Showing posts with label michael j fox. Show all posts
Showing posts with label michael j fox. Show all posts

Sunday, October 29, 2017

Teen Wolf (1985)



Who's In It: Michael J Fox (Family Ties, Back to the Future), James Hampton (Hanger 18, Sling Blade), Jerry Levine (Casual Sex?), and Jay Tarses (wrote The Great Muppet Caper and The Muppets Take Manhattan).

What It's About: An average teenager (Fox) struggles with his identity when he discovers that he's a werewolf.

How It Is: I haven't seen this in years and it wasn't originally on my list for this year either. But after the I Hate/Love Remakes: Wolf Man episode came out, David and I got to talking about werewolf movies and this is one that he's been aware of for a long time, but never seen.

I remembered liking it back in the day, but comparing it unfavorably to Back to the Future which sneaked out ahead of it in 1985. My memory was that I really liked Fox in it (of course), that I also liked his dad (Hampton), and that I loved the twist that the werewolf was an object of popular admiration and not fear. But I also remembered being super irritated by best friend Stiles (Levine) and a little confused about the film's ultimate message.

Seeing it again, I still love Fox and Hampton. I'm not as annoyed by Stiles as I used to be, but that's probably because that kind of character isn't as ubiquitous these days as he was in the '80s. I still love the twist of the werewolf's popularity, too. That first public transformation during the basketball game is so great, because the way that Scott (Fox) handles it and then the crowd's reaction is completely unexpected.

With age, though, I think I have a better handle now on what the werewolf represents. As a high school student myself when Teen Wolf came out, I thought it was awesome that everyone accepted the Wolf in all his oddity. This was a big theme for me growing up and it's the reason that I feel such deep connections to characters like Chewbacca, Worf, and the Frankenstein Monster. Teen Wolf was another example of that, so I didn't love it when characters like Boof and Lewis made Scott feel bad about embracing his uniqueness. And I didn't love it even more when Scott basically rejects the Wolf at the end. Scott had previously lamented his "average"-ness, which I interpreted as "normality" and "fitting in." I didn't get why he would go back to that, but I was bringing my own hang-ups to the story.

I still feel strongly about resisting conformity, but those feelings are deeply embedded at this point and don't dominate my thinking. Because I don't actively wrestle with them these days, I was able to watch Teen Wolf this time from a different point of view that made me appreciate its message more. Instead of being about general non-conformity, this time the Wolf was about being "special." That is, it's not so much about being "different" from everyone else as it is about being "better." I think that's pretty clear in Scott's language. He doesn't want to be an "okay" basketball player, he wants to be an exceptional one.

With that in mind, I like the movie's message much more. There's a price to pay for being The Best. Some, like Lewis and Mick, fear the exceptional. Others, like Stiles and Pamela, want to exploit it.  It's Boof who has the perspective that Scott ultimately adopts for himself. She already likes him as he is. He doesn't need to be exceptional or the best at something to have value. That's an important and underheard message and it makes me really like the movie.

As a grown-up, I hope that Scott one day adopts his dad's perspective, which is to embrace his gifts responsibly. Teenagers aren't exactly known for balance though, so until Scott's able to do that, I'm thrilled that he's learned to like himself in the meantime.

Rating: 4 out of 5 shaggy shooters.



Sunday, October 20, 2013

31 Werewolves | Teen Wolf



I love werewolves and I love Michael J. Fox. Teen Wolf should've been a perfect combination, but that may have been the problem. Seeing it in the theater back in the day, my expectations going into it were extremely high. All Fox had really done up to that point had been Family Ties and Back to the Future, so in my world there was no such thing as even a middling Michael J. Fox project. It was impossible for everything he ever touched to equal those two things and unfortunately, Teen Wolf is what broke the streak.

There's a lot to like about the movie though. Fox, for instance. And James Hampton as his sympathetic and loving father (two traits that can't be taken for granted in '80s teen-movie parents). And I truly love the werewolf design and the journey Fox's character, Scott, makes in coming to terms with who he is. I also love how - once his secret is out - most of the kids at Scott's school accept him. That's a powerful fantasy and I'm glad the movie went there.

But there are other elements that lock Teen Wolf in '80s teen comedy mediocrity. It's been too long since I've seen it, so I don't remember a lot of details, but I do remember Stiles. He was maybe one notch above Mike Damone from Fast Times at Ridgemont High, but he was still an insufferable douche who wasn't as cool as he thought he was. I also remember not liking the van-surfing, but I don't recall if I actually thought it was dumb or was just jealous that I couldn't do it too.

Maybe I need to watch this movie again. It could use another visit now that I've got some distance and historical perspective. I still love Michael J. Fox, but with The Hard Way and Life With Mikey behind me, my standards for his vehicles are somewhat lower these days.

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