14 Really Good Movies from 2017

24. King Arthur: Legend of the Sword

I like King Arthur stories, but I'm not a stickler about the way they're told (super evident in that my favorite Arthur movie is that one with Clive Owen and Keira Knightley). And since Guy Ritchie movies always have a high floor of enjoyability for me, I had a great time with this. It's not a great King Arthur story, but it's a really fun Guy Ritchie medieval action flick. If "Guy Ritchie medieval action flick" sounds cool to you, I recommend it.

I gotta say, though, that I'm glad plans for a whole Arthurian "universe" springing from this have apparently been cancelled. Nobody needed that and none of the characters here are worth multiple movies about.

23. The Fate of the Furious



As much as I'm a fiend for this series, F8 (as it should have been called) didn't even crack my 20 Most Anticipated Movies of the year. That was due to the hackneyed suggestion in the trailer that Dom goes rogue and betrays his team. Since there was 0% chance that his defection was real, I rebelled at the whole concept. And I wasn't crazy about the promise of Jason Statham's Han-killing character joining the family, either. I went into F8 with arms crossed and needing to be won over.

And it was rough-going for a lot of the movie. Charlize Theron is wasted as a super-serious and self-important hacker who growls the worst dialogue I've heard in a few years. "Did you ever think you'd betray your family the way you did today?" And even though I'm all for previous movies' tossing cars between skyscrapers and parachuting them out of airplanes, I found the complications around the New York car chase ridiculous and unbelievable, but not as fun as skyscraper jumping and automotive skydiving. And Statham's transition to the good guys' side was as clunky as I feared it would be.

But about the time that Helen Mirren showed up, I decided to just jump on board. She's awesome, her relationship to the other characters is awesome, the final chase across the ice lake is awesome (confusingly shot at times, but still awesome), and Jason Statham is the most awesome of all. Enough so that I forgive the movie for making him a good guy, even if I don't completely forgive him for murdering one of my favorite characters. There's a devastating missed opportunity when he doesn't dive out of the airplane with a baby in pursuit of Theron, but oh well. This isn't one of the best Fast/Furious movies, but it's good enough and I ended up having a really great time.

22. Justice League



I was skeptical, but hopeful. I hated 50% of Man of Steel and probably 90% of Batman v Superman, but Wonder Woman was such a drastic course correction that I was encouraged that Warner Bros had finally learned its lesson. Not that Wonder Woman was a flawless reroute. And I didn't expect Justice League to be either. Seeds were planted in BvS that were clearly intended to grow into dark trees, so these sequels were going to have to ignore or retcon those in order to lighten the mood. I'll probably have more to say about that when I get to talking about Wonder Woman.

Justice League did a nice job of it though. Steppenwolf is a boring villain, but his plan at least made sense, as did the heroes' response to it. And I was surprised to like all the heroes. I'm an easy mark for Wonder Woman and Aquaman, but Flash was a pleasant, funny surprise and I really liked his and Cyborg's character arcs. I went into this ready to hate emo Cyborg, but he grew out of that. In fact, all the heroes had to make compromises so that community became a major theme of the film. They even figured out how to make an inspirational Superman. It's not a great movie, but the series is finally headed in a direction that I'm interested in and that's a pretty big accomplishment.

21. How to Be a Latin Lover



How to Be a Latin Lover is about a selfish gold-digger (Eugenio Derbez) who gets dumped for a younger man (Michael Cera). While he's looking for his next wife, he moves in with his sister (Salma Hayek) and her young son (Raphael Alejandrois) and learns the value of family. The movie doesn't move far from the usual formula for this type of story, but it's very funny and the three leads are all super charming.

The rest of the cast is great, too. Rob Lowe plays a fellow gold-digger, Linda Lavin is his insanely wealthy wife, Kristen Bell is a frozen yogurt manager who gives Derbez a job, Raquel Welch is his intended next victim, and Rob Corddry is her extremely protective chauffeur. If you have any fondness (or even just patience) for this kind of story, Latin Lover is a charming one.

20. The LEGO Batman Movie



I expected too much. I loved how funny and touching The LEGO Movie was and thought that this would be more of that, just with a ton of Batman references. The trailer promised a story about Batman's realizing that he needs other people, which I thought would allow for some interesting comparisons with Justice League.

