Wednesday, May 09, 2012

LXB | Avengers, but with spies, but without Steed and Peel



For nerds of a certain age, there can be some confusion around the name Avengers. Most people are going to think of the Marvel superheroes, but there's still a dedicated group of fans for whom the name automatically brings to mind Patrick Macnee in a bowler and Diana Rigg in a catsuit. I neither blame nor pity them. Those are excellent things to spring to mind under any circumstances. But when I say "spy Avengers," that's not what I'm talking about. I'm talking about my response to this week's assignment from the League of Extraordinary Bloggers. Inspired by the Joss Whedon movie, Brian asks:

What pop culture heroes or stories would make for the ultimate crossover?

My mind immediately went to that March Madness bracket we did with all the action heroes. How cool would it be to do The Expendables the way we all want to see it done? Not with new characters, but with Stallone actually playing John Rambo and with Bruce Willis playing John McClane. Clint Eastwood could still play a threatening Dirty Harry. Maybe Schwarzenegger could bring back Dutch from Predator. That would be something to see.

But as I kept adding in characters from that bracket, I grew less pleased with the result. Snake Plissken and Indiana Jones wouldn't work without a time travel angle that would take over the whole movie. It also makes my head hurt to figure out a plot in which cops, spies, and soldiers all have something to do and can interact with each other for an entire film. So I decided to pick one genre and expand on it.

I picked spies partly because Bond and Bourne did so well in the bracket, but mostly because a) it's my favorite of those three genres, b) it's easy to add women to the cast, and c) there have been a ton of spy movies lately. That last one is important because it means that it's much easier to believe that these characters are all active and available to team up. With Rambo and Dutch, we'd have to spend the entire first act explaining why they're still (or back) in the game.

I already revealed them in the header image, but my ultimate spy team would be a 50-50 male/female mix: James Bond, Natasha Romanoff, Evelyn Salt, Jason Bourne, Ethan Hunt, and Hanna. I stopped it at six to keep it manageable (and limited myself to movie characters), but there's plenty of room for additional characters in cameos or whatnot: Mallory Kane, Hubert Bonisseur de la Bath, or any of the surviving cast of Red. Maybe not Maxwell Smart, but Anne Hathaway as Agent 99? Heck yeah. You could even throw in some TV spies for fun: Michael Westen, Jack Bauer, Annie Walker, or Carrie Mathison, for example.

What do you think? Would you pay good money to see that? What would your ultimate movie crossover be?

Tuesday, May 08, 2012

Kill All Monsters returns: Artist Alley Comics



It's finally happening, you guys. Kill All Monsters is coming back and it'll start June 22 at Heroes Con. We'll unveil more details later, but the gist of it is that Jason and I were invited to join a creator-driven digital comics initiative called Artist Alley Comics. It was created by some folks you may have heard of: Rich Woodall (Johnny Raygun), Craig Rousseau (The Perhapanauts, Impulse, Spider-Man Loves Mary Jane), and Kelly Yates (Doctor Who, Amber Atoms).

Rich and Craig's Artist Alley comic will be the previously teased Kyrra: Alien Jungle Girl; Kelly's is an awesome looking deal called MonstHer. Other creators participating in the launch are Richard Case (Hunter: The Age of Magic), Chris Kemple (Negative Burn), and Randy Green (Tomb Raider, New X-Men). Richard's comic will be called Annie Ammo, Chris' is Red Vengeance, and Randy's is Dollz. Kill All Monsters! is the sixth title in the initial launch and I'm extremely proud and pleased to be associated with this group. I'd give you brief descriptions of each series, but there's a preview PDF that gives a great peek at them, including six, never-before-seen pages from Kill All Monsters!

Next steps for the group are to launch a color preview at Heroes and I imagine we'll be releasing details about the full, digital launch at that time. In the meantime, here's one of KAM's six preview pages (there are actual monsters in the other five), so please check out the PDF and see everything that Arist Alley has to offer.

Monday, May 07, 2012

Girl World: The ignorance and oppression of female culture

This cartoon by Eleanor Davis makes me sad. The first panel is sad and it just gets worse with each panel after it. It's especially miserable to me, because I'm reading it at a time that I'm just starting to realize how different my world is from a lot of the women I share it with.

