My Top 10 Movies of 2014

10. X-Men: Days of Future Past



I don't know if I like it more for continuing the story of the First Class cast or for rescuing the original cast from the sourness I associated them with after Last Stand. I don't think I like DoFP as much as First Class, but it's a worthy sequel when it could have been an enormous mess. That's faint praise, I know, but I really love both generations of these characters and it was great to see them all treated well. And that Quicksilver scene alone earns it a spot in my Top 10.

9. Noah



I grew up with this story and I know it very well, so I'm extremely impressed and appreciative that Darren Aronofsky was able to make me think about it in a new way. And not just because he threw in some Ents. I wrote a full review of it, but to sum up: the movie makes powerful statements and asks deep questions about the relationship between humanity and nature, the inscrutability of God, and the perils of thinking you've got him all figured out. It has flaws, to be sure, but it moved and provoked me more than any other movie last year.

8. Begin Again



Wow, Keira Knightley had a good year. This is my favorite thing she did though. It looks and smells like a romantic comedy, but it's not. For one thing, though it's funny, it's not really a comedy. For another, though it'll try to fool you a couple of times, romance between the leads isn't the point. The point is about music: both the creation and the business of it. It's only 20% about the music industry though and 80% about what music is and what it means to us. There's a beautiful scene early on - really two different interpretations of the same scene - where Knightley performs a song live and we experience it first from her point of view as the nervous, insecure musician, and then from Mark Ruffalo's point of view as a music producer in the audience. It shows in a powerful way how the same song can give different experiences to different people. There's another moment later on that nails the feeling of putting on headphones in public and letting music change your perception of the world. With such wonderful groundwork laid about what music is, the movie's then able to comment on the way it's commercialized. And it does all this with some great and likable characters, including Knightley and Ruffalo's, but not limited to them.

7. How to Train Your Dragon 2



The first How to Train Your Dragon is one of my favorite animated movies of all time. It's funny, exciting, and emotionally stirring. I had no hope at all that the sequel would top it. And it didn't. But what it did do was go in a whole new direction: an epic fantasy that opened up the world of the first film and raised the stakes. It's a more serious, less joyful film, which means that I didn't enjoy it as much as the first one, but it's just as awe-inspiring in its own way.

6. The Lego Movie



When I was on the Nerd Lunch podcast last year talking about the 75th anniversary of Batman, one of the topics that came up was our favorite Batman movies. I'll never understand how I forgot to rank The Lego Movie just behind Mask of the Phantasm. In fact, since The Lego Movie is actually a Batman/Star Wars crossover, I may have to rethink that number 2 position.

5. Maleficent



I had to see this one twice to appreciate it as much as I do. There are some serious problems with Maleficent, starting with Sharlto Copley's unbelievable character and including some awful CG with Aurora's fairy guardians. That stuff really distracted me on first viewing, but what still stood out was Angelina Jolie's performance as a woman who has been hurt to the point of deeply wanting to hurt back, but hasn't yet lost all capacity to love. It's a powerful struggle and she shows it beautifully and movingly. Meanwhile, Elle Fanning grounds the movie perfectly as the tether that holds Maleficent to... well, "humanity" may not be the right word, but you know what I mean. Anyway, my second time watching it, those are the things I focused on and I loved it.

4. Guardians of the Galaxy



I'd want to call it the Star Wars for this generation if we weren't getting a new Star Wars movie next year. And besides, it's not really the same tone as Star Wars, is it? It's much more snarky and irreverent, but it balances that out with moments of humor, wonder, and just plain coolness. Even though it shares a basic plot structure with many of the other Marvel movies, it does so in its own, joyful way.

3. Captain America: The Winter Soldier



Speaking of plot, that's the reason Winter Soldier nudges ahead of Guardians of the Galaxy on this list. Winter Soldier takes some brave chances, not only by changing the status quo of the Marvel Universe, but also by not being about a bunch of people trying to get the same, all-powerful, cosmic object. Instead, it's a conspiracy thriller and a dang good one. I also love Anthony Mackie and that no one tried to force Cap and Black Widow into a romantic relationship. Boys and girls can be friends! Who knew?