And while it is very funny and I'll enjoy revisiting it and picking up references that I missed the first time around, it doesn't have the emotional punch that I hoped for. The emphasis on family is nice, but Will Arnett's Batman is still pretty inscrutable, so the lesson he learns feels very surface.

Don't get me wrong, I laughed a lot and had a great time. But I expected this would be at least a Top 15 movie, if not a Top 10.

19. Atomic Blonde



Atomic Blonde is a great spy story with a super cool agent. I like that it's set in the Cold War and I love the heavy use of '80s New Wave music. I even like how the song choices fit with what's going on onscreen ('Til Tuesday's "Voices Carry," for instance, when two characters are trying not to be overheard), but I understand how that might be annoyingly on-the-nose for some.

The plot is complicated, with a lot of double- and triple-crossing to keep track of, but while I was often kept guessing, I was never confused. And it all tracked for me in the end. Looking back after all the reveals have been made, I have some questions about why certain characters did what they did, but I'm not calling that a flaw until I've been able to see it again with the knowledge of what everyone's up to.

The selling point is the action sequences. There are a few big fights and they're all staged differently and even have different tones from each other. One is a brutal, very prolonged fight in a stairwell, for example, while another in a posh hotel is slow motion and operatic.

18. Valerian and the City of a Thousand Planets



I was a little nervous about Valerian. The trailers looked fantastic and I like the two leads quite a bit, but I'm never sure what I'm going to get from Luc Besson. That's especially true when he's only producing, but he also directed Lucy and I hated that movie. I was getting a similar vibe about Valerian that I did about Jupiter Ascending, another attempt at a bold space opera by unpredictable (in the sense that I can't predict whether I'm going to like any given film of theirs) filmmakers. I enjoy Jupiter Ascending, but it wasn't as cool or cohesive as I'd hoped it would be. And I was concerned that I'd feel the same way about Valerian.

I didn't love it, but I like it quite a bit and it works a lot better than Jupiter Ascending. People seem to be divided on Dane DeHaan and Cara Delevingne as the leads, but I love both those guys. DeHaan was an effective Harry Osborne in Amazing Spider-Man 2 and another of his movies made my Top 10 this year. I hear the complaints that he's channeling '90s Keanu Reeves and I'm not going to say that it's not true. What I do push back on is that this is a bad thing for a big, fun adventure movie. I'm not as familiar with Delevingne's work, but she brings a lot of personality to Laureline and totally works for me as the soul of the film.

I agree with the criticism that there isn't a lot of romantic heat between the two leads. That's the film's biggest weakness. There's a big chunk of backstory missing in which Valerian has supposedly turned from a Bond-level womanizer to being ready to settle down in a committed relationship with his current work partner. The movie tells me that this is true and eventually convinces me that Valerian at least believes it to be true, but I never see it or feel it myself. And since I don't quite believe it, I wonder why Laureline does. That's the only thing that keeps me from full-heartedly loving the film, though. The rest is awesome.

It's gorgeous and every scene change brings new ideas and things I've never seen before. It may be the only time that I've ever watched a movie in 2D (always my preference) and thought that I should go back and watch it again in 3D. I wanted to immerse myself in the world even more.

The movie is also funny and exciting and I love how it's about overcoming fear and selfishness with love and compassion. As I watch it more, I expect that my problems with the central romance will become less important. I may not care whether Valerian and Laureline smooch, but I'm fully on board with their work relationship. They make a great team and I want more of them.

17. Murder on the Orient Express



A gorgeous, well-acted film. I would love it more if I wasn't so familiar with the plot that there aren't any big surprises, but that couldn't be helped. And it's not like I'd want them to have changed the solution to the mystery anyway.

Branagh does add some things to the story. Mostly in terms of Poirot's motivations, but also some other details and even an Easter Egg or two for Agatha Christie fans. I was never bored or felt like I'd seen it all before and I'm thrilled that there's already a sequel planned. I could go for a Miss Marple cameo in that to spin off into her own series of movies. An Agatha Christie cinematic universe is something that I wholeheartedly support.