I didn't grow up around many women. We adopted my sister when I was starting my teenage years, but my entire childhood was spent with two brothers. Girls and women were a mystery to me and it wasn't until college that I started making friends with women and realized that they were pretty cool and that, generally speaking, I  actually preferred their company to guys.

A large part of the reason for that was simply that they were different. Having spent my entire life with boys up to then, I loved the change. I was fascinated by the insight of getting to know women and learning about their culture.

I know it sounds very anthropological (gynopological?), but that's not how I saw it at the time. I wasn't overthinking it then; it's only recently that I've been questioning my relationship with and attitudes about the female gender and where those things began. Back in the day, I was just, "Hey, cool! Girls!" But now I'm realizing that women do indeed have a different culture when they're by themselves. I just haven't recognized it.

There are a couple of reasons for my ignorance and I'll start with the most personally damning one: I'm a man in a traditionally patriarchal culture and that means that I've been privileged enough not to have to think about these things. I've been able to live successfully under the assumption that my culture is not just the dominant one, but really the only one. That men and women share a culture and that their experiences in that culture are more or less the same. I've always known that women have it tougher than men, but I never grasped the idea that the way they experience the world is fundamentally different from the way I do.

That's related to the other reason I've never thought about this. Since my gender has traditionally controlled the way the world is presented through media, my ignorance has never been challenged. Until just recently.

Since I've been married (15 years next month!), I haven't had a lot of opportunity to just hang out with groups of women. I have male friends I hang out with and my family and I do a lot with other couples and families, but the only view I currently have into female culture is through stuff like Sex and the City, Bridesmaids, or the recent episode of Pop Culture Happy Hour where Linda Holmes kicked out the boys for a week to bring in Parul Sehgal, Barrie Hardymon, and Tanya Ballard Brown. I kind of crave that.

It's Linda Holmes who's mostly responsible for pulling off my blindfold. In talking about things like Bridesmaids, she often mentions how refreshing it is to watch women on a screen talking the way that she and her friends talk when there are no guys around. She's not the first person who's mentioned that, but she says it consistently enough that it's finally sunk in. I've never stopped long enough to consider what it might be like to so rarely see yourself in movies and TV shows.

What's most disturbing though is the way my (that is, male) culture not only ignores female culture, but actively oppresses it. One example is offered by psychology professor Richard Beck, a Christian of the best possible kind who frequently blogs about theological and social issues and how they intersect with psychology. In a post on the Madonna/Whore dichotomy, Beck explains that "while most males fantasize about having sex with the Whore - the sexually uninhibited and insatiable female - they don't want to be married to such a woman. When it comes to marriage men want the Madonna, the virginal and faithful bride." He then goes on to observe that "in point of fact, women aren't very much like whores at all," observing that for prostitutes, their vocation is about economics and not sexual insatiability.

The actual origin of the insatiable whore idea is horrifying:
It is a product of Freudian projection. Throughout history, religiously conservative males have had to confront one of the greatest sources of their moral failure: the male libido. The male libido - the fact that men are sluts - is a sore spot of any male community wanting to pursue purity and holiness. And what has happened, by and large, is that rather than admit that males struggle mightily in the sexual realm, males have externalized the blame and projected their libido onto women. Rather than blaming themselves for sexual sin males have, throughout history, blamed women for being temptresses. The Whore was created to be the scapegoat to preserve male self-righteousness. Rather than turning inward, in personal and collective repentance, men could blame women, blame the whores, for their sexual and moral failures. It's not our fault, the men say, it's the whore's fault. 
Courtney Stoker offers another example of male culture's oppression of female culture: the objectification of women in geek society, particularly when it comes to cosplay. Stoker's talk is fascinating, especially because she brings in the observation that women often objectify themselves in their choice of costumes and the way they pose while wearing them. However, she argues that men aren't completely off the hook for that:
...one of the reasons geek women seek the approval of geek men is that geek men have positions of power and privilege in both geek industries and in geek fan communities. While women understand that sexy cosplay won’t get them respect, per se, they also know that it is most likely to get them positive attention, recognition, and limited acceptance in geek communities. Women who do not or cannot seek sexual approval from the male geek community are more likely to be ignored, derided, or dismissed.
That's a simplified argument, of course. There are as many reasons for a woman to dress sexily as there are women who do it. But it does highlight the indisputable and unignorable fact that women are rewarded with attention by presenting themselves as sexually approachable. Because for too many men, that's the beginning and end of their interest in women. That's a terrible thought when men are the ones with the power. It's easy to see how it leads to the kind of thinking by some women that's illustrated in Eleanor Davis' cartoon.

