evil Dead 2 (1987)



Ferris Bueller's Day Off (1986)
Galaxy Quest (1999)
Henry V (1989)
Incredibles, The (2004)
Juno (2007)



King Kong (2005)
Last of the Mohicans, The (1992)
Memento (2000)
Night of the Demon (1957)
Ocean's Eleven (2001)



Pacte des Loups, Le (2001)
Quantum of Solace (2008)
Raiders of the Lost Ark (1981)
Star Wars (1977)
Time to Kill, A (1996)



Unbreakable (2000)
V for Vendetta (2005)
Wolf Man, The (1941)
xXx (2002)
Young Frankenstein (1974)
Zoolander (2001)

Hitchcock Blonde



I love plays, but it's been a long time since I've been to any theater that didn't have the word "children's" in front of it. This won't mean much if you don't live in the Twin Cities, but this mystery surrounding Hitchcock's obsession with casting blondes should be just the thing to get me back.

Here's how the website describes it:
A spine-tingling mystery unfolds at a villa in the Greek isles, where a British film producer and his young assistant sift through the clues hidden within the decayed celluloid of a recently discovered "lost" Hitchcock movie. Meanwhile, in 1950s' Hollywood, Alfred Hitchcock auditions an unknown blonde actress to be the body-double for his infamous Psycho shower scene.

Sunday, January 18, 2009

Music Meme: 1976

Continuing my list of favorite albums from every year I've been alive.

1976

Waylong Jennings, Willie Nelson, Jessi Colter, and Tompall Glaser: Wanted! The Outlaws



This is ultimate country album for me. We wore this thing out growing up. There's so much good stuff on it, but my favorite is the Waylon/Willie duet "Good Hearted Woman."

A very close runner-up though is Tompall Glaser's "Put Another Log on the Fire." The Muppets did an awesome version of that song and one of my brothers and I learned it by heart. We didn't realize that meant we had to then perform it on command at dinner parties for our parents' friends, but I suppose a seven- and eight-year old singing, "Ain't I always nice to your kid sister/Don't I take her driving every night?" is pretty irresistible. And - truth be told - we didn't mind the attention.

"Good Hearted Woman"



"Put Another Log on the Fire" (Muppets version)

Friday, January 16, 2009

Journey to the Center of the Earth (2008: Greg Evigan)

This is the second time I've opened a Netflix package and discovered that I'd ordered an Asylum film. I need to be more observant, obviously.

Not that I'll never watch another Asylum movie, but this is also the second time I've been kind of excited to watch something, seen the Asylum logo, and gone, "Ohhh. Crap." I just need to have my expectations adjusted to the appropriate level before I open those envelopes.

Continuing our journey through the cinematic Journeys to the Center of the Earth (the previous ones are here and here), we get to this attempt to cash in on last year's big-screen Brendan Fraser version. The Asylum wasn't the only one doing that, but they're certainly the worst. (We'll talk about the other, much better copy-cat soon.)

The Asylum's version borrows heavily enough from At the Earth's Core that it could just as easily have taken that name had it not been hoping to cash in on the popularity of a Brendan Fraser flick. Greg Evigan plays a scientist named Joseph Harnet who's developed a way of transporting military troops through the center of the earth to locations on the other side of the planet. Handy, right? Unfortunately, one of his squads - an all-girl squad, I might add - gets trapped in the center of the earth and needs rescuing.

The first borrow from At the Earth's Core is the design of the center of the earth. Instead of a series of massive caves it's a wide open expanse that we're told has a rock ceiling somewhere above the clouds. I've got no problem with that - in fact, I like it a lot more than dark, dull caves - but I imagine the choice has less to do with style and more to do with the cost of filming in certain locations.

At any rate, we're never really told what went wrong with the transporter, because the movie doesn't care. All we need to know is that there are hot girls in danger and Evigan's got to save them. Enter his ex-wife (the hero always has to work with his ex-wife in Asylum movies), another scientist who's invented an experimental drilling machine (the other nod to At the Earth's Core), and whose sister Kristen just so happens to command the Hot Chick Unit.

The movie's then divided into two simple storylines. Kristen has to keep her team of supermodel soldiers alive while being chased by (horribly fake, but this is Asylum so we're used to that) giant spiders and a T-Rex. Meanwhile Evigan and Wife bore (pun intended) through the earth's crust to try to rescue the girls. This involves their sitting in a cockpit and arguing for most of their story, but things do get dangerous the closer they get to the core.