16. John Wick: Chapter 2



The first John Wick was in my Top 20 of its year, so I was eager for another one. The sequel didn't disappoint. More great action and more of that bizarre society of assassins that was such a highlight the first time around.

I love the "Chapter 2" concept as well. Chapter 1 was a complete story, but Chapter 2 uses and expands on the events of the previous movie to launch into a new direction. It opens up the world and lays groundwork for future chapters, which is exactly what I want in a sequel.

15. Logan



I feel kind of bad for putting Logan this low on my list, because I want to applaud it for trying something so different with the superhero genre. But I have mixed feelings about the movie and  having seen it a couple of times now I'm still not fully in love with it.

It's got fantastic performances all around, especially by Hugh Jackman, Patrick Stewart, and newcomer Dafne Keen. I love Logan and Xavier's relationship and Keen's Laura is as kickass as she is heartbreaking.

But I don't feel as emotionally connected to any of it as I want to. The first time I watched it, I wondered if the distance was because it's set in the future and has that "What If...?" aspect to it. I hoped that whatever barrier I erected because the story "doesn't count" was something that I would eventually get past in repeat viewings. And I did like it more the second time. The alternate future thing didn't bother me at all. But something's still missing.

I think my problem is that everyone keeps trying to make Logan feel fatherly towards Laura. I love the story of his having given up on most of the world and learning to connect with this little girl, but there's an extra layer of pathos that the film keeps trying to spread on by insisting that Logan and Laura are biologically family. The thing is that when they meet, Logan is not her father in any way that actually makes that word meaningful. She was given his DNA without his permission.

This isn't to excuse his initial attitude about her. He's a jerk and his overcoming that is the best thing about the movie. But I also don't believe that he owes her anything specifically because of their genetic connection. His responsibility to her is general and I get frustrated when I feel like the film is trying to force it to be more.

Back on the positive side though: I paid closer attention to the Shane quotes and themes the second time. I've been itching to watch Shane for a while anyway, but now I'm interested in seeing if a better acquaintance with it will affect future viewings of Logan. The line, "There aren't any more guns in the valley" is especially powerful.

14. Get Out



Not the horror movie that I expected, but a powerful, provocative thriller that perfectly balances its tension, humor, and message. I'm not sure that characters' actions early in the film make complete sense once everything is revealed, but it's so strong at everything else that I don't really care. And what an ending.

13. Blade Runner 2049



Denis Villeneuve's sequel doesn't equal Ridley Scott's original in terms of art direction and the score, but does it ever excel in terms of story. I love the multiple layers of symbolism and characterization and the way that mystery leads to mystery. There's clearly room for a sequel at the end, but I also felt like I got a complete story and an excellent. thought-provoking one at that. Dan, Ron, and I talked at length about it on N3rd World, so listen to that for more thoughts. It's a wonderful, complex movie that's worth discussing.

12. Pirates of the Caribbean: Dead Men Tell No Tales



Opinions on this movie have been largely negative, so I want to preface my thoughts with a reminder that I'm a hardcore fan of pirates in general and this series in particular. I didn't care much for On Stranger Tides, but I sincerely love the initial trilogy, including At World's End.

Having said that, I also love Dead Men Tell No Tales. It's silly and it doesn't explain everything, but those are both things that I love about the series. It fixes a problem I had with Stranger Tides, which was trying to make the story about Jack Sparrow. The initial trilogy was all about Elizabeth and Will, with Sparrow thrown in for flavor. Dead Men returns to their story through their son and it totally works for me. Powerfully, in fact. I don't know if there was sea mist in our theater or something, but I definitely felt moisture on my face by the end.

The new character Carina's being pretty awesome was an added bonus. She's no Elizabeth Swann, but I like her and would love to see where her story goes. Which sums up my feelings for the whole series at this point. After Stranger Tides, I hoped that a fifth movie could put the series back on track and that's what's happened as far as I'm concerned. The future of the series is up in the air, but my finger bones are crossed for it.

11. Thor: Ragnarok



I was so encouraged that Taika Waititi was directing this movie. Thor's my favorite Marvel movie superhero and Waititi's Hunt for the Wilderpeople was a Top 3 movie for me last year. I knew he'd bring a lot of humor, but also heart to the film.