2. Godzilla



I had this at number one for quite a while. It was easily the best time I had at a movie theater last year. A lot of that was manufactured by me and David though. We undertook a massive Godzillathon in the months leading up to May 16, filling in as many holes in our viewing as we had access to. We even made it to a local screening of the 1954 original. When it came time to watch the new one, we had a boys' night out (Diane had a previous commitment) at our favorite theater with the cushy lounge chairs, the Dolby Atmos, and the 30' x 70' screen. We were primed. And the movie didn't let us down. We loved the slow build to the final battle and the epic moments in that battle. When Ken Watanabe says, "Let them fight," we were screaming and whooping and we - and the rest of our audience - just got louder and more excited as the movie went on. The only thing that bumped it down to number two was Aaron Taylor-Johnson. I don't think he's bad in the movie, but he's certainly the only thing about it that I didn't find completely exciting. And that's a bit of a problem when he's the lead actor.

1. Dawn of the Planet of the Apes



A perfect sequel. It continues the story of the first movie, expands on it, raises the stakes, and does all that in a way that's just as emotionally powerful if not more so. Incredibly, it met and exceeded my impossibly high hopes for it. I don't have one bad thing to say about it and that's why it's Number 1.

Four-Color Sci-Fi: Science Fiction Writers Who Wrote Comics [Guest Post]

By GW Thomas

When radio became big across America in the late 1920s, there were those who worried it would kill pulp magazines. The magazines quickly adapted though and the two mediums complemented each other. In one case, radio even created one of the biggest selling Pulps. The Shadow began as nothing more than a narrator's voice and an evil laugh by Orson Welles. The voice was fleshed out into a fantastic character and that hero became Street and Smith's top title, selling out every two weeks. Other radio shows such as Suspense and X-Minus 1 adapted stories from magazines.

No, it wasn't radio that killed the Pulps. It was three other media enemies that came about in the late 1940s and early 1950s. The first of these was the paperback. For the soldiers fighting in World War II and Korea, the smaller size made more sense than larger magazines, and after the war was over, well, people just kept reading them.

Television was another very powerful enemy. Unlike radio, the TV networks weren't interested in adapting Pulp fiction. They were producing their own style of stories, largely based on earlier radio titles, and besides, it was free. All you had to do was buy a TV.

The last and most insidious of the enemies of the Pulps was their own spawn, the comics. Many of the Pulp publishers created comic lines to match their Pulp titles. You had Planet Stories, so Planet Comics. These cheaper-to-produce, but comparably priced publications ate away at Pulp profits. By 1955 most of the Pulps had either died or mutated into fiction digests (like Astounding Science Fiction or Ellery Queen Mystery Magazine.)

This change in market affected many writers. Some of Science Fiction's writers had no choice but to write both kinds of stories. But before we look at these writers, it is important to mention two SF alumni who had a profound effect on comics. These were Julius Schwartz and Mort Weisinger. The duo began as editors and SF fans. They were involved in creating the first SF literary agency, and for helping to launch the first World SF Convention in 1939. As rabid fans, they knew everybody, though they did not write stories or draw pictures.

In 1944, Schwartz started AA Comics, the company that one day would become DC, where he would work until 1986. Weisinger became the editor of the Superman line, a post he held until 1970. Schwartz headed the changes in 1956 that would see comics move away from the methods of the comic strip packagers of the 1930s toward more modern approaches to superhero story-telling. And to do this he needed good writers. One of these was Gardner Fox who would give us Hawkman, as well as Batman's utility belt. He eventually worked on every major DC title during the Golden Age. Fox is best known for comics, but he also wrote for a few Pulps like Weird Tales and Planet Stories. Another unlikely comic star was Harry Harrison who started as an artist for EC (pencilling for Wally Wood) and even wrote the Flash Gordon comic strip for a decade. Unlike today, being a comic book writer was not something to brag about (possibly even lower than being a Pulp writer) and so Harrison used many pseudonyms before breaking into SF publishing as the creator of The Stainless Steel Rat.

But Harrison was one of the last. Before him were the stars of the 1940s. Writers like Eando Binder, actually Otto Binder (who continued to write under this weird pseudonym after his brother Earl no longer wrote with him), that gave SF the robot hero, Adam Link in Amazing Stories from 1939 to 1942. While writing SF Pulp, he also wrote Captain Marvel for Fawcett. He would write for Captain Marvel Jr and co-create Mary Marvel with Marc Swayze. He worked for DC in the late '40s and '50s, creating the early stories of Bizarro for Superman and co-created another super chick, Supergirl. Otto left comics for magazine editing. He became an avid supporter of UFO lore along with his old editor at Amazing, Raymond A Palmer.