I almost hate to rag on the acting and writing. Like with the effects, you just really shouldn't expect much from an Asylum movie, so it's no good pretending to be disappointed. But really, if you're going to make your crack military unit consist entirely of beautiful women (and I'm in full support of that), at least go to the effort to make them seem like a military unit and less like contestants from America's Next Top Model. The women on the team are so shallow and bickering that you never for a second take them seriously. And their leader Kristen's response to it all is to ignore it, so when Harnet tells someone that she's a "natural leader" it's a horrible - though unintentional - lie. If we're to pretend that the writers actually knew what they were doing, Harnet's a lousy judge of leadership potential. But what's sad is that I'm pretty sure the writers thought they were writing a competent leader.

All that said, the T-Rex and giant spiders (crappy as they were) were kind of cool.

Two out of five sexy co-ed soldiers.

Thursday, January 15, 2009

The All New Savage She-Hulk



I missed mentioning this when it was timely, but since I'm trying to keep a record of all things She-Hulk, up it goes anyway.

There's no story to this yet other than the image itself. Marvel sent it out a couple of weeks ago without comment. It's obviously meant to start speculation and I can do that. Maybe it means that Marvel's cancellation of She-Hulk is temporary, but when the book returns it will feature this character (the test tube offspring of Hulk and Thundra). Maybe it doesn't mean anything at all.

I prefer the latter of those two possibilities.

Update: Amazon Women and the Nazi Gold

You may remember that I've contributed a jungle girl story called "Amazon Women and the Nazi Gold" to an anthology called When Drive-Ins Attack!. Jess Hickman was originally going to do the art for it, but she had to bow out in order to concentrate on Oddly Normal. I was sorry not to get to work with Jess on it, but fortunately we found a talented artist named Earl Geier to work with.

Anyway, Drive-Ins editor Rich Stahnke says on his blog that all the art for the book is complete and it's currently being lettered. Rich produces comics under the Tin Star Studios label, but he's actually going to ship this book around to some publishers. Keeping my fingers crossed that it gets picked up. I haven't seen the completed art on it yet, but I'm pretty proud of the script I turned in.

In lieu of jungle art from "Amazon Women" though, how about a cover from Detective Comics showing the Batmobile getting clobbered by a jungle-man riding a rhino?



I thought that might be okay too. (Thanks to Golden Age Comic Book Stories for the image.)

Wednesday, January 14, 2009

Commandos from the Black Lagoon

The Creature Commandos



Caleb Mozzocco calls for a Showcase Presents collection of DC's Weird War Tales. And can you blame him?

Frankenstein Meets the Space Monster and Other Stories

AMC's got a short list of Frankenstein movies you may not have heard of. I've seen fast-forwarded through two of them (Frankenstein Meets the Space Monster and Frankenstein Conquers the World) and though I'm a pretty big Frankenstein fan, I probably won't be rushing out to find the other three.

Science from the Black Lagoon



One of the things I've always liked about Creature from the Black Lagoon is that it at least pretends to take science seriously (as opposed to using it as a substitute for magic). It's encouraging then that Gary Ross - who's writing and producing the remake - is not only also taking the science seriously, but is actually researching it in order to make his version even stronger.

I also like that he says he wants the tone to be serious and not campy. I've read one blogger who's fearful that they're taking all the fun out of it, but I disagree. Camp does not equal fun. You can take the premise seriously and still have a ball with it, which is something the original did wonderfully.

Ross' version isn't green-lit yet, but I'm hoping it will be. It sounds like he's on the right track.

There is a (Seaweed) Monster at the gates!

"Still, they're better than GAARD..."

Slay, Monstrobot of the Deep! takes a look at some of Aquaman's classic villains and decides to stop making fun of Superman's rogues gallery.

I don't know though. I'd love to see someone take these guys and do something with them like Gail Simone did for Catman. I see about 50x the potential in Fisherman that I do in Toyman.

Why sword-and-sorcery Aquaman didn't work

My working theory that Aquaman is a better undersea fantasy character than superhero has at least one major hole in it: Kurt Busiek's Sword of Atlantis re-launch tried to do just that and failed to attract an audience. (Heck, I got tired of it myself after a while and quit reading.)

FictionMachine takes a look at the first collection of those issues and tries to figure out what went wrong. By the end of the essay, he decides that the whole fantasy angle was a bad idea to begin with, but I don't think that's it. I think he nails the problem right here:

In Sword of Atlantis the original Aquaman - Arthur Curry/Orin - has vanished, and the series is based instead around the coincidentally named Arthur Curry - who looks identical, wears the same costume as the classic Aquaman, but spends the entire book protesting that despite looking, sounding, acting, speaking as and having identical powers to Aquaman, he is in fact not Aquaman.
Busiek's story was essentially a quest story, with New Aquaman trying to figure out what happened to Old Aquaman. The problem is that we figure out where Old Aquaman is fairly quickly and the only remaining mystery is how he got there. Despite some very cool characters and beautiful art by Butch Guice, the direction of the plot wasn't strong enough to keep me reading during a time that I was actively trying to cut back on my comics spending.

