Friday, September 25, 2009

Friday Night Art Show: You're Eating Poison by the Plateful!

That break in blogging yesterday? That was me catching my breath for this post. LOTS of cool art this week. So much so that I broke my rule about not snatching multiple images from a single post.

Galleon Attack



By Howard Pyle. I'm really glad there's a Talk Like a Pirate Day, if only because it brings out stuff like this. [Golden Age Comic Book Stories]

Treasure Cave



By NC Wyeth. [Golden Age Comic Book Stories]

A Pirate Page



By Jim Silke [Never Sea Land]

Pin-Up Pirate



Someone with a better knowledge of classic film will have to tell me who this is. [Never Sea Land]

Bonnie Bernie



Okay, I know who this one is. [Never Sea Land]

Devil Out of the Deep



Artist unknown. [Poulpe Pulps]

The Golden Octopus



By Small. [The FictionMags Index]

Caught Mermaid



Artist unknown [Never Sea Land]

Blue



By Jana Schirmer. [Never Sea Land]

Sea Stories



By Roy G Krenkel [Golden Age Comic Book Stories]

Julie Fishing, Painted



By Craig Harris. The finished version of one of the pieces in this post.

Artosaurus

I'm not sure which dino art recently captured by Love in the Time of Chasmosaurs I like better. This one?



Or this one...



Yummy



By Roy G Krenkel. That sauropod looks awfully happy about having his tail munched on by a T-Rex, doesn't he? [Golden Age Comic Book Stories]

Zeppelin Tour



Another by Roy G Krenkel. [Golden Age Comic Book Stories]

Black Widow



By Gene Gonzales.

Black Canary



Photo by Jason Dorough. Costume by Perry.

The Sleeping Lorelei



Artist unknown. [Pulp of the Day]

Wonder Girl



By Colleen Coover.

Mirage & Brightwind



By Gene Gonzales. There's not much cooler than a Native American Valkyrie.

Kali



By Leftyjoe.

C is for Cowboy Crocodile



By Patri Balanovsky.

M is for Mouse King



By Patri Balanovsky.

Padme for Marla Bea



By Grant Gould for the Marla Bea Benefit auction to fight breast cancer.

Shadow Lass



By Robert Ullman.

Space Ape



By Patri Balanovsky.

A Thing of the Past



By Ferrari. [American Pulps and Magazines]

Strange Creatures from Outer Space



Artist unknown. [Jon Knutson]

Wednesday, September 23, 2009

Cursed Pirate Girl



This week's Gorillas Riding Dinosaurs is all about Jeremy Bastian's Cursed Pirate Girl.
On the back cover of Cursed Pirate Girl #1, Mike Mignola calls Jeremy Bastian a genius and declares, “I almost never see work this original.” If pirates and Bastian’s whimsical and detailed style aren’t enough to make you curious, praise from Mike Mignola – who knows a thing or two about originality – concerning the book’s uniqueness ought to. I mean, that’s like hearing David Petersen call it “stuff that makes other artists jealous and comic readers drool.” Oh, wait. That’s on the back cover too.

I promise I’ll get to the book itself in a second, but there’s another remarkable quote on the back of the second issue. Painter Gail Potocki calls the series, “our generation’s Alice in Wonderland.” Which is interesting because one of the first things you notice when you open it is the influence of classic Alice illustrator John Tenniel with his opulent linework and exaggerated body types. Another way of describing Bastian’s style might be, “Jeff Smith as inked by Gary Gianni.”

But there’s much more to Potocki’s Alice comparison than just the art. Lewis Carroll’s stories were joyous celebrations of childhood and imagination. And while Bastian’s book isn’t as nonsensical as Carroll’s, there’s certainly that sense that anything can happen. And often will.
Read the rest at Robot 6.

Monday, September 21, 2009

What's All This Then?: The Freddy Krueger Saga, Part One

A couple of years ago I started a feature around Halloween called "What's All This Then?" The idea behind it was to try to catch up on bits of popular culture that I've been lax about visiting and see if I think it's worthy of all the fuss. The first (and until now, only) subject was the Halloween movies (parts one, two, and three). Since it's getting to be Halloween again, I thought I'd bring WATT? back from the grave and take a look at another classic horror-series that I'm not all that familiar with.