Manly Wade Wellman is best known today for his occult detectives, John Thunstone (Weird Tales) and Silver John (Fantasy & Science Fiction) but he wrote all kinds of SF pulp as well as receiving a Pulitzer nomination for his historical work on the Old South. He started in comics with Captain Marvel Adventures #1 in March 1941 and ten years later would find himself testifying against his employer in court when DC comics sued Fawcett for plagiarizing Superman. (Mad Magazine would parody this case in 1953 as "Superdooperman vs. Captain Marbles".) Wellman also wrote for Blackhawk and ghosted for Wil Eisner's The Spirit while Eisner did a tour in the army in 1941. Wellman also wrote for DC's Strange Adventures and Mystery in Space in the 1950s.

Frank Belknap Long was a close friend of HP Lovecraft and began his career writing horror stories for Weird Tales. He wrote Science Fiction in the years after Lovecraft's death, appearing in John W Campbell's prestigious Astounding Science Fiction. Between 1941 and 1948 he wrote for Captain Marvel, Superman, the "Congo Bill" stories in Action Comics, Green Lantern, Planet Comics and DC's horror comic Adventures into the Unknown. During his comic writing decade, Long lived in California.

Alfred Bester wrote a small number of Science Fiction novels but each is a classic of the genre. His The Demolished Man and The Stars, My Destination are frequently included in lists of must-read books. Before these novels of the 1950s he wrote comics from 1942 to 1946. Julius Schwartz recruited him to work on Superman and Green Lantern. Bester is credited with penning the Green Lantern oath that begins, "In brightest day, in darkest night..." He also subbed for Lee Falk on The Phantom and Mandrake while Falk was in the army. Bester left comics for radio work. His wife, Rolly Goulko, was a busy radio and TV actress.

Henry Kuttner was a prolific writer in many genres, producing horror and Sword & Sorcery for Weird Tales, Shudder Pulps, hard-boiled Mysteries, as well as Science Fiction. He would marry writer CL Moore in 1940 and the two would write under a number of pseudonyms including Lewis Pagdett and Lawrence O'Donnell as well as under their own names. Kuttner would try his hand at comics in Green Lantern between 1944-46 but would return to magazine writing.

Sam Merwin Jr, like Fredric Brown and Robert Bloch, wrote in both the SF and Mystery genres. He began as an influential editor at Startling Stories, Thrilling Wonder and other Pulps. He gave up editing and became a freelance writer in 1951. One of his first jobs was writing for DC's Strange Adventures and Mystery in Space until 1953. He wrote a number of SF novels and stories before returning to editing and writing for Mike Shayne Mystery Magazine.

Edmond Hamilton started writing comics in 1946 because the Pulp markets were so bad after the War. Before this he was a regular in Weird Tales, Wonder Stories, the Clayton Astounding, and Amazing Stories. He is often cited as the co-creator of the sub-genre of Space Opera. He wrote the Captain Future novels between 1940-46. In comics, he started on DC's Green Lantern but eventually worked on all the Superman titles, Batman, and was instrumental in designing the Legion of Superheroes. He is credited with helping to create the idea of the DC Universe. We wrote the "Chris KL99" strip for Strange Adventures. This comic was loosely based on Captain Future. He left comics twenty years later in 1966, because he and fellow SF writer and wife Leigh Brackett were traveling more often.

Only Gardner Fox hung on longer. He left comics in 1968 when DC refused to give him benefits or royalties on his long canon of work. He turned to writing Sword & Sorcery and adventure novels for Tower paperbacks. Of all these Science Fiction writers, Fox has most often been garnered with awards and accolades, such as the Bill Finger Award, the Eisner Hall of Fame, and the Jack Kirby Hall of Fame, having worked in comics for thirty-one years.

What this infusion of SF talent did was add a dimension of imagination to comics that was lacking in the 1930s. The first comics featured a fantastic character, but once beyond the strange gimmick the story was pretty pedestrian, with the hero punching out a bunch of crooks. The Science Fiction writers expanded the possibilities of what comic stories could be until anything was possible. So while I'm watching Ryan Reynolds in Green Lantern say those famous words, or Iron Man and the rest of the Avengers fight aliens from another dimension, or Batman use his weirdly dark gadgets, I think of my favorite Pulp writers and smile. Comics may have helped kill off the Pulps, but nowhere else does the flame of SF Pulps burn as brightly today.