Fortunately, the world is changing. Less and less women are willing to be have their culture ignored and oppressed, while more and more men are becoming eager to learn about and from women so that the two genders can become equal partners in directing the human race from here on. There's still a long way to go though and a lot of work to do, but it begins with more men realizing that there's a problem.

Saturday, May 05, 2012

¡Feliz Cinco de Mayo!



Unfortunately, I'll be nowhere near a mariachi band or a burrito all day, but that doesn't mean you have to deny yourself. Hope it's a good one.

Photo lifted from Helldini Chronicles.

Friday, May 04, 2012

LXB | That little droid and I have been through a lot together



I'm steadily catching up to the rest of the League, but thanks to the wise council of our intrepid leader, Brian, starting next week I'm going to skip ahead a bit and go live with the group. I'll still play makeup on the assignments I've missed, but even though it'll hurt my pretend OCD to go out of order, it'll be more fun to get back in the game earlier. To finish up this week though, here's another catch-up assignment.

What is the one item in your collection you would save if your house was being swallowed by a sink hole, carried off in a tornado, and then swept away in a flood?

This took some thinking. Like I said earlier, I don't really collect much anymore. A lot of what I've collected in the past is in storage bins, but I do have a few things on bookshelves in my office. I figure that's a good indication that I value them more than - say - that old Six Million Dollar Man action figure with the threadbare uniform or even the re-issued Millenium Falcon playset I was so happy to finally get as an adult after not having it as a child. In the Falcon's case, not displaying it is more about size than it is the value I place on it, but still...if it was that important to me, I'd likely make room.

One of the reasons that it's not is that it's a re-issue. That means that it came with some cool features that the original Falcon playsets didn't, but it also means that I don't have as much emotional attachment to it. I took it out of the box and flew it around a little while, blowing up the cat with my pretend blasters, but I didn't spend hours making up stories about it the way I did with other toys when I was little. Like my Star Wars figures.

What I'd grab first from my collection is the small handful of original Star Wars figures I still have: R2-D2, Han Solo, and Chewbacca. I may have a lightsaber-less Luke Skywalker somewhere, but he's not on the shelf with those other three. I have no idea what happened to Darth Vader, Obi-Wan, Leia, C-3PO, the Tusken Raider, the stormtrooper, and the Death Star commander. Maybe my brothers have those. It doesn't really matter. It's not about the figures themselves.

Though Han and Chewie were always my favorites (that's why I coveted that Falcon playset so much) and I love the cool, clicking noise R2 makes when you turn his head, those toys are special because they represent a huge part of my childhood: both emotionally and in terms of time spent playing with them with my brothers. Nothing else on any of those shelves comes close.

The rest of the League also has stuff they wouldn't want to lose and, like me, a couple of them are particular childhood toys. Life With Fandom is attached to one from another series, while Branded in the '80s has a different Star Wars toy that he can't give up. There are also some awesome items in other people's collection. I especially love Brian's King Kong model and Lair of the Dork Horde's Mego Conan. But my favorite post of all is the one by Flashlights Are Something to Eat that not only explains his blog title and URL, but includes clips from the cassette tapes he and his brother made as kids. Such awesome memories. That's what collecting is really about for me.

May the Fourth be with you



Happy Star Wars Day, everyone. I got you an ecard that Grant Gould made for StarWars.com.

Wednesday, May 02, 2012

Writing is Hard: Get your dress dirty


Photo by Michelle Kennedy.