A Nightmare on Elm Street (1984)



Before this project, I'd seen three of the Nightmare films: the odd-numbered ones, for some reason. Like the Halloween series, what attracts me to the Nightmare movies is the desire to see how it works as a complete story. I enjoyed the Halloween series a lot more than I thought I would, but it didn't end up working well as a continuing story. Important elements kept getting added and dropped depending on the whims of whoever had the most power over the latest flick. I'm curious to see if Nightmare is handled any better.

SPOILERS BELOW

Just in case you're even less up on Nightmare on Elm Street than I am (though I don't know how that's possible), the story's about a group of Elm Street teenagers who are all having similar dreams about a horribly scarred man with a clawed, metal glove. When one of them - Tina - is murdered by an invisible attacker while in bed with her boyfriend Rod, her other two friends Nancy and Glen (Johnny Depp's first role) start to realize that there's something more going on than just dreams. Nancy quickly becomes the focal point of the film as she uncovers the story of a child-murderer named Fred Krueger who was himself killed by the Elm Street parents.

It's been years since I last saw the movie and I was surprised by how few deaths there really are and how - relatively speaking - tame they are. Only four people die. Tina's the worst, getting carved up in her bed as she sleeps. Glen's death features a geyser of blood, but his body goes off-camera before that happens. Rod's is tamest of all. He's in jail under suspicion for Tina's death when Krueger ties a sheet around his neck and fakes a suicidal hanging. I'll get to the last death in a minute.

I can see why audiences took to Krueger right away. Even though he's a horrible, sadistic killer, he's way more interesting - at least on a surface level - than the silent, personality-less Michael Myers and Jason Voorhees. Krueger's jokes aren't really funny, but that he's cracking them at all is pretty revolutionary for a slasher film. He's also a lot quicker and more active than at least Michael Myers. (Next year I'll have to catch up on Jason's story; I don't know much about how he operates yet.) He was such a different horror villain that Wes Craven didn't need a particularly high body count to spice up the movie.

More important than Krueger's personality though is Craven's genius in making something as essential as sleep an object of fear. Nightmare on Elm Street isn't harrowing to watch because of gory deaths. It's exhausting because everyone can relate to the need for sleep and everyone can imagine how frustrating and maddening it would be if falling asleep meant death. Much scarier than kids getting chased through dark basements by a wise-cracking serial killer are the scenes of kids terrified to fall asleep because they know what's waiting for them there.

Still, even though Craven tapped into something real and primal for the movie, it's always been hard for me to like it because of a couple of things that happen at the end. Before he dies, Glen shares with Nancy something he read about our nightmares' being powered by fear. That's not exactly a revelation, but what he extrapolates from that is that if you stop being afraid, the nightmare goes away. And that ends up being how Nancy beats Krueger: she turns her back on him and he disappears. I always thought that was really easy and stupid, and it is, but what bothered me even more was the final scene.

After Nancy beats Krueger, we get a scene of her leaving the house for school. Glen, Tina, and Rod are all still alive and pick her up in a convertible. Then the roof goes up on the car and it's the same pattern as Krueger's iconic sweater. Nancy and her friends scream in terror as the Krueger-mobile drives them down the street, presumably to their deaths, while Nancy's mom waves from the front door of the house. Then Krueger's arm reaches from inside the house and yanks Mom back inside. The End.

I was never able to figure that out, because I always assumed that it was Nancy's dream. And that doesn't make any sense because Nancy's supposedly defeated Krueger. His invading her dreams again in the very next scene completely destroys the point of the climax. I was quite ready to give the movie two out of five bathtub drownings, but then I saw the second movie and figured out that the last scene in this one wasn't Nancy's dream at all.

Four out of five bathtub drownings.

A Nightmare on Elm Street 2: Freddy's Revenge



It was Nancy's mom's dream.