GW Thomas has appeared in over 400 different books, magazines and ezines including The Writer, Writer's Digest, Black October Magazine and Contact. His website is gwthomas.org. He is editor of Dark Worlds magazine.

10 Movies I Dug from 2014

20. The Maze Runner



I was a bit disappointed that The Maze Runner is more interested in setting up a series than in telling a complete story on its own, but even though it's only a partial story, it tells it in a captivating way. I love how it dumped me into the world cold and made me learn about it along with the main character. And the supporting characters and group dynamics all held my attention, too. Towards the end, the movie gets ridiculous about withholding information to prolong suspense, but I like everything else enough that I'm looking forward to the sequel.

19. John Wick



Total surprise. I knew nothing about this before it came out and if I had known about it, I probably would've ignored it. I enjoy Keanu Reeves most when he's playing air guitar with Alex Winter, not as the wooden tough guy. Some positive reviews piqued my interest though, and I agree with them that John Wick is a fun and exciting movie that almost parodies '80s action flicks, but really ends up just hugging them.

18. Muppets Most Wanted



As a sequel to The Muppets, this was very disappointing. That movie set a high bar and I'm not sure that Muppets Most Wanted even tried to top it. As Muppet films go, it's average; neither among the best nor the worst. If I let it stand on its own though and compare it to most of the other movies I saw this year, its still very funny (especially the Ty Burrell/Sam the Eagle team-up) and I had a great time watching it.

17. The Expendables 3



I didn't enjoy the first Expendables movie really at all, except for the novelty of seeing those actors together in a single film. I was disappointed by the plot and by how little Bruce Willis and Schwarzenegger were in it. The Expendables 2 was a lot better, but Chuck Norris' goofy, squeezed-in-sideways cameo was a big downer. The Expendables 3 was the one I've been waiting for. Lots of my favorite action stars and some of them in small roles, but those small roles made sense for the story and everyone had at least one great moment. The story itself is nothing special, but man I love these actors and the final showdown is a legitimately great set piece.

16. Grand Piano



Like a few other movies on my lists this year, Grand Piano is technically a 2013 release, but I'm going by the dates the movies were made available to people in the US outside of just New York, LA, and film festivals. Grand Piano isn't a perfect thriller, but it's a really good one with Elijah Wood as a troubled pianist who has to save himself and others while playing a concert and not missing a single note. It's overrating it to compare it to Hitchcock's best work, but if you like Hitchcock-like thrillers with normal people trying to make it through someone else's outlandish scheme, I highly recommend this one.

15. Neighbors



Hilarious, but also surprisingly poignant. Could have just been a Revenge of the Nerds-style war between squares and popular people, but instead it takes the time to explore fears of growing up, on both sides of the battle lines.

14. Sin City: A Dame to Kill For



Coming out nine years after the first one killed this movie. If it had been released in 2006 or so, it would have been embraced as more of what people liked about Sin City. There's not a thing wrong with it that wasn't also wrong with the first one; it's a perfectly good companion piece. But waiting so long gave people the chance to forget the first one and wonder, "Why make a sequel now?" It feels kind of pointless. Unless of course you really dug the first one and are glad to have another movie just like it. Which is where I'm sitting.

13. Interstellar



Interstellar is both way more and way less than I wanted it to be. There's a lot going on in it, but at just under three hours long, it still doesn't pay enough attention to any of it's many characters and themes. There are things that I love, like Matthew McConaughey's relationship with his young daughter, and the questions the movie raises about the limits of selflessness and altruism. Sadly, it never develops these very well. But I like it for trying, I like it for its awesome cast, and I like it for its stunning visuals and unforgettable set pieces. I wish the final picture was better, but it's pieces are amazing.

12. Jack Ryan: Shadow Recruit



I almost forgot I reviewed this one, but I did, so I'll send you there. Short version is that the plot is pretty boilerplate (as is Kenneth Branagh's villain, sadly), but I like that Chris Pine's Jack Ryan is still an analyst first and gets dragged into the spy stuff sort of kicking and screaming. What makes the movie though are Keira Knightley and Kevin Costner, who bring a lot of heart and depth to characters who could have been nothing.