The only reason you need to follow Ben Caldwell's blog is the art he puts up there, but lately he's been doing some great process posts too. A lot of them are about design and visual storytelling, but last week he talked about some things that apply to writing too. In discussing creative block, he said:
start drawing/writing whatever is giving you trouble, without trying to make it good. even if you throw away everything you just did, at least you'll have done SOMETHING, and at least clarified certain things you DON'T want to have. it's always easier to fix something that exists, than worry about something that doesn't. also, no one ever accomplished something by not doing it.

if you're working on a script or drawing and unsure how to get past a certain point, then save a copy of whatever you're doing, then go ahead and finish it however the hell you want. follow your ideas through to their logical conclusion, because this can help you see if perhaps you were asking yourself the wrong questions in the first place -- which is the best way to get the wrong answers.
Writer Angela Booth describes this as "making mud."
Writing is creative work, not typing. [...] I look on my first drafts of all writing as making mud -- making a mess. You've got to get some words written so you know what you're thinking about a topic, and you can't know until you write it.
I love that analogy and it's helped me a lot with Kill All Monsters. I'm not as obsessed about turning in a perfect draft to James (my editor), because I know that it's just the material that I'm building the actual story with. I also love what Ben adds to that point: that the process of creating mud and playing in it is also educational. It's the creative equivalent of Edison's famous statement about knowing a thousand ways not to build a lightbulb.

Basically, it's about fearlessness. It's a cheap kind of fearlessness, because it doesn't even require showing your practice stuff to anyone else, but it's still important. Every creator either admits to struggling with doubts about his or her work, or is a big fat liar. So anything that helps deal with that fear - however small - is valuable.

Tuesday, May 01, 2012

Let my people go-go







With apologies to the genius behind the Warner Archive newsletter.

LXB | He tasks me, and I shall have him!



I'm not as much of a collector as I used to be, but I was still able to come up with an answer to this assignment from the League of Extraordinary Bloggers.

We all collect something. What is a holy grail item you hope to find at a flea market, toy show, or comic convention? What else do you collect? 

I used to collect comics, but now I mostly just accumulate them. I don't have particular characters or creators that I follow religiously anymore. In fact, I've lost the collector bug for most everything. I still buy a lot of books, comics, movies, and music, but the difference is that I don't do it anymore with the specific idea that I'm building a collection other than just Stuff I Like. Collecting is fun, but the completist mindset was keeping me from trying new things by forcing me to focus exclusively on things I already liked. Others will have different experiences from mine and that's awesome. I just decided it wasn't for me and the Star Trek and Star Wars novels are a perfect example of why.

I was a huge Star Trek fan during the Next Generation days and I was still very much a collector. I wanted all the episodes, all the movies, all the books, and all the comics. The problem was that the publishers of the Star Trek Expanded Universe novels knew this about me. I started to realize that in order to keep up with the Star Trek novels (and the same was true for Star Wars), I literally could read nothing but Star Trek and Star Wars novels. I treaded water that way for a while - hoping that the publisher would selflessly ease up on me one day - until I finally read an interview with one of the Star Trek editors who explained that keeping me focused purely on her novels was exactly the plan. They were never going to let up; so I quit cold turkey. Same goes with anything else that threatens to eat up all my resources and leave me no time to explore new things.

Having said that, there is one collection that I started years ago that I'd love to complete. During the last days of Star Trek: The Next Generation's influence on pop culture, I went to a Star Trek convention and bought the poster at the top of this post. And since Michael Dorn was at the show (Worf was always my favorite), I had him sign it. And I thought, "Wouldn't it be cool if I could get everyone in that picture to sign it too?" It never happened, so that poster is still rolled up in a tube in my office somewhere with Michael Dorn's lonely signature on it. Even though the days in which I'd hang up a Star Trek poster in my office are long gone, I'd totally put it on the wall if it had all those autographs on it. Too bad I wasn't in Calgary last weekend. If I'd known about it, I seriously would have tried to make that happen. I forget how much I loved that show until stuff like this reminds me.

The rest of the League mentioned some cool stuff that they collect, but a few of them especially crossed over with my interests. Pendragon's Post wants a cool Wonder Woman villain toy from the Linda Carter show. Lefty Limbo wants an awesome Space: 1999 ship. Toyriffic wants a giant-sized Rodan toy. LXB host Brian from Cool and Collected wants a wind-up gorilla (and who wouldn't?). The Lair of the Dork Horde wants a Weebles Haunted House (My brothers and I totally had that as kids and I have fond, but frustrating memories of trying to integrate it with our extensive collection of Fisher Price Little People playsets). And finally, Flashlights Are Something to Eat reminds me yet again of how wonderful a show Mister Rogers' Neighborhood was.

Do you collect anything? Are there holes in your collection that you're eager to fill?

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