This movie picks up a few years later (though it came out only a year after the first). Nancy's old house has been vacant until the Walshes recently moved in. Teen-aged son Jesse starts having nightmares immediately.

He soon learns from friends at school about Nancy Thompson and her mom. The public story is that Nancy's mom killed herself in the living room and Nancy went crazy, which totally explains the final scene of the first movie. Nancy did defeat Krueger, so he just went and killed her mom instead.

What's different about Nightmare 2 - and the reason it doesn't work as well as the first one - is that it's not about dying when you fall asleep. Krueger's not trying to kill Jesse; he's trying to possess him. It's a clever angle and leads to some potentially interesting dilemmas for Jesse as he goes around slaughtering people in his sleep, but it's never explored very well. Outside of personal guilt over what he's doing and fear of what he's becoming, there aren't any real consequences for his involuntary actions. He flees murder scenes - presumably leaving all kinds of evidence behind - but the police never so much as question him. When he talks to his girlfriend Lisa about it, the conversations are all about Jesse's resisting Krueger's influence and Lisa's belief that he can do it. There's never any talk about turning himself in or getting some help.

More damning than the lack of consequences though is that Jesse's only real danger is metaphysical. His body's being taken over by Krueger, so that's a kind of death I guess, but it's way less dramatic than being sliced apart by the boogie man. And way less scary.

There's also another final scene that seems to come out of nowhere. Jesse and his friends - those who've survived the slaughter anyway - are on the school bus and Krueger attacks them. It's obviously meant to remind us of the last scene from the first movie, but unfortunately it also does that by making as little sense as that one did. Krueger hasn't been attacking people through their dreams in Nightmare 2, so how does he pull this off? Has he possessed someone else? I've got no idea and my vague memory of Nightmare 3 isn't helping. I may adjust this rating after I've seen more if it makes sense, but for now...

Two out of five pool party massacres. (And one of those is simply because Kim Myers is absolutely gorgeous as Lisa.)

Sunday, September 20, 2009

Music Meme: 2005

Continuing my list of favorite albums from every year I've been alive.

2005

Death Cab for Cutie: Plans



This was kind of a tough decision. I love My Morning Jacket's sound and Z is a great showcase for it. But Plans has some of the best lyrics I've ever heard. The imagery and final message of "What Sarah Said" is heart-breaking and haunting, and the "Brothers on a Hotel Bed" metaphor is a profoundly sad, but true statement on stale, passionless relationships.

And then there's "Soul Meets Body," which is just catchy as can be.



Runners Up:
My Morning Jacket: Z

Singles:
Coldplay: "Speed of Sound"
Keane: "Somewhere Only We Know"

Saturday, September 19, 2009

And Now the News: BOOM! POTATO POTATO!

Pirates of the Caribbean: On Stranger Tides



Pirates of the Caribbean 4 has a sub-title and it's the same as the name of Tim Powers' pirate novel. What's more, Powers' book features the Fountain of Youth, the very thing Jack Sparrow was setting off in search of at the end of Pirates 3. Some quick Googling reveals that I'm not the only one who's made this connection. I haven't heard anything from Disney yet about the the movie being an adaptation of Powers' book, but it can't be coincidence.

Lego Pirates Advent Calendar



Nothing says Christmas like pirates, mermaids, and crazy monkeys. Unfortunately, we're not allowed to get into the proper spirit here in the US. I hope Calvin has room for me in the Canadian Cave of Coolness, 'cause I'm willing to defect over this. Jason Copland's Canadian too. Hm...

Empires of the Deep



Robert Hood catches that the title of Mermaid Island has been changed to the more serious and epic-sounding Empires of the Deep. Unfortunately, Catwoman-director Pitof is still directing it, but I'm maintaining my optimism that it could be fun. That's based purely on its huge budget and my blind belief that it should be really, really hard to mess up a movie about merfolk fighting giant sea monsters.