11. 22 Jump Street



As much as I was pleasantly surprised by 21 Jump Street, that's exactly why I wasn't excited about the sequel. Now that I knew what to expect, how could 22 Jump Street possibly surprise me again? Wouldn't it just be more of the same? Well, yeah, except that "the same" means that it's still really funny and has a pair of completely lovable leads. It screws around with the formula of the first one though just enough to be fresh and it also adds some great new actors (especially Jillian Bell who nearly steals the movie).

10 Movies I Could Take or Leave from 2014

30. Winter's Tale



This movie tries so hard to push all my buttons. It's beautifully shot and has lots of things I love: immortals, romance, a non-linear narrative, and a powerful twist. It's the twist that bothers me though. Winter's Tale did such a nice job of investing me in one kind of story that when the twist came, I wasn't just unprepared for it, I actually resented it. Sadly, not sticking the landing on stories I otherwise really enjoyed is going to be a recurring theme in this post.

29. Under the Skin



I wrote a full review of Under the Skin, but the short version is that I found it intellectually interesting, but was never emotionally invested in Scarlett Johansson's character.

28. Non-Stop



It's a tense thriller that showcases everything I like about Liam Neeson as an action hero, but the plot feels forced along by some dumb decisions and then the whole movie goes completely off the rails when the villain's unbelievable motivations are revealed.

27. The Amazing Spider-Man 2



I really, truly love Andrew Garfield and Emma Stone as Peter and Gwen and it's frustrating that they're in such stupid plots with such boring, poorly drawn villains. Garfield and Stone make it impossible for me to hate this movie, but I can't bring myself to like it either.

26. 3 Days to Kill



Frankly, I get this one a little confused with The November Man. Both are about aging assassins who need to protect young women, but 3 Days to Kill is the better one. Amber Heard is pretty ridiculous as the person who pulls Kevin Costner back into the spy game, but she's kind of fun too and I enjoyed Costner's character and his relationship with his daughter (Hailee Steinfeld). It's not a great spy thriller, but it's a good B-movie and I'm glad to see Costner back this year in some fun roles.

25. Mr. Peabody and Sherman



The drama that threatens Peabody and Sherman's relationship is forced and clunky and I felt nothing about the lessons either of them learned about each other. But there are some really funny gags and I laughed out loud quite a bit. Wish there had been even more of that.

24. Edge of Tomorrow



Another movie that's awesome right up until the end where it falls apart. There's been a lot of love heaped on this movie this year and mostly I think it's deserved. Cruise's character is pleasantly against stereotype for him, Blunt is totally badass, and the way the movie structures its live-die-repeat sequences is ingenious. But the movie has no idea how to end itself and simply stumbles its way through the last act to get to the closing credits. I ding it heavily for that.

23. Only Lovers Left Alive



Like Under the Skin, this is another that I reviewed for Halloween. I like it better than Under the Skin, because Swinton and Hiddleston's characters are so generous about giving me things to connect with. And unlike Lucy, it has some profound thoughts about the purpose of human existence. But I don't think it's re-watchable for me. I enjoyed the time I spent with the characters, but not enough to want to do it again, so that makes it a good movie that I'll probably forget about in a year.

22. 300: Rise of an Empire



I had really low expectations for this, so that's probably why I was as pleasantly surprised as I was. It isn't visually unique like the first 300 (which I guess is no longer unique either now that it's been imitated a bunch of times) and the story isn't as compelling, but it's got a decent plot and Eva Green is awesome as the scene-chewing villain Artemisia.

21. Gone Girl



I probably need to give Gone Girl another look to see if I like it better, but I had a hard time with it the first go. I get the commentary on modern news media and the way it turns people's tragedies into consumable pop culture, but I don't feel like that commentary was anything new or insightful. I totally agree that that's what the news does and that we let it do that, so I don't know how much more there is to say. Far more interesting is the idea of masks and how we hide our true selves from other people, including folks we're supposed to be in honest relationships with. I love thinking about that, but struggled with the point of view that Gone Girl seems to take on it. I appreciate that my struggle is exactly what the film wants from me, but like Winter's Tale, that came out of nowhere and threw me off guard. Unlike Winter's Tale, Gone Girl is very artful about pulling the rug out from underneath me, so I'm enjoying still mulling it over all these months later. If this were a Best of 2014 list instead of a ranking of how much I liked these movies, Gone Girl would place a lot higher.

