Showing posts with label russell crowe. Show all posts
Showing posts with label russell crowe. Show all posts

Monday, January 23, 2017

14 Really Good Movies from 2016

24. The Finest Hours



A great, suspenseful film that's really two movies in one. Chris Pine's in a rousing, military story about duty and being tenacious, while Casey Affleck's in a survival thriller. Both parts are equally good, even though Pine's half suffers from a weak romantic subplot. But even that is made better by super cute Holliday Grainger who's totally convincing and touching in her concern for Pine.

23. Teenage Mutant Ninja Turtles: Out of the Shadows



My new favorite TMNT movie, which - okay - is a pretty low bar. Perfectly captures the ridiculous fun of the '90s cartoon series, and almost makes me curious to watch the 2014 movie. Almost.

22. Suicide Squad



There's some extremely sloppy storytelling around a major plot point, which is laughable, because they actually show it twice and neither time could I tell what the heck was going on. But except for that, I had a pretty great time.

I went in with low expectations and ended up enjoying most of the team quite a bit. I especially like Deadshot, Harley, and Diablo, but Killer Croc also gets a nice story arc. I was disappointed by how little Katana matters, but she was still better than Boomerang and Amanda Waller, both of whom are pretty horrible people. Flagg I can totally take or leave.

But it's surprising to me that I like three or four of these characters. Even though it's a movie about villains, there's more heroism and sacrifice going on here than in either of Zack Snyder's Superman movies. Suicide Squad isn't a great movie by any stretch, but it's easily the best of the three DCU movies so far and I'd love to see more with these characters.

21. Risen



After a disappointing experience with The Young Messiah and a more challenging watch of Last Days in the Desert than I expected, I wasn't sure what I was getting into with the third Jesus film of 2016. (Last Days was technically a 2015 film, which is why I haven't listed it with this year's movies, but it didn't come widely available to watch until 2016.)

I quite liked the procedural investigation angle of Risen though and the actors are mostly very good. Fiennes is excellent and I also quite like Stewart Scudamore as Peter. I want more resolution to Fiennes' journey, but I think maybe that's a positive thing. His story captures my imagination.

20. Keanu



I like Key and Peele a lot, especially Keegan-Michael Key, whom I was introduced to in the final season of Parks and Rec and then started noticing everywhere. I didn't know too much about Keanu going in, but hoped that it would be funny and I wasn't disappointed. I laughed a lot. The plot also messes with expectations in some fun and interesting ways, particularly in how it deals with violence, so not only is it funny, but it's smart, too.

19. The Jungle Book



Visually spectacular and a lot of fun. The voice actors all do remarkable jobs and Neel Sethi is an adorable Mowgli. It won't replace the 1967 animated version for me though, simply on the strength of those songs and my love for Phil Harris, George Sanders, and Sebastian Cabot's voices. It sure is awesome to hear Christopher Walken sing "I Wanna Be Like You," though, and watching the credits is worthwhile purely to hear Scarlett Johansson's sultry version of "Trust In Me."

The new movie also adds some great character stuff that deepens Mowgli as a character and strengthens the emotional impact of his having to leave the jungle.

18. Kubo and the Two Strings



Easily my favorite Laika movie. I always find Laika films cool and visually stunning, but I'm also used to not quite connecting with them as deeply as I want to. They've never punched me in the heart the way Toy Story 2 or How to Train Your Dragon do, for instance. But Kubo comes closest.

I felt the ending was resolved too easily and wasn't really honest with the characters' emotions, but that's a final stumble in an otherwise wonderful, fantastical adventure. This is a great world with great characters and some chilling villains.

17. Zootopia



A lot of fun and also very timely. But while I like and mostly agree with the overarching message of the film, it's presented in such a pointed way that it overpowers everything else. The analogy that compares animal species to groups of humans doesn't always work and the film has a complicated relationship with stereotypes (denouncing them while simultaneously using them for comedy). That makes me work harder than I want to in separating the useful parts from the parts that are just kind of dumb.

16. The Secret Life of Pets



Different from what the trailer led me to expect. Less vignettes about how pets are funny; more adventure. Some of that's good (I appreciate the structure of a traditional narrative) and some of it's not so great (the character arcs are trite). But above all, it's very, very funny and that's enough.