And it is funny. Almost to a fault, because it doesn't feel like it belongs in the same series as Thor and Dark World. It leans into the comedy more heavily than I wanted and I think that's what's keeping it out of my Top 10. But I do like the jokes and the movie also brings in a supremely threatening villain and a massive shake-up to the series' status quo. Both of those things are pretty great.

7 Days in May | Fate of the Furious and Jack Reacher: Never Go Back

The Tall T (1957)



A while back, Pax and I talked about Ride Lonesome on Hellbent for Letterbox. I like that movie a lot and some of our listeners recommended a few other Budd Boetticher/Randolph Scott films, so I picked up a DVD set of six Scott Westerns, four of which were directed by Boetticher. The Tall T is the second of them I've seen now (counting Ride Lonesome) and it promises good things for the rest of the collection.

I have no idea what the title means, but it's based on an Elmore Leonard story, so there's a heavy crime thriller element to it. Scott plays a guy who winds up hostage with some other people to a gang of ruthless bad guys. Mostly the movie is about that captivity and who will survive it, with Maureen O'Sullivan (Jane in the classic MGM Tarzan movies) as a notable (but married) ally for Scott. There's a lot of tension and a lot of trying to figure out how to get out of it. I had a great time.

The Mark of Zorro (1920)



Since I finished Season 1 of Disney's Zorro show last week, I took a break to watch the first Zorro movie. I've seen it a few times by now and it's a very faithful adaptation, but I wanted to watch it again right after reading The Curse of Capistrano to remind myself how it handled parts of McCulley's novel. For instance, Zorro's mute assistant Bernardo is a huge part of the Disney show (played by the lovely and charming Gene Sheldon), but the character is in the novel so little that I actually wondered what the point was of having him there at all. The Mark of Zorro includes the character and gives him a lot more to do, including allowing him to hear (the novel's Bernardo is deaf as well as mute). Disney's version is borrowing from Fairbanks' movie, not the book. And that's a good thing.

Another thing I was interested in was how Mark of Zorro handles the secret identity. I was surprised that the novel saves the reveal until the very end, so the reader finds out at the same time as everyone else. I couldn't remember if the movie does the same thing. It was possible that the movie kept that a secret, but that I filled in the knowledge because of my familiarity with the character. But no, that's not it. Mark of Zorro lets viewers in on the deception right away.

That's cool because it means we get to peek at parts of Zorro's life that the book keeps hidden. Like how Zorro comes in and out of his house. Underneath his mansion, he's got a cave with a couple of hidden entrances. There's a shrub covered, horse-sized outer passage, and in the house there's a secret door disguised as a grandfather clock. Everyone knows that Batman was inspired by Zorro, but sometimes we forget how much. It's all based on Fairbanks' version though, not the novel.

Batman could take some more lessons from Fairbanks' Zorro on playing the idle playboy, though. Fairbanks' performance as Don Diego is brilliant. He always looks exhausted and bored, only perking up when he's irritating someone with an unwanted handkerchief trick. In the Disney version, you kind of have to overlook that no one's figured out that Guy Williams' Diego and Zorro are the same guy. It's about as believable a disguise as George Reeves' Clark Kent. But with Douglas Fairbanks, I totally see why people are fooled. And that impressive bit of acting is nothing compared to the unbelievable acrobatic work that Fairbanks pulls off in Zorro mode: leaping around and climbing over sets like he's inventing parkour.

The Young Indiana Jones Chronicles (1992-93)



Watched two episodes that were basically Young Indy in Love. As he and his friend Remy are trying to get to London to join the Belgian army, they stop off in Ireland to work and raise money for the final leg of their trip. Indy meets a girl who seems to like him, but she's under the impression that he's rich and she always brings along her girlfriend on dates. I feel like it's supposed to be some kind of life lesson for Indy, but after the relative maturity of the relationship back in Princeton that he totally blew off, I wasn't able to believe in Indy's investment in this one at all.