Unexplained Lost



Carlton Cuse and some other Lost bigwigs have begun warning fans that not all of the series' mysteries will be explained by the finale. I'm guessing that that sounds scarier than it actually is unless you're one of those fans who's been meticulously cataloging every hint, clue, and revelation from the very beginning. I'll be very disappointed if there are any huge dangling plot threads, but yeah... we probably shouldn't expect every "i" to be dotted and every "t" to be crossed.

That said, I've been holding off on buying the DVDs until after the show finishes and will be paying very close attention to the reaction of hardcore fans to the series finale. It's one thing to sort of casually enjoy the show as it's unfolding, but if I'm going to watch it all over again as a complete story, I'll want that story to be cohesive and make sense.

Some Jungle Girl Comics



Rulah vs. the Death Image [Comic Book Catacombs]



Zegra the Jungle Empress and the Games of Havoc [Pappy's Golden Age Comics Blogzine]

Knockout



Steven Soderbergh's making a spy movie starring mixed martial artist Gina Carano.

I know you know that we think you're crazy to make us write an essay telling you who we think we are.



Allison Reynolds turned up in Psych last season as a serial killer. Now John Bender's signed up for an episode. Three to go.

Dark Days movie update

Steve Niles talks to Shock Till You Drop about the challenges of adapting Dark Days to film. "I'd say there's about as many changes as there were from the first graphic novel to the first movie, but not as drastic." Click the link for some details of what he's talking about.

Wizarding World of Harry Potter update



/Film's got all kinds of concept art and a video that give a real nice idea of what Universal Studios' new Harry Potter theme park's going to be like.

"New" Pooh



/Film also has a round-up of Disney and Pixar animation news including the announcement of a new Winnie the Pooh film that "ape(s) the watercolour style of the books with the white 'page' showing through." It'll also adapt five of AA Milne's stories that haven't been adapted yet.

I wonder if they'll also use the character designs from the original books. That would be really cool. I think they've done everything that can be done with the Disney versions. Time for a reboot.

Project Waldo



Nate Simpson is blogging his way through the production of his graphic novel, Project Waldo. There's some great stuff there for process junkies like me, but there's also some fantastic art if you don't care about the craft-talk. [Robot 6]

No BOOM! POTATO POTATO! for you! (Or me or anyone else for that matter...)

The Rejectionist - written by "a foul-tempered, snack-needing, whiskey-craving, ill-paid assistant at an Important Literary Agency in New York" - is one of my favorite blogs about the publishing industry. It's as funny as it is informative.

But I'm deeply dismayed to hear her say that no one's going to publish a book called BOOM! POTATO POTATO! and the Princess of Papyrion. Because I really want to read that book.

Friday, September 18, 2009

Friday Night Art Show: Ba Duba Dot, Du Bot

Old Stormalong



By Florence and Margaret Hoopes. [Lady, That's My Skull]

Squid, Where Is Thy Sting?



By Al Avison. And if you want to see Green Hornet use the sting ray to escape the squid, and then use both of them to fight off a shark... well, all you gotta do is click the following link. [Also from Lady, That's My Skull]

The Mermaid



By Warwick Goble. [Never Sea Land]

The Island of Captain Sparrow



No, not that Captain Sparrow. At least I don't think so. Boy, that would be really cool though, wouldn't it? By Norman. [American Pulps and Magazines]

King of Chaos



Artist unknown. [FictionMags Index]

House of the Wolf Man



Poster from the upcoming movie. [Bloody Disgusting]

Dwellers in the Mirage



Artist unknown [Poulpe Pulps]

Slave Leia



By Katie Cook.

Daggit Dreams



Eric Chu's concept art from Bryan Singer's Battlestar Galactica re-reboot. While it's very cool to see Muffit there, I'm not too excited yet. The caption for this piece reads, "Boxey dreams of a Daggit on LV-426." Still, I'm hoping that Singer works back in - in a meaningful way - the one thing that was sadly missing from Ron Moore's version. Click the following link for more art, including the Cylons and various ships. [Cinemaspy]

Mmm Bot



By Jeremy Vanhoozer.

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