Trader Horn (1931)

Who's In It: Harry Carey (Angel and the Badman, Red River), Edwina Booth (1932's The Last of the Mohicans), and Duncan Renaldo (The Cisco Kid)

What It's About: A seasoned jungle trader (Carey) teaches a young hunter (Renaldo) about the beauties and dangers of Africa as they search for the missing daughter (Booth) of missionaries.

How It Is: Impressive, but tough to watch for several reasons. It's a Product of Its Time not only in the way the white leads treat and talk about indigenous Africans, but also in the way the filmmakers actually shot the movie. There are at least a couple of animal deaths that were filmed and rumor has it that an actual human death made it into the final cut, though I couldn't pick it out.

Trader Horn was the first non-documentary Hollywood film to be shot on location in Africa and it's infamous for the harsh conditions of its shoot. Crewmembers contracted malaria and sunstroke and everyone battled flash floods, locusts, tse-tse flies, ants, and crocodiles. The filming inspired Edgar Rice Burroughs to write Tarzan and the Lion Man, about a similarly troubled movie production in Africa.

For all the behind-the-scenes notoriety though, the filmmakers did get some spectacular shots and Trader Horn was a huge success. Audiences saw images of landscapes, wildlife, and people that they'd never seen before. The film was nominated for the Best Picture Oscar and was financially successful enough to directly lead to MGM's pursuing the rights for a Tarzan series.

But while racism and animal cruelty are the most serious offenses of Trader Horn, they're not the only ones. The movie is heavy on filming its unique subjects, but light on story. I'm reminded of movies like Thunderball and Star Trek: The Motion Picture that include long sequences of underwater photography and special effects shots that excited their original audiences, but slow down those movies when watched today. The main characters' expedition to find a missing woman in Trader Horn is just an excuse; a flimsy hanger on which to drape all the location footage.

That becomes especially obvious when the movie tries to shoehorn in some drama by having the two men fight over the young woman when they find her. There's never an indication that she's interested in the older man, but he seems to think he's got some kind of equal shot at her.

Except for that though, I do like the characters quite a bit. Carey's Aloysius Horn is a brave and affable veteran of the country and I like his relationship with Renaldo's naively eager Peru. And Booth does a great job as Nina, one of the first jungle women to appear on film. She plays brave and frightened with equal conviction and she's especially convincing with the language she speaks. I don't know if it's a real language or not, but she makes me believe that it could be and that she's fluent with it.

Finally, Mutia Omoolu plays Rencharo, Horn's gun bearer and closest friend. Omoolu wasn't a professional actor, but I not only bought Rencharo's friendship with Horn, I was also touched by it. Horn has some unflattering things to say about Rencharo during the early parts of the film, but hindsight reveals it to be nothing more than affectionate teasing, especially as the dangers increase and we learn how much the two men mean to each other.

Rating: Three out of five jungle girls.

5 Movies I Didn't Care For from 2014

35. I, Frankenstein



A lot of people give the Underworld movies a hard time, but I genuinely and unironically love them. So when I heard that the creators of that were taking on my favorite monster of all time, I didn't expect the bland, forgettable mess that it it was. My hope was that if it was bad it would at least fail spectacularly, but it doesn't take enough chances for that. It's not awful, it's just lukewarm, and that's the worse crime.

34. Transformers: Age of Extinction



I thought I'd given up on the Transformers movies after the second one and didn't see the third, but they pulled me back in with dinosaurs. And I admit that Pain and Gain softened some of my distaste for Michael Bay movies. Age of Extinction has all of Bay's usual flaws though and the dinosaurs don't even show up until the final act, so I think I can safely say that I'm out again. Unless Stanley Tucci comes back, because he's awesome and his character is awesome and I pretty much want a movie that's just about him. But please lets not have any Transformers or Michael Bay in it.

33. This Is Where I Leave You



I love these big family comedy-dramas with huge casts and my mouth was watering to watch one with Jason Bateman, Tina Fey, and Timothy Olyphant in it. It has its funny moments, but sadly the characters don't feel like real people. Instead, they're just problems in need of solutions and the only answers the movie has for them are trite and unconvincing.