More effective was the story around the girl's brother, a passionate young man who's interested in freeing Ireland from English control. The brother becomes involved in the Easter Rebellion and I wondered briefly is Indy would be tempted to join up, too. After the easy way in which he was persuaded to join the Mexican Revolution and then enter WWI, he seems like a sucker for this kind of thing. But he doesn't join the Irish fight and the show is smart about why. In contrast to the brother, Indy also meets the playwright Seán O'Casey (Juno and the Paycock) who has his own ideas about what Irish independence means. One of the lessons that Indy learned in Mexico is that war is often messy and that everyone has different ideas on what it's about. It makes sense that he'd pass up Ireland's battles in order to fight a more objective evil (so he believes) on the European continent. It'll be interesting to see how long he holds on to that belief.

In the second episode, Indy and Remy reach London and join the Belgian army. They have some time before they leave though, so they split up: Remy to hook up with a war widow and Indy to go visit his childhood governess in Oxford. Before Indy takes off for Oxford though, he meets a young woman played by Elizabeth Hurley and gets involved in the cause of women's suffrage. This romance is way more believable and touching than the Irish one and I'm as heartbroken as Indy when it doesn't work out (for equally believable and touching reasons). I buy that this was the love of Indy's life and it makes some sense out of his lack of commitment to anyone in the later films. In fact, I kind of don't like that he marries Marion anymore. But I expect I'll get over that when I rewatch the movies.

Underground (2016-present)



One of the things I love about this show is how it has enough characters that it can split its focus from episode to episode and depending on the characters its dealing with, can even change genres. So in the Season 2 episodes I watched this week, one was a Revenant-style survival tale while the other was a cat-and-mouse drama between two old rivals. And every episode just seems to open up more potential for future storylines. There's no end to the breadth of stories possible in this setting. And that most of them feature utterly badass women makes me extremely happy.

The Fate of the Furious (2017)



SPOILERS. SERIOUSLY.

As much as I'm a fiend for this series, F8 (as it should have been called) didn't even crack my 20 Most Anticipated Movies of the year. That was due to the hackneyed suggestion in the trailer that Dom's going rogue and betraying his team. Since there was 0% chance that his defection was real, I rebelled at the whole concept. And I wasn't crazy about the promise of Jason Statham's Han-killing character joining the family, either. I went into F8 with arms crossed and needing to be won over.

And it was rough-going for a lot of the movie. Charlize Theron is wasted as a super-serious and self-important hacker who growls the worst dialogue I've heard in a few years. "Did you ever think you'd betray your family the way you did today?" And even though I'm all for previous movies' tossing cars between skyscrapers and parachuting them out of airplanes, I found the complications around the New York car chase ridiculous and unbelievable, but still not as fun as skyscraper jumping and automotive skydiving. And Statham's transition to the good guys' side was as clunky as I feared it would be.

But about the time that Helen Mirren showed up, I decided to just jump on board. She's awesome, her relationship to the other characters is awesome, the final chase across the ice lake is awesome (confusingly shot at times, but still awesome), and Jason Statham is the most awesome of all. Enough so that I forgive the movie for making him a good guy, even if I don't completely forgive him for murdering one of my favorite characters. There's a devastating missed opportunity when he doesn't dive out of the airplane with a baby in pursuit of Theron, but oh well. This isn't one of the best Fast/Furious movies, but it's good enough and I ended up having a really good time.

Jack Reacher: Never Go Back (2016)



I enjoyed Jack Reacher and had been looking forward to the sequel, but negative reviews of Never Go Back lessened my enthusiasm and I decided to wait for home video. I'm okay with not having seen it in the theater, but I do like it a lot more than the critical consensus did.

There are some tropy elements like introducing a potential love interest and a possible daughter. And it seems a little weird and unexplained that Reacher is willing to "go back" in the first place. Also, this is far from the first military contractor we've seen go rogue.

But as clumsily as the relationships are introduced, I bought into them once they got going. Cobie Smulders is good as a high-ranking officer who still struggles with sexism and doesn't feel like dealing with it from Reacher, however unintentional his might be. I don't see a lot of stories that deal with systemic and ingrained, but involuntary sexism. Seeing it here made me think about my own actions and attitudes in a way that stories about blatant chauvinists can't.