Or maybe FictionMachine does have a point. He points out that Sword of Atlantis is specifically high fantasy. It's underwater swords-and-sorcery. And perhaps that approach is taking the fantasy angle too far. When I talk about Aquaman's being an "underwater fantasy" character, I just mean that his adventures should primarily be underwater and take full advantage of our lack of knoweldge about what the undersea world is like. Anything can happen down there and that's wonderful. It doesn't really need to be Conan underwater. I love Busiek for trying that out, but I'm considering it a lesson learned.

The future of Aquaman?

The Aquaman Shrine has scans of the Aquaman bits from Final Crisis: Secret Files. There's not much there except for a possible costume tweak and a desire to "make him look a little more badass," but it's all we've got for now.

Namor and ROM vs. the Seaweed Monster

Siskoid beautifully summarizes this glorious story (and also points out how dolphins are the SUVs of Atlantis).

So much fantastic art there. Atlanteans riding whale sharks and manta-drawn chariots. Wow.

Fish and ships

Though Namor's people prefer real animals in the ROM story, they've also driven fish-shaped ships from time to time. Comic Book Science notices that the US military may be taking a hint from Atlantean design.

Namora and the Agents of Atlas



By Rich Ellis.

Kill All Kittehs!

Ten Against the World



Scott Morse is working on a new giant-monster comic.

Monster vs. Goblin



By Scott Halett.

Kill All Kittehs!



Via Worth1000.

Monsterpocalypse #2



Giant Monsters Attack! reviews it so I don't have to. (Though I did cover the first issue here.)

The Perhapanauts #5



What does the fifth issue of the awesome Perhapanauts series have to do with giant monsters and giant robots? How's about a short story and back cover by Kill All Monsters artist Jason Copland?

T28



Oh my this looks wonderful. Giant Monsters Attack! tells you everything you need to know about it.

24Seven, Volume 2 reviewed



Not all of the robots are giant, but some of them are. I reviewed the whole thing at Robot 6.

Monday, January 12, 2009

A character without a discernible personality or direction

You're a mean one, Princess Grinch

Looks like it's been a while since I cleared out my Wonder Woman links. First Martin Klasch wonders why Wonder Woman and her fellow JSA members are gleefully swiping Christmas presents from sleeping children...



"Prisoner of Christmas Island"



Superheroes R Us has the answer. She must have been horribly, emotionally scarred after her experiences on Christmas Island.

(And the Andrews Sisters make it sound like such a delightful place.)



(There's a valkyrie in the story too. The Wonder Woman one; not the Andrews Sisters. Though their's would have been much cooler with a Norse Death Angel as well.)

"Shocker": Wonder Woman Companion cancelled



Illustration by Roberto Campus.

If you'll pardon a brief moment of whining, one of the frustrating things about having an under-read blog is that you can notice something in October, but no one pays attention until a wider-read blog finally notices two months later. That's not at all a complaint about Johanna; just lamenting a sad fact that's no one's fault.

Related Whine: Johanna wonders if DC had something to do with the bad news, saying, "It wouldn’t be the first time that they pulled a cease-and-desist on a fan project that was more complete than what they were putting out." I noticed in July that Phil Jimenez is working on an official Wonder Woman Encyclopedia. So, yes, DC's got a similar project in the works and maybe that's why they wouldn't endorse TwoMorrows' version. But based on Jimenez's devotion to the character and comments about the research he's doing for his book: no, I seriously doubt it's less complete than TwoMorrows'.

"A character without a discernible personality or direction"

I thought for about five seconds about making this the Quote of the Week, but I decided it fits better here.
Wonder Woman has often been derided as a character without a discernible personality or direction … at least beyond “high-minded ambassador/heroine charged with bringing peace to Man’s World through violence.”

Nothing, however, could be [further] from the truth. The Amazing Amazon, as written by creator William Moulton Marston and illustrated by Harry G. Peter, has greater depth and drive than a dozen Batmen. The only problem is that Marston’s views on a woman’s role in society was so … *ahem * … “personal” that subsequent creators have never been able to - or dared - take to their logical conclusion.
--The Fortress Keeper, wisely pointing out something so obvious that it's incredible no one ever noticed it before.

It also means that we can probably throw out Golden Age Wonder Woman as being at all informative of how Wonder Woman ought to be written today.

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