32. The November Man



Though the Pierce Brosnan Bond films are my least-favorite run in that series, it's not because of Brosnan and I usually like him in other kinds of spy movies. But this isn't one of his better ones. It makes a brave choice in pitting Brosnan's older spy against his younger protege and not giving the audience an easy choice of whom to root for. Unfortunately, that approach backfires. Both men are seriously screwed up and both have moments of heroism, but they're balanced so well against each other that I gave up caring who would win. Instead, I focused on Olga Kurylenko. Which isn't a horrible option. She's not a main character and doesn't get enough screen time, but when she is there she's pretty great.

31. The Monuments Men



I wrote a pretty thorough post on my problems with The Monuments Men, but the short version is that while it has a great cast and characters I cared about, it asked me to take their mission more seriously than it did. I wanted either a fun heist movie or a film that would make me feel deeply about the importance of art, but by trying to be something in between, The Monuments Men is neither of those things.

The Legion of Space: Lest We Forget [Guest Post]

By GW Thomas

We live in a world that ignores its past. "Everything old is new again" is a kinder way to say it. Even Science Fiction does this. I was reminded of this when I finally got around to reading Jack Williamson's The Legion of Space. Written in 1934 as a serial novel for F Orlin Tremaine's Astounding (the one in between the BEMs of the Clayton Astounding and the Golden Age of John W Campbell's Astounding Science Fiction). The novel offers a roller-coaster ride of wonders, fights, and escapes, as you would expect before things got serious (and frankly often dull) in that "Golden Age." What I hadn't expected was the blueprint for hit after hit of Science Fiction's most popular films.

Star Wars is the most obvious. You have a democracy (The Green Hall) guarded by a small corps of elite warriors (The Legion) who are supplanted by devious means by an evil empire (The Purple Hall). The character of Adam Ulnar is Palpatine, trying to get his weaselly nephew on the new throne. His other kin, John Star, is Luke Skywalker, who refuses to join the dark side and falls in with the Three Musketeers of the tale: Jay Kalam, Hal Samdu, and the ever annoying Giles Habibula. Their job is to rescue the princess from an impenetrable base where she is being tortured for information. The scene where John Star enters her cell is hauntingly familiar. The only thing missing is the line, "Aren't you a little short for a stormtrooper?" The bunch escape through the sewers and everybody gets medals at the end.

That's just Star Wars. There's more. The princess in question is Aladoree Anthar, a kind of goddess who possesses a super weapon called AKKA. She's up against the evil race of aliens known as the Medusae who are about to claim the Solar System. Aladoree, who has suffered greatly, is too weary to fight any longer. Only John Star's declaration of love is enough to revive her and to vanquish all evil in the universe. Sound familiar? Leeloo and The Fifth Element. But as they say on television, "Wait! There's more!" The evil Medusae who have invaded Earth with their squidgy tentacles have a giant ship that will kill the heroes. A brave hero (actually that Palpatine stand-in, Adam Ulnar, in a Darth Vader moment of reconciliation) smashes the ship The Purple Dream into the alien vessel, saving everyone. All we need is Randy Quaid's middle finger to finish this scene from Independence Day.

I'm sure there are others. Star Trek. Hitchhiker's Guide to the Galaxy. And it goes to show how we forget. George Lucas based his Jedi on the samurai of Akira Kurosawa's Forbidden Fortress, but he must have read The Legion of Space at some point. As must have Luc Besson. And Dean Devlin and Roland Emmerich. Or did they? Science Fiction has tropes, motifs and clichés, handed generation to generation, inherited almost on the genetic level, hidden in the canon that is Sci-Fi. The similarities are just so strong I can't quite believe it. Could George Lucas get these ideas second-hand through the Flash Gordon serials he loved as a kid?

I have to shake my head and think that much more of Jack Williamson. The man was influential, important, germane to Science Fiction. He gets mentioned for "With Holded Hands" (a story that has its own legacy as the inspiration for The Terminator series), but SF snobs down-play his more adventurous stuff like The Legion of Space. And it makes us "forget" how important it was. Along with writers like Edmond Hamilton, CL Moore, Leigh Brackett (who wrote The Empire Strikes Back script with Lawrence Kasdan) and EE 'Doc' Smith, Jack Williamson shaped Space Opera into a thoroughly enjoyable form of Science Fiction that fills us with wonder and excitement.