Danika Yarosh is great as the teenager who may or may not be Reacher's kid. She reminds me a lot of young Anna Paquin and I love how smart and resourceful and tough, yet deeply vulnerable her character is.

And finally, I just got a kick out of Underground's Aldis Hodge as the MP officer tracking down Reacher and Company. Never Go Back isn't as good as the first Jack Reacher movie, but I found a lot worthwhile about it.

Jam of the Week: "High Ticket Attractions" by The New Pornographers

Shut up and dance.

10 Movies from 2015 That I Could Take or Leave

21. Aloha



There's a lot of pressure on Cameron Crowe to make great films and this is not a great film. It's reaching for something that it can't get hold of. But what it does manage to grasp, it does really well. It's a great-looking movie with characters I liked a lot and some intriguing moral dilemmas.

22. Furious 7



I'm a big fan of these of movies and that hasn't changed with this one. Still has lots of what I love about this series: tough people, awesome stunts, and a ton of heart. But the plot is thinner this time (and they're always pretty thin), so that and the bittersweetness around Paul Walker's death bring it down for me. It's an amazing technical achievement though in terms of stunts and filling in scenes that Walker hadn't been in. A solid entry in the series, but not one of the best.

23. Kingsman: The Secret Service



X-Men: First Class always makes me forget that Matthew Vaughn is also the director behind Kick-Ass. And everything that turns me off about Kick-Ass is a problem for me in Kingsman as well. I'd put all the blame on Mark Millar, but I like Wanted, so I think it's the combination of Millar and Vaughn. They're both thrilled/intrigued/whatever by hyper-violence and just being really super explicit. I'm not, so including that in an otherwise cool story about dapper spies is a big drawback for me.

24. Terminator: Genisys



I didn't even want to give this a chance. I'd written off the Terminator franchise as something I'm no longer interested in. I mean, I don't use the word "franchise" very often when I'm talking about a movie series. I much prefer to think in terms of continuing story, and "franchise" sounds so business-y. But that's exactly what the Terminator movies have become, with the rights-holders leasing out the property to anyone who wants to reboot it and try to make some more money.

David was really curious about this one though and it became an excuse to show him the first two. So we went and it was surprisingly watchable. I have many problems with the story and both Jason Clarke and Jai Courtney are boring, but Emilia Clarke is an awesome substitute for Linda Hamilton and Schwarzenegger is at the absolute top of his game. I loved both of their characters and the relationship between them.

25. The DUFF



The title is horrible and I was afraid that the movie would be, too. It's a lot of fun, actually, with a nice message about being comfortable in your own skin. Not quite on the level with Easy A, Ten Things I Hate About You, or the best John Hughes movies, but a solid high school comedy. I might even rank it higher after another viewing or two.

26. The Hateful Eight



Great idea. Killer cast. Pretty to look at. Fantastic score by Ennio Morricone. And I was intrigued by the building of the mystery.

But it could've been 45 minutes shorter without losing anything of the story. There's too much dialogue that I don't care about and too many long, sweeping shots of countryside. It's gorgeous countryside, but an hour into the movie, I was ready to get on with things. I was also disappointed in the solution to the mystery, but at least there's no room for boredom as that's unfolding.

I saw the shorter cut without the intermission and ironically, I think the longer version may have helped some of my issues. More specifically, having the intermission as a palate cleanser may have helped. Would like to try it that way and find out.

27. While We’re Young



I like the ideas in While We're Young. Transitioning into maturity is a weird process that deserves some exploration. Very few people actually feel mature. Instead, we think of ourselves as younger than we are, so it can be startling to confront the reality and challenging to ease into the mindset that growing older doesn't mean not having fun anymore.

All of that is cool and While We're Young touches on it, but then it gets distracted by a theme it's way more interested in: the importance of veracity in documentary film-making. Which is also thought-provoking, but not what I signed up for. Still, great cast and it was this movie that made me realize I'm an Adam Driver fan.

28. Jupiter Ascending



So ambitious and so cool. Doesn't deserve the John Carter-level derision it got (but then, neither did John Carter). Sadly, though it's fun, it's not great. As in, I totally would have paid money for sequels, but it's not that big a deal to me that there won't be any.