15. Pee Wee’s Big Holiday



Nothing will ever top Pee Wee's Big Adventure, but Big Holiday is super funny and sweet. Makes me want to rewatch Big Top Pee Wee to see where that one went wrong. I don't remember much about Big Top other than being disappointed. No such problem with Holiday; I'll happily rewatch it. Just probably not over and over again the way I do with Adventure.

14. The Nice Guys



A fun movie with a great cast. If there's anyone I want to see Gosling paired up with as much as Emma Stone, it's Russell Crowe. And I always enjoy Shane Black projects. The only thing keeping it this low on the list is that the villains' motivations and plan are ridiculous.

13. Finding Dory



I rate Finding Nemo in the upper-middle tier of Pixar films, so I knew there was potential for the sequel to be good, but I didn't expect great things. And it's not The Best Pixar Movie Ever, but dang it's a lot more entertaining and touching than I expected. I may have even teared up towards the end.

12. 10 Cloverfield Lane



Not the Cloverfield sequel I'd asked for, but an excellent thriller-with-a-twist nonetheless. Mary Elizabeth Winstead is a great, relatable hero and John Goodman does an excellent job keeping her and me on our toes. John Gallagher Jr is also compelling as the third major character and I had a good time trying to decide whether he or Goodman (or both or neither of them) was a villain.

11. The Shallows



I'm warming to these survival films with one person stuck in a location for two hours. And it helps when the location is as gorgeous as this one.

Like in Gravity, the main character gets a backstory that's supposed to enhance her experience, but really isn't that meaningful. That's okay though. Her story is plenty thrilling and ends spectacularly. I had high hopes for this movie and wasn't disappointed.

Thursday, May 05, 2016

British History in Film | Robin Hood: Prince of Thieves (1991) and Robin Hood (2010)

Robin Hood: Prince of Thieves (1991)



This one gets laughed at quite a bit, but I love it, even with its American Robin Hood. That has a lot to do with Alan Rickman, of course, though his Sheriff crosses from merely ambitiously evil into some truly creepy and despicable territory. That's the script and not Rickman's performance, but it does keep me from wholeheartedly enjoying that character.

I also love Michael Kamen's score and even the cheesy Brian Adams song, "(Everything I Do) I Do It For You." It's the one Brian Adams song I've ever liked, but I like it without reservation. Probably because of it's association with this movie.

On top of all that are some great set pieces. There's plenty not to like, too, but over all it's the big budget, spectacular Robin Hood that I wanted and it still holds up.

Robin Hood (2010)



It's barely a Robin Hood movie, but I still enjoy it as simply a medieval adventure. Ridley Scott is always visually exciting and I'm a huge fan of most of the cast from Russell Crowe and Cate Blanchett to Max von Sydow, Mark Strong, Oscar Isaac, Mark Addy, Matthew Macfadyen, Kevin Durand, and Léa Seydoux. I even really like William Hurt in it and that's not something I can usually say about his movies. Also, the music is great, thanks to musician/actor (and appropriately named) Alan Doyle as the minstrel Allan A'Dayle.

Something interesting that Scott's movie does is place the action after the death of King Richard. Prince John is now King John, but no less spoiled and oppressive. Next week, we'll check in on him again during his later reign via Shakespeare.

Monday, April 07, 2014

Noah (2014)



Noah is my first Darren Aronofsky film. It would’ve been The Wolverine if it had worked out for him to direct that, but it didn’t, which is too bad. As much as I enjoyed the first three quarters of James Mangold’s film, based on Noah, I really want to see what Aronofsky would’ve done with that. It’s not that I’ve intentionally been ignoring the guy, it’s just that none of his films have grabbed me enough on a conceptual level to get me to sit down with one. That changed with Noah.

I expect it’s a lot of people’s first Aronofsky film. It’s based on one of the oldest, most familiar stories in the world and whatever differences folks have about how true it is, everyone knows the basic plot. And based on the $100 million it’s made so far worldwide, they’re also curious to see how Aronofsky’s interpreted it.

That’s what got me into the theater. The story of Noah is a tough one to navigate, even for serious Christians. I had no problem accepting a literal interpretation as a kid, but the older I got, the more I struggled with it. Not just with questions about the logistics of fitting all of those animals into that boat, but also with the theological questions the story raises about the nature of God. I’ve had to wrestle with that stuff, so I was interested in seeing what conclusions Aronofsky came to about it as well.

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