With the explosive appearance of Guardians of the Galaxy in 2014 (and the much anticipated return of Star Wars in 2015) Space Opera is back in fashion, zipping and zapping across the cosmos once again. And I think of Jack, whom I was fortunate enough to meet briefly in Vancouver back in 1985, and how he never got the accolades he deserved. But that is also Science Fiction in the old days. Its writers gave willingly, almost feverishly to its cause, and unless you were a complete glory-hog like Isaac Asimov, you didn't get the ticker-tape parade (or the big Hollywood bucks). I try to imagine Jack sitting through the first screening of Star Wars back in 1977 and being filled with both the glory of seeing something he had created forty years earlier jumping across the screen, and also with the knowledge that no one in that audience knew he was the one who accomplished that. Bittersweet reward. Thank you, Jack.

GW Thomas has appeared in over 400 different books, magazines and ezines including The Writer, Writer's Digest, Black October Magazine and Contact. His website is gwthomas.org. He is editor of Dark Worlds magazine.

2 Movies I Hated from 2014

37. At Middleton



I have two major issues with At Middleton. First, it's a victim of its own marketing. It advertised itself as a fun, romantic comedy between a couple of middle-aged people who meet while visiting a prospective college campus with their kids. I'm a big fan of Andy Garcia and enjoy Vera Farmiga in most things as well, so I was super invested in watching them meet cute and fall in love. But that's not what At Middleton actually is and I resented the bait-and-switch.

It's actually a melancholy drama about unhappy marriages and adultery. But even as that, it's still majorly flawed. It deals honestly and unflinchingly with the complex emotions involved when someone falls in love with someone other than his or her spouse, but it could have been even more powerful if it had paid any attention to Garcia and Farmiga's absent spouses. Instead, it forces the kids to act as solo defendants for the marriages. That works to a limited extent, but it's still silencing a couple of major voices in this drama.

36. Lucy



I had a hard time not making this my most hated movie of the year, but at least it has some scenes of Scarlett Johansson kicking butt. Beyond that though, the plot is dull and the point the movie wants to make is ridiculous. The character of Lucy becomes less interesting as she becomes more powerful and Morgan Freeman is only there for exposition.

The movie's ultimate message (which it thinks is pretty darn profound) is that the reason humanity exists is to pass along knowledge to later generations. That's not only bleak, it's pointless. Knowledge has no value unless it's used for some purpose, but Lucy offers no suggestion of what ultimate knowledge might be used for. It's simply about accumulating information for its own sake.

34 Movies I Missed Seeing from 2014

It's time again to run through and rank all the movies from last year that I saw. I'll be doing that over the next couple of weeks, but first: here's the traditional post of movies that I wanted to see from last year, but haven't yet. That's partly to explain why some movies didn't make it into the rankings, but it's also to build a watch list for myself.

This year, work was crazy during the fall and leading up to the holidays, so I didn't get out to the theater as much as I usually do. The Missed List typically has around 20-30 movies on it, but this time there are 34 that I need to catch up on in 2015. I still saw more than I missed though, so I'm happy about that. We'll start on those in the next day or two.

For now, here's the Missed List, more or less in the order that the movies were released:

1. The Wind Rises



Hayao Miyazaki's last film. I'm a fan of Miyazaki and have seen all his feature films since Castle in the Sky, but I'm not a superfan and The Wind Rises is different enough from his fantastical stuff that I didn't rush to see it. Going to correct that soon though.

2. The Grand Budapest Hotel



I experience mixed results from Wes Anderson, but I very much enjoyed Moonrise Kingdom and what I hear about Grand Budapest Hotel makes me think it's even more in my wheelhouse from its cast and setting to its themes and the way it's shot. I love hotels and stories set in them, but there's also that whole Upstairs Downstairs/Downton Abbey angle of telling stories of both the servants and the served.

3. Joe



I would love to like Nicolas Cage in a movie again and if I can't get National Treasure 3, this seems like the way to do it.

4. Locke



A couple of years ago, I wouldn't have been the least bit interested in a movie that's set entirely in a car with a dude on the phone. But I do dig Tom Hardy and I'm curious about the mystery of where he's driving to.

5. Chef



This is mostly about the cast and Favreau as a director, but I also love some nicely shot food porn.