29. Focus



I suffer enough Will Smith Fatigue that I wasn't going to watch this one at all. The trailer made it seem very serious and all about whether untrustworthy people can trust each other, so yawn. But then I heard some positive reviews about how it's really just a fun heist movie and I'm always up for that. And it is a really fun heist movie. A mediocre one, but enjoyable and at least it's not dour.

30. Mortdecai



I thought this might be interesting to watch after re-visiting the Pink Panther movies this year. Johnny Depp's cartoon mode has grown tiresome in the last few years, but he's doing it less in Mortdecai (meaning that you can glimpse a human being under all those mannerisms) and his supporting cast (Ewan McGregor, Gwyneth Paltrow, and especially Paul Bettany) are doing great, comedic work. Jeff Goldblum has a fun role, too. All that plus an entertaining caper plot and the whole experience was much more than I hoped for.

7 Days in May: Harry Potter and the Furious 7

Doctor Who



We've been watching classic Doctor Who for a while in our house, but recently David expressed an interest in the new stuff, so we skipped ahead. Diane and I had already seen the Eccleston episodes and David was enjoying them for the most part (he's not a big fan of the Slitheen and who can blame him?), but our New Who marathon ground to a halt with "The Empty Child" and "The Doctor Dances." That's the two-part story where the Doctor and Rose go to London during the Blitz of WWII, meet Jack Harkness, and have to solve the mystery of a gas-masked boy who goes around very creepily asking people, "Are you my mummy?"

Diane was freaked out about these episodes back in 2005 when they first aired. David was about the same age as the gas-masked boy at the time, so the story resonated in an especially disturbing way with her. Ten years later, we hoped it wasn't quite as scary as we remembered, but no, it totally is and David was freaked right out. He has a very active imagination and three days later he's still struggling with some of those images. There's no way he's going to be able to handle the Weeping Angels, so as a family we're going back to the Pertwee era and I'll forge on alone with the New Who catch-up.

My personal opinion about these two episodes though is that they're the best in the Eccleston season up to that point and are a great reminder of why Stephen Moffat (who wrote them) eventually got the gig as show-runner. There are some other very strong episodes in that season ("Dalek" and "Father's Day" being two), but "The Doctor Dances" is my favorite so far.

Eccleston gets a lot of crap from Doctor Who fans and I understand it to an extent. When these episodes first aired, I was just so happy to have the Doctor back that I wasn't the least bit critical of Eccleston's portrayal. Especially since I didn't have Tennant's to compare it to, yet. Watching it again, I can see why it doesn't sit well with some people. Eccleston's Doctor is manic, but in a dark way. He's very angry and sometimes outright mean and cruel. But that makes complete sense to me considering what he's recently been through and I still find him a compelling and likable - if extremely tragic - character.

Star Wars: Clone Wars



Another marathon we're working through is trying to get through all the Star Wars movies and TV shows, in chronological order, by the time The Force Awakens comes out. We're in Season 3 of Clone Wars right now and it's rough going.

We like the adventures and the way the series jumps between groups of characters. That keeps it exciting and fresh. But the show really dumbs down the Jedi in order to make other threats more dangerous. All the Jedi forget to use the Force at key moments and apparently anyone in the galaxy can pick up a lightsaber and use it with Jedi-like skill against an actual Jedi. Right now, my enjoyment of the show is about equal with my frustration at it. If we weren't doing this as part of a project, I'd consider dropping it to free up time for something else.

The One I Love



Another project I'm working on is catching up on all the 2014 movies that I missed seeing. If you check out that post, I'm banging them out in pretty much the order that I listed them.

The One I Love isn't exactly what I expected. It explores the theme of changes in relationships; just not in the way I thought it would. It starts off as a drama with comedic (and perhaps supernatural) elements, but ends up being sort of a light thriller. It would make an interesting double-feature with Gone Girl since both movies compare their leads' relationships at different stages and ask which stage is preferable. Do we like the beginning stage when everyone's on their best behavior? Or do we prefer the later stages when we're getting real with each other, but everything's so much messier? Gone Girl explores those questions in a heavy, obvious way, while The One I Love is light and subtle. I prefer The One I Love.

