Thursday, October 20, 2016
31 Days of Gothic Romance | Hammer Films
It's amazing how much tastes can change in a decade. In the '40s, gothic romance movies were moody, shadow-filled things like Rebecca and The Uninvited. But in 1957, Hammer introduced a whole new way of doing it. Starting with adaptations of gothic romance staples Frankenstein and Dracula, Hammer told stories of young women being threatened by sinister aristocrats in spooky, old buildings, but in lurid, colorful ways.
They continued to glean from classic gothic stories like The Hound of the Baskervilles and Phantom of the Opera, but they so perfected the uncanny, fog-filled atmosphere that they were able to lay it over many different kinds of tales - everything from mummies to Satanists to Jekyll and Hyde - and still have them feel gothic.
The result was some confusion about the definition of gothic romance. For many, it's less about specific themes than just a particular atmosphere, usually in a period setting. We have Hammer to thank for that. Not that I'm complaining. One of the reasons I wanted to talk about gothic romances this Halloween was to help myself circle around a working definition, but there's no need to be snobbish about it. What follows is a long list of Hammer horror films with gothic elements; some much more authentic than others, but all of interest.