The F Word (aka What If)



The F Word is an Irish-Canadian movie that was retitled What If for release in the US and UK. The original is the better title, not only because it's way more clever, but also because it actually has something to do with the movie. The F Word of the film is "friend" and the movie explores the relationship between an emotionally damaged man (Daniel Radcliffe) and a woman (Zoe Kazan) who's currently in a serious, long-term relationship.

I love this movie. Its leads are absolutely charming, but what I like most is how complicated the emotions and relationships are. Wallace and Chantry agree to be just friends because she has a boyfriend. Wallace claims to be okay with that because a) he's recently been hurt badly by a cheating ex-girlfriend, and b) he's vowed never to do that to anyone else. He doesn't want to be the guy who breaks up Chantry and Ben. But Wallace obviously has feelings for Chantry and a lot of the movie is about his struggle to keep those in check. He doesn't want fall into Nice Guy Syndrome and it's fascinating to see him navigate the relationship imperfectly, but as honorably as he can.

What is so refreshing about the movie though is that Chantry is an equal player in the relationship. She's not just the object of Wallace's desire, she's a complete character with her own faults and mixed emotions about both Wallace and Ben. She's just as compelling to watch as she tries to figure out what's going on, how she feels about it, and what she should do. Put all that together with funny dialogue, a wonderful supporting cast, and a great soundtrack and you've got the best romantic comedy of last year, if not the last several years.

Furious 7



I was nervous going into this. Partly that's because I attributed everything I love about the Fast and Furious series to Justin Lin. James Wan was untested as an action director and that was before all the troubles during production, starting with the death of Paul Walker. I wanted Furious 7 to be as good as the last few movies in the series, but I despaired.

And truthfully, it's not as good as Fast Five or Furious 6. Those are enormously fun movies with huge casts and over-the-top plots that still manage to hold together somehow. Furious 7 is dealing with a smaller cast thanks to the deaths of some characters and its plot doesn't hold together nearly as well. Really, the thing that's supposed to be driving the plot doesn't make sense at all. None of this makes it any less fun than the previous movies though.

The plot is super thin and I expect that will bother people who aren't already all in on the series, but I found plenty to enjoy. The story is only there to get us from one action set piece to the next and it does that adequately. As important as story is to me, this is a movie about huge action and characters I've come to care a lot about. It handles those elements perfectly while also including awesome performances by Jason Statham and Kurt Russell. The Furious series is everything I want The Expendables series to be.

11 movies I really dug in 2013

Counting down the 2013 movies I saw, from worst to best.

20. Machete Kills



What separates Machete Kills from the action flicks on Monday's list is love. It's not demonstrably better crafted than say 2 Guns or Homeland, but what it lacks in finesse it makes up in passion. I don't love everything about Machete Kills, but I love a lot about it, and I especially love that Robert Rodriguez is able to make exactly the kinds of movies he wants and that his enthusiasm is all over the screen.

LXB | March Madness: Indiana Jones vs Dominic Toretto

For the first three weeks of March, we're going to answer the question, one match at a time, of who would win if 12 movie tough guys were airdropped into an abandoned city and only one could escape.

This is the most difficult one yet. I love Indiana Jones, but I don't usually think of him as a Tough Guy. Intrepid as hell, yes - except for snakes, of course - but he also gets beaten a lot. Whether it's Belloq stealing his loot or Nazis capturing him or giant mechanics and temple guards beating him up, Indy is extremely fallible. That (and his not letting it stop him) is part of his charm.

Dominic Toretto, on the other hand, is a Tough Guy. And he's not a dumb one either. He's a planner and his plans usually work out pretty well. If I were going to bet money on this match-up, I'd put it on Dom.

But here's the thing: In many ways, Dom's a nicer guy than Indy. Dom has a good heart and believes in second chances. Indy cheats and changes the rules to his advantage. He doesn't go toe-to-toe with his opponent unless he absolutely has to, and even then he figures out how to let his environment do the work for him. Dom's a schemer, but Indy thinks better on his feet. If Dom could end the match quickly, he'd have it, but I don't think he gets that chance. Indy's going to drag it out until he has what he needs to win.

It's an upset, but this one goes to Dr. Jones.